क्रिमिनल

ओरिजिनल टाइटल: Criminal

1994
A
2 घं 3 मि

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आपकी रेटिंग

यह रूमानी थ्रिलर फिल्म एक खुश शादीशुदा जोड़े, श्वेता और अजय, के बारे में है. जब श्वेता को अपने हॉस्पिटल में हो रही अंगों की तस्करी में बारे में पता चल जाता है, तो अपराधी उस पर हमला करते हैं ... सभी पढ़ेंयह रूमानी थ्रिलर फिल्म एक खुश शादीशुदा जोड़े, श्वेता और अजय, के बारे में है. जब श्वेता को अपने हॉस्पिटल में हो रही अंगों की तस्करी में बारे में पता चल जाता है, तो अपराधी उस पर हमला करते हैं और उसे मार डालते हैं. लेकिन एक ग़लतफ़हमी की वजह से पुलिस अजय को दोषी मान बैठती है. क्या अज... सभी पढ़ेंयह रूमानी थ्रिलर फिल्म एक खुश शादीशुदा जोड़े, श्वेता और अजय, के बारे में है. जब श्वेता को अपने हॉस्पिटल में हो रही अंगों की तस्करी में बारे में पता चल जाता है, तो अपराधी उस पर हमला करते हैं और उसे मार डालते हैं. लेकिन एक ग़लतफ़हमी की वजह से पुलिस अजय को दोषी मान बैठती है. क्या अजय खुद को निर्दोष साबित कर दोषियों को ढूंढ़ पाएगा?

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5.7/10

607

आपकी रेटिंग

10यूज़र समीक्षाएं

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पुरस्कार
- कुल 1 नामांकन

फ़ोटो3

उपयोगकर्ता समीक्षाएं10

5.7607

फ़ीचर्ड समीक्षाएं

5akhil-10

Decent thriller with good music and acting, but more of bollywood style.

For starters, this is a copy of the 1993 Harrison Ford/Tommy Lee Jones starer Fugitive.

The plot is basically the same, the first half drags on with the love story which is made unnecessarily boring with a triangle sub-plot and some typical couple dance numbers.

the movie gains pace in the second half, and the acting by Nagarjuna/Ramya is quite good. Background score is super and haunting and personally my favourite part of the movie.

Overall, its a decent flick.. Fugitive thriller plot + bollywood mirch masala of love triangle and songs.

4SumanShakya

A bland copy of "The Fugitive"

"Criminal" is a Tamil/ Hindi copy of a very successful Hollywood thriller "The Fugitive." Many scenes are just the carbon copy of the same movie. While "The Fugitive" remains compulsively watchable and gripping, "Criminal" appears a mawkish copy of the same with the implausible stunts done in the regular Indian style. Hence, the audiences rejected to its taste which mixes the Indian movie formulas with Hollywood story. The only saving graces are the glamour Manisha Koirala creates in the film along the mesmerizing score "Tum Mile Dil Khile" and above average performances of Nagarjuna and Nazar. Overall, the film is a crap. Just go for the original movie.

Rating: 1 star out of 4.

farkomeister

Bhatt is the Criminal for making this...

With Nagarjuna and Koirala in the lead, I was expecting a decent movie. This, unfortunately, was quite bad. Not surprisingly, it sank without a trace at the box office in 1995, despite the star-studded cast.

It's supposed to be a remake of the Fugitive, but did Bhatt even watch the original before supposedly "re-making" it? As with his other films, Bhatt takes a reasonably good story and uses his "magic" to destroy it.

The songs are interspersed at random places in the movie, and, as is usual with Bhatt films, there is always the unnecessary sexuality. Nagarjuna's acting skills are not quite up to the par, and he looks rather tired and old, even beyond whatever is required by his role.

The soundtrack still sounds pretty good, however, but is not quite good enough to redeem the movie.

7jimmie-tete

Music and different from usual 90s

For someone who grew up watching movies , this was a big change from the styles of traditional Bollywood early 90s.

The music and background score was very good The escape scene was one of the best shot movie scenes from the 90s.

It has more editorial finesse than most of the common Mahesh Bhatt movies. When you first saw it, you would never realise that it is a Mahesh Bhatt movie. He never really used to make thrillers

Some scenes were unnecessarily shot to increase the length of the movie

Ramya had a very decent role , much better than Manisha Koirala

Nagarjuna and the police officer Nasaar were very good.

1gonavaramps

Horrible copy of Fugitive

Criminal, another movie which was supposed to be inspired by Fugitive is in-fact a horrible re-make of Harrison Ford's terrific thriller Fugitive.In the process of making it look a bit different the director makes a nonsense film with 2 heroines and duets where as in the original there is no character as a heroine.And then the character of Tomy Lee Jones is so mellowed down that it looks nothing more than a traffic constable and this is done just to make the hero look like a superman capable of doing anything.

A worst film in every aspect.

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कहानी

बदलाव करें

क्या आपको पता है

बदलाव करें

ट्रिविया
Remake of Hollywood film The Fugitive starring Harrison Ford and Tommy Lee Jones. The Fugitive was based on Dr. Sam Sheppard who was accused of murdering his wife, Marilyn Sheppard on July 4,1954. Years later when he was proven innocent he remarried. and was trained by his new father in law George Strickland to be a professional wrestler. He debuted in August 1969 with the name "Killer Sam Sheppard". He wrestled around 40 matches. His matches drew massive crowds due to his notoriety over the murder trial.

गूफ़
There are ample of loop holes in the court case against Ajay. In real life there would be no way the case could fetch him a death sentence.

1. Cause of Death: Shweta's postmortem report should have revealed that she died of injuries on her head. This should have forced police to look for murder weapon and a simple search of the house should have got them the rod used to attack Shweta. 2. Murder Weapon: Robert used a rod to attack Shweta. After altercation with Ajay Robert left in a hurry and leaves the rod in the house. Police should have founds the rod with Robert's fingerprints on it. Since during the altercation Ajay never touches the rod, it should only have Robert's fingerprints. 3. Watchman's testimony: Watchmen had mistaken Ajay giving CPR for strangling Shweta. Her postmortem report should have confirmed that she died of head injuries and not strangling. This should nullify watchman's testimony. 4. Phone recording: The phone recording should have recorded altercation between Ajay and Robert and also Ajay's attempt to revive Shweta. 5. Shweta's Property: Police's accusation Ajay of killing Shweta for money would not stand in court. Shweta had already transferred her property to Ajay beforehand. Ajay did not have to kill Shweta for her money as her being alive or dead would have no consequences on the property. Also Ajay himself was from a wealthy family. 6. Death sentence is rare: Even if every evidence was overlooked court still would not have given death sentence to Ajay. Such extreme sentences are given for very brutal murders and to hard core criminals.