OSS 117: Le Caire, nid d'espions

This is probably one of the best French movies I had seen in a very long time! This "pastiche" or parody of spy movies is very well made and is going to make you laugh from the beginning to the end. Some references to today's world are very subtle. The whole Maroccan context of the movie is to be understood in light of today's French culture/environment. That said, all the jokes and - seemingly - shocking remarks that could have been understood as such because of this context, are permitted and accepted because this is a parody.

I was told by my sisters who had already seen this movie that I should go too and assured me that I was going to have a great time, and indeed I had! If you liked the old 007 movies with Sean Connery and also like movies like Airplane or Hot Shots, you will be delighted. I just hope this movie is released on DVD in the US... Wait and see.

A spoof on James Bond about OSS operative stunningly performed by Jean Dujardin . Comedy spy-thriller with Jean Dujardin as inept secret agent versus nasty high-ranking Nazis and arms smugglers . Secret agent OSS 117 foils Nazis , beds local beauties , and brings peace as well as mayhem to Cairo . It's 1955 by time of dictator Nasser and the secret agent Hubert Bonisseur De la Bath, a.k.a. OSS 117 is ordered a dangerous investigation in Cairo , there he has to take his place at the head of a poultry firm . Hubert Bonisseur is the French spy considered by his superiors to be the best in the business , this time his assistant is the charming Egiptyan agent Larmina performed by Berenice Bejo , director's wife . He's been sent on a mission to El Cairo , Port Said , to look for a former agent who has been eliminated . His eventful mission takes him all across Egypt accompanied by a beautiful girl and taking on a lot of adventures , risks and double-crosses . The man is charming , and so is the young girl spy . Filmed on luxurious sets their tale is by turns an exciting intrigue and a love story . He acts as a playboy , this results to be his cover while he is busy investigating , foiling Nazi holdout and bedding local beauties . Hubert Bonisseur De la Bath, a French spy, is in Cairo to investigate the disappearance a French agent . He is he smart spy , or is he an imbecile ? He fights well but he's supremely smug and self-confident, even as he's deaf to cultural nuance and others' feelings , so the odds are even that he might survive .

Funny moments along with embarrassing in this first entry about secret agent OSS 117 with a likable Jean Dujardin , role of the accidental spy who doesn't know fear or danger in this comedy spy-thriller . In this entertaining adventure , the most unlikely intelligence officer in French Secret Service must stop a group of international Nazi conspirators , quelling a fundamentalist rebellion and deal with an intrigue about weapon smuggling . Hubert Bonisseur, a French secret agent who dreams of rising beyond his menial job within the OSS organization, after all the other agents are bumped off is hired to discover a mysterious ring . With one shot at redemption, he must employ all kind of means to unravel a web of conspiracy that runs throughout an ambitious plot . Hubert must use every trick in his play-book to achieve his objectives . For Hugo Bonisseur, disaster may be an option, but failure never is.

This original installment is an acceptable comedy though the formula is well known with 'The Pink Panther' series and recently with 'Johnnny English' by Rowan Atkinson . It stars clumsy Jean Dujardin as one man show accompanied by a gorgeous Berenice Bejo . The movie gets entertaining and hilarious moments here and there. This slapstick picture contains amusing , funny scenes , fresh and diverting moments but also flaws and gaps . Jean Dujardin steals the show parodying the ordinary international secret agent , James Bond-alike , including his ordinary faces , grimaces and gestures ; he plays stunningly the highly unorthodox agent, the inept and bungler secret agent from OSS . There appears two beauties as Berenice Bejo and Aure Atica . The actors seem to enjoy themselves immensely giving funny interpretations . Lively and atmospheric music by Ludovic Bource . Colorful and glimmer cinematography by Schiffman . Other films about this famous spy are the followings : "O.S.S. 117 Is Not Dead" with Ivan Desny ; "Panic en Bangkok" with Kerwin Mathews ; "OSS 117: Mission for a Killer" with Frederick Stafford ; "OSS 117 Double Agent" played by John Gavin and "Vendetta of espies" performed by Luc Merenda .

