Frankie Starlight

Byrne's work, usually excellent, blends in subtly here, works its power through understatement, underplaying. His character's kindness lights and lifts Frankie to the stars, literally and figuratively, but Frankie's star shines brightest. "Frankie Starlight" begs description; the type of beautiful, warm story that just isn't made anymore, that isn't believable, even when it's a true story, as this one is. These movies just don't exist, we're told. I liked "My Left Foot" which received more critical attention and did better at the box office than "Frankie." But "Frankie" -- for no good reason, none I can state --left a warmer, happier impression; maybe because its heroics were less dramatic; it's a simpler story. A "Little, Big Man" without cowboys and Indians, and in this case a really little "little, big man" -- how do you sell such a film? What's that? He's not an American, either? Too bad. Got art-film house written all over it. Yada yada yada. Yet I want to see "Frankie" again -- and then read him, too. Learn a lot more. A fine film, generally low-key, sotto voce -- and so much more powerful because it is.

Saw this film on TV last night, and was blown away by the performances of Alan Pentony and Corban Walker, as the child and adult Frankie. When I read the credits and saw an Acting Coach listed for them, I guessed they were first-time actors. This was confirmed by the Showcase movie host after the film, and makes their achievements even more impressive. Kudos to director Michael Lindsay-Hogg!

Gabriel Byrne was also wonderful - charming and tender - the farewell scene in the park was heartbreaking in its understated simplicity. I'm not a big fan of Anne Parillaud - I saw her in "La Femme Nikita" and an amusing American vampire/cop comedy whose title I can't recall - and the charm of that doe-eyed silent gaze wears off after you've seen it a few times. Still, she conveys the mysterious allure necessary for this role, and it's easy to see why these men fall for her.

Overall, "Frankie Starlight" is a lovely movie, and it's a shame it didn't do better at the box office. Anyone who loves the music of an Irish accent, as I do, will be charmed by that, even if nothing else in this beautiful story (which has a happy ending, by the way!) catches your fancy. Plus, the score under the closing credits was a gorgeous piano and cello combination which kept the mood to the end.

A wonderful story about human triumph over adversity, about good things happening to good people, (after a period of sufficient suffering to make the reward that much sweeter), transcending superficiality and the stupidity of the masses, glimpses into human weakness and vulnerability, super steamy sex, all issues related to growing up: growing up strange, love: real love demonstrated, between strangers, and between family, between lovers, also GREAT acting, historical accuracy, great screenplay, great casting, beautiful camera work, plot pacing, well rewarded suspense, and beautiful people. One of the best aspects of the film is how the general history of WW II was interwoven with the personal experiences of the characters. Highly recommended overall.

This is a beautiful movie that is touching. Anne Parillaud character in this film is an innocent young girl who seems lost throughout the film searching for something, maybe love. This movie was supposed to be about a dwarf named Frankie when in fact it is really about a lost beautiful young woman named Bernadette searching for something.

This movie deserves an 8 but I give it a 10 out of 10 because I just adore Anne Parillaud and most of her work. There are some things in this world that touch you almost inexplicably and this film is one of them. Today it seems like there are fewer examples of this. Maybe this would explain why most are numb and apathetic.

"Frankie Starlight" will delight most viewers, and those who love the stars, who appreciate their magic and mystery, will especially like this work. I've just begun to read the novel it's based on, "The Dork of Cork" by Chet Raymo. Neither the film nor the novel are based on a true story. They're fiction. So my comments about it being "true" -- are untrue. There's much "of truth" in the story -- but it must be appreciated for what it is. Corban Walker as Frankie gives an outstanding performance. And there's no question as to Walker's reality. I was correct in writing that "My Left Foot" was based on a true story. The error was linking these two films in memory too closely -- plus a little wishful thinking, perhaps. Readers' comments on another site about the novel "Dork of Cork" include some, evidently people from Cork or who have travelled there, who were disappointed more about Ireland or Cork wasn't in the book. I don't wish to similarly mis-direct people who like biographical films -- or "historical re-creations" -- to "Frankie Starlight." See it and enjoy it, as many will, as a grand, lyrical creation of art. Rewatching recently, I also realized the story was richer than I'd remembered, more complex. It moves through many times and places, across seas and continents. Tales of love and tragedy interweave masterfully. The themes of being exiled and of seeking a place to belong to run throughout. Frankie and his mom each make such a search -- for a true home, both in the cosmos and in the heart.