अपनी भाषा में प्लॉट जोड़ेंSeveral escaped prisoners and two hostage women along with a sheriff's deputy find themselves trapped in a mine shaft, where a cannibalistic mutant is hunting them for food.Several escaped prisoners and two hostage women along with a sheriff's deputy find themselves trapped in a mine shaft, where a cannibalistic mutant is hunting them for food.Several escaped prisoners and two hostage women along with a sheriff's deputy find themselves trapped in a mine shaft, where a cannibalistic mutant is hunting them for food.
Laura Kallison
- Monica Perry
- (as Laura Kalison)
Randy Powell
- Billy Williams
- (as Randolph Powell)
Christopher Webster
- Rachel's Husband
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Three convicts escape from a maximum security prison on Christmas eve, and hijack a vehicle on a snowbound backwoods road holding the two women hostage. In trying to avoid a roadblock, they go off road and crash through a rotting cover over an old mine shaft. The survivors now find themselves trapped in a maze of old tunnels, but soon realise they might not be alone. Meanwhile a local deputy sheriff is on their trail.
I don't know what to say... this is an odd genre film trying to balance a whole range of genre elements. I kind of like it, yet still felt somewhat disappointed. There's something there, but I don't think it fully taps into it and the lack of a budget adds to it. It's schlock material, but it doesn't entirely act like it. Well, not exuberantly so... with the exception of one character sub-plot. Story starts off straightforward with quite a long-winded setup, where the acting, and dialogues are ham-fisted in their serious delivery. For the first hour you got deal with a lot of it. Plenty of predictable character arches, and restless friction between unwanted company in the caves to move the story forward, but when the underground cannibal hermit (a wrinkly old man with scraggy white hair and a beard) makes himself known to the group. It sort picks up the pace, the dark is no longer playing tricks and what develops is downright nonsensical and unhinged, especially the events surrounding the mysterious women that lives nearby and the cartoonish nature of her inclusion. There are a couple eerie, and unpleasant jolts with decent looking make-up FX... just not enough when it came to shove.
One thing though that had me bug-eyed, and probably the most effective horror moments are the scenes where a mechanical claw (like out of a plush toys machine?!), would come down and clamp down on his meals. Quite a pro too, as it only took him one go each time.
For star power Cameron Mitchell sleeps through his tiny part, where he spends a good part of his role literally doing just that, and when not rolling around in bed, there's a Christmas party to host at the beginning, or talking on the telephone in his best attempt to look worried about his missing daughter. Oh, he wasn't even trying. Go back to sleep Cameron.
I don't know what to say... this is an odd genre film trying to balance a whole range of genre elements. I kind of like it, yet still felt somewhat disappointed. There's something there, but I don't think it fully taps into it and the lack of a budget adds to it. It's schlock material, but it doesn't entirely act like it. Well, not exuberantly so... with the exception of one character sub-plot. Story starts off straightforward with quite a long-winded setup, where the acting, and dialogues are ham-fisted in their serious delivery. For the first hour you got deal with a lot of it. Plenty of predictable character arches, and restless friction between unwanted company in the caves to move the story forward, but when the underground cannibal hermit (a wrinkly old man with scraggy white hair and a beard) makes himself known to the group. It sort picks up the pace, the dark is no longer playing tricks and what develops is downright nonsensical and unhinged, especially the events surrounding the mysterious women that lives nearby and the cartoonish nature of her inclusion. There are a couple eerie, and unpleasant jolts with decent looking make-up FX... just not enough when it came to shove.
One thing though that had me bug-eyed, and probably the most effective horror moments are the scenes where a mechanical claw (like out of a plush toys machine?!), would come down and clamp down on his meals. Quite a pro too, as it only took him one go each time.
For star power Cameron Mitchell sleeps through his tiny part, where he spends a good part of his role literally doing just that, and when not rolling around in bed, there's a Christmas party to host at the beginning, or talking on the telephone in his best attempt to look worried about his missing daughter. Oh, he wasn't even trying. Go back to sleep Cameron.
It's fair to say that a lot of dross was made in the 1980s and TRAPPED ALIVE (aka TRAPPED) is a good example of this. It's a cheesy, low budget piece of nonsense that attempts to combine the thriller and horror genres but does neither successfully. The plot is the most interesting thing in it but even that's mishandled, leaving this a near unwatchable viewing experience.
The film sat on the shelf for five years before release which gives you some idea of the quality. The story sees some violent criminals bust out of prison and take some young people hostage. The local police department are in hot pursuit, but all of the characters end up being trapped in an abandoned mine where they're pursued by a cannibalistic killer.
It's predictable stuff indeed and feels so slapdash that it's impossible to enjoy. The early scene-staging stuff is quite dull but when the action shifts to the mine things get really dark (visually) so you can't figure out what's happening. There's some gloopy gore here and a lot of bad acting from the cast, including Cameron Mitchell in one of his '80s-era anything-goes B-movies. The killer is a visual disappointment looking just like an old man and there's no bang here, just fizz.
The film sat on the shelf for five years before release which gives you some idea of the quality. The story sees some violent criminals bust out of prison and take some young people hostage. The local police department are in hot pursuit, but all of the characters end up being trapped in an abandoned mine where they're pursued by a cannibalistic killer.
