Byleth: The Demon of Incest

Countess Barbara (Claudia Gravy) returns home after a year of gallivanting around Europe, much to the delight of lovestruck Duke Lionello Shandwell (Mark Damon, who looks like a cross between Doug McClure and Martin Landau). A couple of problems: 1) she announces that she has got married, and 2) Lionello is her brother (Barbara is a total babe, but that's no excuse). Jealous Lionello proceeds to spy on his sister and her new husband Giordano (Aldo Bufi Landi), including when the couple are making love; meanwhile, a mysterious figure is killing local women with a three bladed weapon. Giordano comes to suspect that Lionello is possessed by the demon Byleth, who causes its victims to kill and live in incest.

Byleth: The Demon of Incest features plenty of nudity and sex, with some very attractive actresses revealing all for their art, but despite the film's salacious title, it really isn't all that depraved. Shame. With a little more deviancy and a lot more gore (the murders are extremely tame, with just a few trickles of blood), this could have been a classic of Italian sleaze, but as it stand. it's actually surprisingly bland, nothing much of interest happening between the soft-core romps and lacklustre deaths.

The incest angle finally comes into fruition moments before the end, when Lionello gives in to his urges and Barbara willingly obliges (he's possessed by a demon... what's her excuse?), but the sex is only suggested (keeping it 'tasteful'). Lionello wakes to discover Barbara dead, three wounds on her neck, and goes in search of Byleth for revenge, leading to a rather confusing climax in which the demon appears, looking like Lionello in drag-queen make-up. As erotic gothic Euro-horrors go, this one is merely run-of-the-mill, not nearly as controversial or taboo-busting as the title suggests.

Aug 21

I have just got to see Byleth for only the 2nd time, a few years after the first viewing and i was pleasantly surprised how much i enjoyed it.

Italian gothic type horror starring Mark Damon and Claudia Gravy, well worth finding out.

I was slightly disappointed with the abrupt ending and a couple of times there appeared to be little flashback scenes will no explanation as to why and who the women were supposed to be.

On the whole pretty decent.

7.5 out of 10.

I only have a brother, and I hardly ever get the urge to shag him, so the subject of incest is all new to me. Byleth explores the subject by placing it in a more superstitious era, mixing it up with a possible supernatural angle, throwing in a whole load of nudity, and confusing the crap out of me to boot.

Mark Damon has a sister whom he likes. Really likes. He's a Duke and stays in a big castle with loads of staff giving him the glad eye but the film heavily implies that the only thing that gets Mark up and angry is his sister, played by Claudia Gravy. That's a problem, because Claudia has just returned after being away and she's got married during that time. The other problem is the serial killer going around killing red-headed women. The other other problem is that there might be a demon involved, and the other other other other other other problem is that the demon might be possessing Mark! How's he supposed to get into his sisters knickers with all that going on.

That amount of stress would usually kill all the romance dead in the water, but this is a seventies Italian film and therefore everyone's as horny as a Glaswegian lass full of blue WKD. This helps the director pad out the film with endless wriggling sex scenes that look about as natural as Kim Kardashian's arse. Mark does a lot of spying on people as well during this film, and every actress has red hair and looks similar, so things become confusing really quickly.

Is Mark possessed by a demon or is that just an excuse for him to frottage his sister's leg? Who is that guy he keeps seeing on the horse who kind of looks like him but might not be? And what happened at the end?

No really - what happened? It didn't make sense to me.

This is surprisingly watchable due to Mark Damon acting mental. He also played a guy who wanted to boff his sister in Crypt of the Living Dead.

This strange cult oddity has been all but forgotten since its release in 1972, and I'm not really surprised at that - as while it certainly is a film with some merit, it's also really bizarre and I have no idea who the target audience might be. The name of the title is a demon, who apparently also happens to be the king of hell and who can curse a man to live in incest. Lionello is a man who has been punished by the demon and thus lusts after his own sister; which is not good news for her husband Giordano. If I had to liken this film to other films I've seen, I'd put it in with the likes of Valerie and Her Weekend of Wonders and The Reincarnation of Isabel as all these films are low on plots but high on weird goings on that don't always make a great deal of sense. This film does not benefit from a constantly intriguing narrative but there is usually just about enough going on to ensure that the film doesn't become boring. Director Leopoldo Savona creates a good style for the film and it does look very nice indeed. The film benefits from a handful of beautiful women who don't seem to mind taking their clothes off, which is also nice and care is taken with the locations also. It soon becomes apparent that the plot is not really all that important; but it is at least worthwhile and the script does bother to tie things up at the end. Overall, this is a decent if strange watch and while I wouldn't recommend anyone goes out of their way to find it; it is at least worth seeing.

A rather slight but beguiling film that defies categorisation. It doesn't have much truck with a coherent narrative flow either but then it is the malformed or only partly successfully realised films that so often seem to capture the attention of the more jaded cinema viewer. Incest is, I guess, the big ingredient here and the reason why the film has slipped out of availability, but it is linked up with demonic possession too. Oh and rather a lot of naked flesh and erotic goings on. These scenes are well shot and the girls all seem attractive, in fact they also look rather similar to each other, intentionally, I assume, and all but one seems to have red hair. Indeed the outdoor scenes are also attractive and so even when the 'plot' is coming a little unstuck, there is always something beautiful or strange to look at. Decidedly odd at times, this is that little bit different and if there is little blood in the killings we certainly get startling facial close-ups and giallo like wide eyed deaths.