The Best Man

Verrrry nice. I think this is the first good black movie I have seen that didn't need to be but simply was. Well-known, medium-powered Black actors and actresses in a movie that didn't focus on the Black experience. The BEST part... the whole movie was done with thought-out class. The story wasn't about brothers from the 'hood trying to make it in the White Man's world or some racially-charged Spike Lee joint. Think of a great episode of the Cosby Show re-written for an adult audience, bearing a PG-13 rating and you know how you'll feel when you leave the theater. It's about time.

This was the first time in as long as I can remember where the lead characters, though African-American and male, were not tragedies. No drugs, alcohol problems. Each man had a job, neigh a career. It really reminded me of my friends. I know someone that represents each of those characters. Not too long out of college and working our way towards "making it." It really sent the message that African-Americans are able to achieve without a rap video and we certainly don't all sell drugs. It was not a typical "black" movie. It was just a movie about a group of friends, irrespective of the color of their skin. We have brains and know how to use them. This is a more accurate representation of us anyway since what the media shows is a very small percentage. Great job, Spike!

I was very impressed with The Best Man. As an avid moviegoer, this was the very first Black movie made in recent decades that was done right. As a first major endeavor for Malcolm Lee, my hat is off to him for portraying young, successful, upper-middle class African-Americans in a solid storyline that was at once heart-warming, funny, serious at times, but light at others. Overall... simply very well done. The character's development was executed eloquently and, at times so subtly, I nearly missed some things. The cinematography, costumes and sets were all as they should be: done with class.

This young, successful, upper-middle class African-American says thanks for finally doing it right.

The Best Man is a very entertaining romantic comedy. The ensemble cast clicks and clashes with one another at just the right moments. Taye Diggs's character, Harper, is charming and charismatic, but WHY would he write a book that causes pain to those close to him? Is it to enlighten his friends or to reveal his own frailties? Perhaps, a little of both.

There is a good mix of very funny and also intense emotional moments and the audience is captured; cheering some of the cast and hissing others. It's quite uncanny that transformation occurs for certain characters especially when it's needed. Terrence Howard's character, Quentin, is a prime example. At the beginning of the film Quentin is basically a guy who lacks direction and propriety in his behavior. Over the course of the film, he becomes the voice of wisdom and the glue that holds it together for those closest to him.

Malcolm Lee's directorial debut is quite admirable in this well paced, universally appealing film. Don't miss it.

`The Best Man' is a flawed but generally rewarding romantic drama, featuring a first-rate cast of likeable, talented actors. The film tells the tale of a handsome up-and-coming writer whose first novel has just been published on the eve of his best friend's wedding. The problem is that much of the material in the book has been drawn from autobiographical sources – and now, as old friends gather for the ceremony, the author and best man, Harper Stewart, has to face the fallout from some of the less than flattering portrayals contained therein. In addition, the novel contains the revelations of a few hitherto well-guarded secrets, some of which bear directly on the principals involved in the wedding itself.

Ironically, the primary strength of the film also emerges as its overarching weakness. The movie provides so richly textured a depiction of the interrelationships between and among the wide assortment of characters that it alternately straddles the line between fascination and tedium. On the positive side, writer/director Malcolm D. Lee is not afraid to give the characters their due, to allow them to reveal their many-layered personalities in scenes that play out in real-time tempo and rhythm. One appreciates the fact that we are not being rushed along from one highly dramatic moment to another without time to really get to know the characters as people. The counter effect of this, however, is that the film often seems too talky, self-indulgent and dramatically flat, a fact not helped by the excessive 122-minute running time. In addition, the whole novel-publishing aspect of the story seems both unnecessary and contrived, not to mention lacking in credibility since it becomes a bit difficult to believe that, if he were so terrified about his friends discovering his true perceptions of them, Harper would have written the novel in the first place. Moreover, when we hear voice-over recitations of a few sections of the novel itself, we are struck dumb that so badly written and trite a work could be so critically lauded and commercially successful.

However, the film's virtues do, ultimately, outweigh its imperfections. The actors and actresses turn in uniformly fine performances and the film deals intelligently and sensitively with the age-old issues of the fear of commitment and the two-faced attitude many men have when it comes to female infidelity. Lee, within the context of his characters, confronts these issues with subtlety rather than heavyhandedness and the last half hour or so of the film turns into a very moving celebration of the qualities of acceptance, commitment and sacrifice necessary to make a relationship truly work. `The Best Man' may require a little patience at times to get through, but the reward for those willing to give it a try makes it worth the effort.