It's predictable stuff indeed and feels so slapdash that it's impossible to enjoy. The early scene-staging stuff is quite dull but when the action shifts to the mine things get really dark (visually) so you can't figure out what's happening. There's some gloopy gore here and a lot of bad acting from the cast, including Cameron Mitchell in one of his '80s-era anything-goes B-movies. The killer is a visual disappointment looking just like an old man and there's no bang here, just fizz.
I had never heard about this 1988 horror movie titled "Trapped Alive" prior to sitting down to watch it here in 2022. I stumbled upon "Trapped Alive" by random chance, and of course I had to watch it, as it was a horror movie that I had never seen before.
The storyline in "Trapped Alive", as written by Leszek Burzynski and Julian Weaver. Is pretty straight forward actually, and easy to follow. However, on the same note, it should also be said that "Trapped Alive" is also a very generic and predictable movie. But at the same time it is a late 1980s horror movie that essentially has every corny ingredient to it; a generic horror plot, an implausible storyline that makes little sense if you look at it objectively, amazingly well-lit subterranean mine shafts, characters dumber than wood, a subterranean cannibalistic crazed person, toe-curling bad acting performances. So what's not to like here?
The acting performances in the movie were for the majority fairly okay for a movie of this caliber. But the acting performance put on towards the end of the movie by actress Elizabeth Kent (playing Rachel) was just so cringeworthy to behold that it has to be seen to be believed.
The pacing of the movie is slow, and nothing much of anything worthwhile happens before 51 minutes into the ordeal. And with a movie that runs at 92 minutes, then it was just too little too late.
Visually then director Leszek Burzynski's 1988 movie wasn't outstanding. The creature design wasn't scary or anything, and it made for a very sloppy on-screen-creature.
While I managed to sit through "Trapped Alive", I was only mildly entertained. And I can in all honesty say that this is not a movie that I will ever be returning to watch a second time.
My rating of "Trapped Alive" lands on a very generous four out of ten stars.
The storyline in "Trapped Alive", as written by Leszek Burzynski and Julian Weaver. Is pretty straight forward actually, and easy to follow. However, on the same note, it should also be said that "Trapped Alive" is also a very generic and predictable movie. But at the same time it is a late 1980s horror movie that essentially has every corny ingredient to it; a generic horror plot, an implausible storyline that makes little sense if you look at it objectively, amazingly well-lit subterranean mine shafts, characters dumber than wood, a subterranean cannibalistic crazed person, toe-curling bad acting performances. So what's not to like here?
The acting performances in the movie were for the majority fairly okay for a movie of this caliber. But the acting performance put on towards the end of the movie by actress Elizabeth Kent (playing Rachel) was just so cringeworthy to behold that it has to be seen to be believed.
The pacing of the movie is slow, and nothing much of anything worthwhile happens before 51 minutes into the ordeal. And with a movie that runs at 92 minutes, then it was just too little too late.
Visually then director Leszek Burzynski's 1988 movie wasn't outstanding. The creature design wasn't scary or anything, and it made for a very sloppy on-screen-creature.
While I managed to sit through "Trapped Alive", I was only mildly entertained. And I can in all honesty say that this is not a movie that I will ever be returning to watch a second time.
My rating of "Trapped Alive" lands on a very generous four out of ten stars.
The most frustrating thing about this film is that it had all the right pieces to be so much better. A creepy abandoned mine setting, a deformed cannibal hunting unsuspecting victims... but we end up with maybe five minutes of that promised premise at the most, with the film wasting 95% of its run time on multiple storylines of unrelated, unentertaining drama. It could have been up there as a classic, memorable slasher, had it done away with all the unnecessary filler in favour of bloody kills and more cannibal action, but unfortunately we're just left with a brief taste of what could have been in the end. The acting and production value are decent enough at least, but those things are wasted on a film as boring as this.
I first saw this in the late 90s on a vhs.
Revisited it recently aft reading Ba_harrison's hilarious review.
This movie is indeed unintentionally funny.
The old geezer's/monster's white hair, the girl's out dated undergarments, the end speech and Mongo's face n guts.
On a snowy Christmas nite, three convicts break outta prison n they carjack taking two women as hostages but things turn ugly when the car plummets down a mine shaft, trapping all the five fellas down. Well, like they say outta the frying pan into the fire.
Unknown to em, an ol Alexander Pearce with snowy hair has been inhabiting the mine.
The film lacks tension n the twist is very predictable.
The kills r very few n nothing gory, except for the offscreen one.
I thot that Mongo the Rubeus Hagrid lookalike will put up some fight man.
Cameron Mitchell is totally wasted.
क्या आपको पता है
- ट्रिवियाThe two models on the cover of the VHS box do not appear in the film.
- भाव
[last lines]
Monica Perry: [begging Randy to put her out of her misery] Not Alive... PLEASE!
- कनेक्शनReferenced in Adjust Your Tracking: The Untold Story of the VHS Collector (2013)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Trapped Alive?Alexa द्वारा संचालित
विवरण
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें