Virtual Sexuality

Nobody that sees this movie will tell you that the plot is spectacular or brilliant, but I think most people will be fairly entertained by it. There are, as in most movies, some slow times or failures, but there are some interesting developments dealing with the main characters, primarily how the girl acts in her new body as a guy. It's really a toss up whether or not the movie is worth seeing. If you're in the mood for a fairly simple but mostly entertaining film, go ahead and check it out. If you prefer heavy or artistic movies with flawless and deep plots, you should probably avoid this one. It is also worth noting that the English accent is sometimes hard to understand, so if that annoys you, this movie will too.

Justine is still waiting for her first real romantic encounter. She has had opportunities but has skipped them, for she longs for the whole package; that is, true love. When she goes to a technology fair with a friend named Chas, she enters a booth and is urged to "create" a perfect male for herself on screen. Yet, a freak accident results in her newly fangled male, Jake, to pop out of the screen and be a living specimen. However, he does not want anything to do with Justine. Justine is in despair and resolves she'll "just get it over with" with someone else. No, no Justine! Don't do it! This is a British film with some good moments. Watch Justine on her actual dream date, riding down the Thames in a boat, for example. Now that's lovely. The young actors are all adept, although the man playing Jake did not seem like a "dreamboat" to me. The London setting is fun and the dialogue perky, although there is some bad language thrown in. All in all, do you think you've seen all of the romantic comedies in existence? You have not, if you've missed this one. Look beyond its bad title and give it a whirl for an evening. You might be pleasantly surprised at how likable the film is.

I stumbled upon this movie accidentally. In any other situation I would have most likely turned the TV off and paid this movie no mind. But once I started to watch it I couldn't turn it off. I tried but my hand would slowly wander back to the remote. The acting wasn't the best that I've seen. The plot was horrible and predictable. Yet I was compelled to watch on. I've seen movies that have claimed to be intellectually stimulating and left feeling as though I had been robbed of something. But with this movie you walk in expecting nothing and therefore you feel as though you've lost nothing when you're done. I would suggest seeing this movie if you're looking for something fluffy, candy-coated, and just plain entertaining.

The criticisms thrown at this British film have all missed the point - the filmmakers were trying to create a campy teen sex comedy in the banal and exploitative tradition of American 1980s cinema, but reverse the gender roles so that the girls are the protagonists and the boys do all of the nudity. It's no surprise that it took U.K. filmmakers to achieve this role reversal, largely because U.K. and other Euro films have never shied away from full male nudity, much unlike American filmmakers.

On this angle, the filmmakers have been absolutely successful. I attended a viewing of this last week in Toronto, and noted the hetero couple sitting in front of me - at the end of the film, the girl seemed slightly amused and aroused, while the boy seemed put out a bit - his facial expression seemed to resemble that of your average straight teenage girl after viewing Porky's or something like that. He seemed annoyed, and frustrated that all the nudity (and there was a lot of it for mainstream film standards) in the film was male.

Pathetic plot points aside, or bad acting, etc. this film achieves what it wanted to achieve - exploit the male gender in the context of a banal teen sex comedy featuring female protagonists. They weren't going for a logical plot or characters who would intrigue the audience. Who ever cared about the plots of the 1980s American teen sex comedies, anyway?

The filmmakers achieved their primary purpose with the teenage boy locker room scene, featuring several furtive shots of full frontal nudity. Not to mention, the numerous butt shots of star Rupert Penry-Jones, the dream boat created by the film's virtual reality machine, throughout the entire film.

While the premise of this film has been done, it starts out with enough freshness and humor to keep you watching. Justine's early escapades inside the body of her own "perfect man" are quite humorous and Rupert Penry-Jones as Jake does a great job portraying a man, with the "personality" of a teenage girl, Justine. But past the halfway mark this film loses complete direction. We grow to really like the endearing Jake, but we discover that Justine is also a separate entity to him, (i.e. the machine made a double of Justine as a man, so there are two of them, one male, one female). And then the film follows Justine in her efforts to snag Jake, (as she doesn't know he is really her). The movie tries to make her the central character again, and fails because we really don't care anymore -- she's hardly as interesting. It also takes a detour at the moment when some intriguing and more controversial issues are about to be raised. Jake is being seduced by a girl at school that everyone calls, "hoover",(take a guess why), and after she spends sometime kissing him on the street, we never see her again. It raises an interesting question of sexual preference, i.e. justine inside a man's body being attracted to a woman, but the movie skirts the issue, wanting instead to regress into a high school soap opera. At the close of the film Jake is deleted in a quick wrap-up effort to make this a movie about loving yourself and waiting to lose your virginity to a "nice guy," who may not have the looks, but has the personality. Its hokey sub-plot about the scientists trying to recapture Jake to perform scientific experiments on him only hinders the movie even more, making certain scenes into a slapstick comedy. Its unfortunate that something could start out interesting enough and plummet so quickly. But the first half-an-hour is worth watching, if for nothing else than Rupert Penry-Jones (Jake)as he "explores" his new masculine body.