Before Sunrise

Sweet and charming, funny and poignant, plot less but meaningful, "Before Sunrise" (1995), the third movie of Richard Linklater, is dedicated to everyone who ever been in love, is in love, or never been in love but still dreams of it and hopes to find it. It is one of the very rare movies that is/should/will be equally interesting to teenagers, their parents and even grandparents. It seems a very simple little movie with no spectacular visual effects, car chases, or long and steamy sex scenes. Two young people in their early 20s, two college students (American tourist Ethan Hawke who is returning home after the summer in Europe and the French student Julie Delpy who goes to Paris to attend the classes in Sorbonne) meet on a train. They are attracted to each other instantly even before they start talking, they hop off the train in Vienna where they walk around exploring the city all night. They talk and fall in love. That's it, that's the movie. It could've been boring and silly but instead, it is a lovely, believable, clever, and moving romance that only gets better with each viewing (at least, for this viewer). High praise and my sincere gratitude go to the director and writers for delivering two charming characters, superb writing, always interesting and witty dialogs, two awesome performances, and the atmosphere of magic that falling in love is. Julie Delpy, who looks like a Botticelli's angel, is great in portraying smart, independent, and incredibly attractive young woman.

What an incredibly brave and honest look at relationships. I've have never seen a film so precisely and brilliantly capture this kind of emotion and transfer it to the screen the way Before Sunrise does. What a crime that neither Ethan Hawke or Julie Delpy was nominated for any major acting awards, actually screw that! What a crime it was that they didn't both sweep every major acting award altogether and that Richard Linklater didn't get any recognition for the screenwriting or brilliant directing of his wonderful actors! Loved the ending (as much as it pained me at the same time), loved how after it all they go back and show every location that the couple shared together. Loved how the dialogue never wavers, never addressing the relationship directly but allows us to indirectly see a geniune bond forming through the body language, facial expressions, and the dialogue, ooooohhh the dialogue. Every bit of it plucked right from those top ten late night conversations we've all had with close friends whether it was serious or in jest. And respect to Linklater for keepin it real, the movie was rated R cause of a couple minor swear words? Could of easily been removed without really desecrating the film but he keeps it in anyways. Screw you hollywood, your 'romantic comedies', your Freddie Prinze Jr.'s, your 'take the glasses off the girl and now she's pretty' movies. This is real romance! This is what I come to the movies for, to think, to be provoked and to be swept away by the magic that only cinema can provide. Before Sunrise has single-handedly reminded me about why I goto the movies......

While traveling by train through Europe, the American Jesse (Ethan Hawke) and the French Celine (Julie Delpy) meet each other and decide to spend the night together in Austria. On the next morning, Jesse returns to United States of America, and Celine to Paris.

"Before Sunrise" is one of my favorite romances, indeed one of the most beautiful love stories I have ever seen. It is a low budget movie with a very simple and real storyline, but the chemistry between Ethan Hawke and Julie Delpy is perfect, and the dialogs are stunning. The direction is amazing, transmitting the feelings of Celine and Jesse to the viewer. I have just completed my review number 1,000 in IMDb, and I choose "Before Sunrise" for this significant number because it is a very special film for me. I cannot understand why this movie was not nominated to the Oscar, with such a magnificent screenplay, direction and performances. Yesterday I have probably watched this movie for the third or fourth time, and I still love it. My vote is ten.

Title (Brazil): "Antes do Amanhecer" ("Before Sunrise")

Before Sunrise is romance for the slacker generation. Richard Linklater's romantic drama is an offbeat telling of a dream come true for most people. The film depicts romance in all it's glory, but without any of the pitfalls that befall most couples; and in short the film is about two people that have a relationship that's as close to perfection as relationships will ever come to - with just one problem, the problem of time. While most relationships wind down with time, this one keeps going strong throughout and time itself is the only thing that wears out. Before Sunrise is certainly not the typical sentimental 'Hollywood romance', which is another aspect that puts this film leagues ahead of the pretenders. The story follows two people, Jesse; an American and Celine; a French girl that meet on a train into Vienna. They instantly connect, and after telling her his awful idea for a television show and almost getting off the train, Jesse asks Celine to join him for the day in the picturesque city of Vienna...

Before Sunrise works principally for two reasons - realistic acting and an immense script that builds the characters through their thoughts and feelings and thus allows us to get to know them as we do the people in real life. This allows the characters to be free, and it's easy to believe that these are real people and not just actors working from a script. This also allows us to feel for the characters for who they are, and not merely because they're the protagonists. This kind of realism is hard to capture as, at the end of the day, we as the audience know that they're watching a film and not observing real life; but Before Sunrise represents one of the truest to life exhibitions of realism ever to be seen on screen. A truly great script cannot work on it's own, and needs great actors to deliver it to an extent that does it justice, and although I'm not a fan of either Julie Deply or Ethan Hawke; on viewing this film, there is nothing you can do but give them both respect. I don't know whether they were in character or just playing themselves, but when a film is this good; it hardly matters.

In a film like this, it is the writing that's the most important thing, and contained within the script are several observations about life, most of which I personally could relate to. This represents what Richard Linklater has achieved with this script as not only does it create and build the characters, but it also manages to expose what true love is, along with several other aspects of life. The fact that not all the anecdotes are relatable to me personally again represents the brilliance of writing. Everyone is different, and so different parts of the script will appeal to different people. There could be certain aspects about one person that one person loves and another hates; and that's the case with the musings in this script. Adding to the beauty of the film is the city of Vienna. The city itself isn't really important to the film as this is a story that could have taken place just about anywhere - but it makes for some lovely visuals and the upbeat, energetic romance that blossoms throughout the movie is matched by the beauty of the location.

Before Sunrise is simultaneously beautiful and captivating. Richard Linklater has created something that is rare in the world of cinema; a film that captures the beauty of life without ever going over the top or being overly sentimental. Before Sunrise is what it is. And what it is, is pure cinematic brilliance.

American tourist Jesse (Ethan Hawke) meets French student Celine (Julie Delpy) on the train. He talks her into getting off and walk around in Vienna. They walk the night away.

I really love this movie when it first came out. There was no hint of the following sequels. It's just a great charming first date movie. The leads have great chemistry. They are both charming and lovely. This is a lot of first-date talk. It doesn't get tie down by artificial plot elements. There is nothing to drive the plot. There is no Holy Grail. There is no quest. There is no destination. There are just two people talking and trying to connect. It stops and starts. They meet two oddly funny Germans who invite them to their play. In a more conventional movie, they would actually go to this play. They forget to go and that's kind of the point. Their journey meanders without much direction. There are also great scenes of long continuous takes. Director Linklater just let the actors go on forever on the streetcar. The whole movie feels refreshing.