The film was well penned and directed by Michel Hazanavicius that maintains the slapstick franchise . He also directed in similar style to the original film a sequel titled ¨OSS 117 Lost in Rio¨ with Jean Dujarjin , Rudiger Vogler and Louise Monot . Director and actors , Dujardin and Berenice Bejo , will repeat in the successful and recent ¨The artist¨ including Golden Globes and Oscars . Several chuckles and gags , the result of which is one acceptable entry on spoof genre . The flick will appeal to comedy buffs and Jrean Dujardin fans .

Jean Dujardin gets Connery's mannerisms down pat: the adjusting the cuff links when entering a club as all the women turn to admire him, the nonchalant straightening and smoothing down of the tie, the swaggering, steely gait. It's uncanny, and you come to realise just how much of Bond in the Sixties was Connery's creation and not really Ian Fleming's character.

The cinematography is a nod to those early films, the movie takes off From Russia With Love and Thunderball mainly. The main joke is how chauvinistic the hero is, not just in terms of sexism but nationalism and colonialism, and how he puts noses out of joint when he is sent to Egypt.

It's not perfect - about 20 mins in it seems a one-joke movie and bits of it remind one of spoofs of the day, of which there were plenty. Morcecambe and Wise's The Intelligence Men had suspect-looking men in fez's following their heroes around too, and that's going back a bit. Unlike Sellers' Clouseau or Baron Cohen's Borat, Dujardin doesn't give his character that layer of realness or genuine pathos - he is too busy perfecting his Connery mannerisms. It doesn't do enough with the credits or a big song, and there's no funny or serious villain, like Mike Myers' Dr Evil or Ricardo Montalban's Naked Gun nemesis, for the hero to go up against.

But the scene where OSS117 wakes up in Cairo one morning had me laughing out loud in the three-quarters empty cinema, and the whole thing looks wonderful, plus you'll never get a chance to see Operation Kid Brother on the screen, and the women are ace crumpet, really hot. It's a Bond spoof without falling into the mad scientist/Ken Adam sets or funny gadgets routine. Throughly recommended.

Just saw the movie, it's actually pretty good. The trailers'd left me an impression of either yet another Dujardin one-man-show-turned-film (à la _Brice de Nice_) or an expensive, stupid French comedy. Surprisingly, it's neither. Secret agent OSS 117 is stupid, but at least he sort of knows it, whereas I've always found that James Bond was stupid but acted like a smart arse. Dialogue is witty with a lot of tongue-in-cheek humour that one would expect from a British rather than a French movie. The women and the music are beautiful. A refreshing trip into the past, when the bad guys were ex-Nazis or Soviet brutes, cars were shiny, and France had colonies!

OSS: 117 (2006)

I wish for a couple hours I was French, because I'm sure there were twice as many gags as I could get as an American reading subtitles. Even so, what a funny funny movie. It's not quite as zany as a spoof like "Airplane" (nor quite as funny, which of course is hard to do), but it takes the Sean Connery vintage James Bond film model and really does a parody worthy of 007. And of the franchise, which of course is bigger than Bond, bigger than Ian Fleming could have ever dreamed.

But hold your horses--this is a parody of the real OSS:117. Yes, a French author created a Bond-like spy in the 1950s, and this movie and its 2009 sequel are really playing a double-edged game. They bring the old French spy to life (the original was a French-speaking American, bizarrely enough), and they make fun of him, of Bond, and of 1960s super slick sexist movies all around.

The star here, the Sean Connery of this spoof (he even looks a bit like the Scottish actor), is Jean Dujardin. He's brilliant. He's funny, campy, silly, serious, and subtle about it all. He plays the role with a kind of oblivious self-ridicule that Woody Allen and Peter Sellers were so good at. It's great stuff.

And he's backed up by a strong, if somewhat predictable, assortment of international thugs, beauties, and oddballs. There are shades of "Charade" here as well as the original "Pink Panther" movies. The scoring is amazing, composed with that Henry Mancini flair to a T and recorded with the familiar bright, echoey sound studio fullness of the time. Equally authentic are the opening credits, which were so convincing I had to double check when the movie came out. I was thinking, wow, a lost 1960s gem.

But it's a brand new gem, or almost gem. Time will tell if this will hold up over the years, but it's a kind of must-see now for anyone into Bond films, the 60s, French humor, or just a well made movie with lots of gags. Like the gag where the noisy chickens go silent when the lights go off, and so our hero delights in turning the lights on, and off, and on, and off. Just wait and listen. It'll slay you.