Banco à Bangkok pour OSS 117

This film begins with an American spy being killed while attempting to piece together information related to a rise in the cases of bubonic plague in India following cholera vaccinations developed by one specific lab in Bangkok. Recognizing the importance of this information OSS Agent 117 "Hubert Barton" (Kerwin Mathews) is sent to try to piece together what he can to prevent a world-wide pandemic. What he doesn't know is how close a secret criminal organization called "the People Elect" are in accomplishing their diabolical plans. Now rather than reveal any more I will just say that most of those who are familiar with the OSS 117 series will admit that it doesn't have the same level of intensity as those films found in the James Bond franchise. Along those same lines, most people will also admit that Kerwin Mathews doesn't have the same level of charisma as either Sean Connery or Roger Moore. Having said that, however, he still performs well enough to get the job done. Likewise, having two attractive actresses in Eva Davidson (as "Dominique Wilms") and Pier Angeli ("Lila Sinn") certainly didn't hurt in this particular case either. In short, while this certainly wasn't a great spy film by any means, it was sufficient to pass the time and I have rated it accordingly. Average.

This movie was released in India as 'Panic in Bangkok' around the same time that Goldfinger became a raging hit. Panic in Bangkok was a big hit too and it launched a huge following for the OSS 117 franchise, which went on to star Fredrick Stafford. This movie was so popular that it was remade in Tamil as 'Vallavan Oruvan' which made actor Jaishankar a star. I loved this movie and although I was hooked to Sean Connery's Bond franchise, I found the OSS 117 series equally credible and most of them were good. Panic in Bangkok was the best and Kerwin Mathews was one of the popular stars of the time with his other movies like 'Viscount' also doing great business. I have been trying to get hold of DVD's of the OSS 117 films, which unfortunately are never played on TV in the US.

Those are both just alternative titles I made up. The original French title is "Banco a Bangkok pour" and looking up the different possible contextually dependant meanings of the word "banco" I decided on the one above. On the other hand "Dr Sinn" is the name of the main villain and could have been used as the title, in imitation of "Dr No". "Cardinal Sinn" would have been even better, but as he actually existed in the real World (representing the Phillippines) that would be inappropriate.

OSS-117 takes the form of Kerwin Mathews in this one, the first to be shot in colour.

Bangkok is the first exotic location for OSS-117 outside of France, an indication of increasing popularity reflected in the budget? No shortage of colourful locations to choose from here. One thing that struck me as a bit odd though, was the lack of traffic on the city streets, the Bangkok I have visited was always bustling and crowded with traffic, shoulder to shoulder and bumper to bumper. Perhaps that wasn't the image the local government wanted to present to the outside World back then?

The Villain and his followers feel that mankind is destroying the planet with nuclear energy, pollution etc. And the only way to stop them is to wipe them all out, using bubonic plague, apart from a worthy few (selected by themselves of course) who will get the antidote. An evil scheme which still resonates today, possibly more so?

OSS-117 is always cool, calm and collected, with a dash of dry wit, and Kerwin plays this aspect of the character very well, probably better than Fred Stafford. The screenplay does a good job of allowing him to demonstrate his "trade craft" and careful, calculating nature.

Perhaps a bit too calculating in one early scene? Kerwin jumps in a taxi and some of the villains henchmen follow, with the idea of strafing the taxi with machine gun fire. Kerwin spots them and decides to lose them by jumping out of the taxi after it goes around a corner. But before doing that he gives the driver some extra money and instructs him to drive on as fast as he can after Kerwin decamps. Kerwin roles out the door and takes cover. The baddies drive past, continue their pursuit, strafe the vehicle, killing the driver and crashing the car. Kerwin then catches lift with a passing truck, and as they pass the site of the crash they stop and look at the wreck, where locals are standing around (and there is no sign that the driver has survived). Kerwin smirks at his own cleverness in eluding assassination, no sympathy shown for the fate of the innocent taxi driver. Now that is some cold-blooded merde!

As usual the soundtrack is often inappropriate, playing cheerful ersatz Asian flavoured Bosa-Nova jazz, which does little to generate suspense or tension during what should be exciting dramatic scenes.

The fights are well choreographed, but rather poorly executed (they would be performed much more convincingly in the Fred Stafford films that followed). Overall the film could do with some editing, with several car and boat rides going on far too long.

Robert Hossein looks the part as "Dr Sinn" and has a suitable "Ken Adam-esque" underground lair beneath a crumbling temple ruin. The elfin Pier Angeli plays his misguided sister, who eventually sees the light and falls for Kerwin, and Domenique Wilms is the villain's faithful mistress, who also eventually has a change of heart and pays the ultimate price.

After this one Kerwin decided to jump off the OSS-117 train to become "The Viscount", but the transfusion didn't take and his Eurospy career was over.

Very sympathetic piece of French "cinéma-bis" as well as French "popular cinema of quality". The color photography of Bangkok using FranScope - equivalent of the CinemaScope - is wonderful and one is always surprised to check how this city has changed since 1964 : amazing shots of Shilom, and of the first "car behind car" streets in the center. Hunnebelle shots all the aspects of Thailand with a sure sense of good filmaker : jungle, city, lost temple. As for the genre, it is a subtle mixing of spy movie, horror movie (Robert "LE VAMPIRE DE DUSSELDORF" Hossein is amazing in mad doctor), erotic movie (Pier Angeli & Dominique Wilms are beautiful). Kerwin Matthews is "honorable" though maybe a little less "à l'aise" than Frederick Stafford in the leading role. Recently released on French cable in beautiful new prints respecting the original size, this full serie of O.S.S. 117 "made in France" but "shot outdoors" between in the 60's is quite refreshing and keeps an unaltered charm so far... Whit not a DVD release in a collector coffret including all the movies of the serie, somme commentaries and some original poster and lobby cards reproductions ?

This French drama has aged quite well. I remember watching it in the wake of the Bond craze during the early 1960s and it did not fare very well with me, as I was comparing it to Sean Connery's adventures, surrounded by international locations, exotic women and decors. Dubbed in English, "Banco a Bangkok" had little chance against the 1964 entry of the Bond franchise, "Goldfinger", which is regarded as one of the best in the series.

But seeing it again in French, with no reference in mind, "Banco a Bangkok" is an action drama in which finesse, sexual tension and exoticism merge in a gentle way. Car and boat chases, killings or martial arts fights are not lacking, but violence and sadism are handled sparingly, while the usual story of world dominance is told.

The action takes place in Thailand, among colorful characters: an American colonel, Hubert Barton or OSS 117, a code name never used in the plot; mister and miss Sinn, two Caucasian brothers who are supposed to be Thais; Eva, a blonde secretary out of a Bond vehicle, many Thais as assistants of heroes and villains, a free-lance ex-Nazi hustler called Karloff (only in the final roll-up), and a sect of fascist survivalists called The Chosen People.

For Kerwin Mathews (as Barton) this was one of the first movies he made in the last phase of his career, that would evolve into grade-B movies in Europe and the USA. Here he is aging well, with gray hair highlighting his boyish charm, and he seems to be having a good time in a quality product. Robert Hossein plays his usually wicked, handsome villain, while Pier Angeli is the antithesis of the scantily clad, stereotyped Bond girl, properly dressed in Thai fashion.

Sensuality is a game all over (I even felt a homoerotic undercurrent), the tone is light, the humor is kept in check, and the use of Thailand locations is effectively handled by co-director Jacques Besnard. Order Thai food and beer, and enjoy.