निक डन्न, को पता चलता है कि पूरी मीडिया का ध्यान, उसकी ओर आ जाता है जब उसकी पत्नी, ऐमी डन्न, उनकी पांचवीं शादी की सालगिरह के दिन गायब हो जाती है.निक डन्न, को पता चलता है कि पूरी मीडिया का ध्यान, उसकी ओर आ जाता है जब उसकी पत्नी, ऐमी डन्न, उनकी पांचवीं शादी की सालगिरह के दिन गायब हो जाती है.निक डन्न, को पता चलता है कि पूरी मीडिया का ध्यान, उसकी ओर आ जाता है जब उसकी पत्नी, ऐमी डन्न, उनकी पांचवीं शादी की सालगिरह के दिन गायब हो जाती है.
- 1 ऑस्कर के लिए नामांकित
- 64 जीत और कुल 189 नामांकन
सारांश
Reviewers say 'Gone Girl' is a provocative psychological thriller with mixed opinions. Many praise David Fincher's direction, Rosamund Pike's performance, and its dark themes. Critics commend the film's exploration of marriage and media manipulation. However, some find the plot convoluted and the ending controversial. Pike's performance is often highlighted, though Ben Affleck's role receives varied responses. The film's runtime and pacing are contentious, with some feeling it drags. Overall, it's seen as engaging, though divisive.
फ़ीचर्ड समीक्षाएं
This film wasn't as bad as some people say it was. It was actually good. It was a pretty nice psycho thriller. It had me guessing at times and there really weren't any dull moments. This film was well done with just enough suspense to keep me interested. The acting in this film was great as well. Now, I'm not a big fan of Tyler Perry's films but his acting is good. He had a wonderful performance in this film playing Tannor Bolt, Nick Dunne's (Ben Affleck) lawyer. He was really perfect for the part. For me it was kind of weird seeing Neil Patrick Harris playing a serious roll as the crazy ex boy friend of Nick Dunne's (Ben Affleck) wife, Amy Dunne (Rosamund Pike). Rosamund Pike and the parts she were in were well done! I mean she pulled that roll off! Amy Dunne (Rosamund Pike) was allegedly killed by her husband Nick Dunne (Ben Affleck). From the beginning Nick Dunne (Ben Affleck) is the suspect and the craziness starts from there. If you like mysteries/thrillers you won't be disappointed with this one.
Amy and Nick Dunne are young, stylish and charming. The immaculate dream couple? It seems so, at least on the face of it. But infidelity and financial troubles let the glamorous façade crumble. One morning, Amy disappears without a trace, and Nick becomes suspect. Did he kill his wife? The media depict him as an uncaring husband, and he's trying desperately to correct that image. But what if he really is the murderer everyone believes him to be?
"Gone Girl", based on the Gillian Flynn novel of the same name, is a masterful thriller, a sharp-sighted media satire and a cynical analysis of modern marriage. Flynn herself wrote the screenplay for the movie adaptation, and David Fincher turns the already disturbing story into something even darker. "Gone Girl" is a perfect fit for Fincher, as it is concerned with two of his favorite themes: gender issues and modern media. The main topic here is how the media are shaping our own identities. Nick Dunne has to adapt to the expectations of the public in order to survive. As his lawyer Tanner Bolt puts it: "This case is about what people think of you."
Amy and Nick both just play a character. They pretend to be a perfect couple. The movie suggests that pretending and being are not as far apart as we tend to think. When everyone plays along, the shallow masks are going to work. The much-maligned ending underlines this insight perfidiously. It's the point where "Gone Girl" becomes a pitch-black social satire. The last act isn't a thriller anymore, it's a grotesque caricature of modern relationships. I've never seen anything like it, and I can't praise Fincher enough for the risk he took with the last half an hour of this movie.
Ben Affleck is great as the insipid husband Nick. You love to hate him. Rosamund Pike is simply mind-blowing. You'll also see Neil Patrick Harris and Tyler Perry in unusual roles. My personal favorite is Carrie Coon as Nick's caring yet foul-mouthed sister Margo. She's the heart of this movie, because unlike everyone else, she genuinely speaks her mind. Kim Dickens as the clever detective Rhonda Boney is pretty approachable, too.
"Gone Girl" might be Fincher's most splendid masterpiece yet. This movie is so unsettling and cynical, it feels like it was directed by the love child of Alfred Hitchcock and Lars von Trier. If that's not awesome, I don't know what is.
"Gone Girl", based on the Gillian Flynn novel of the same name, is a masterful thriller, a sharp-sighted media satire and a cynical analysis of modern marriage. Flynn herself wrote the screenplay for the movie adaptation, and David Fincher turns the already disturbing story into something even darker. "Gone Girl" is a perfect fit for Fincher, as it is concerned with two of his favorite themes: gender issues and modern media. The main topic here is how the media are shaping our own identities. Nick Dunne has to adapt to the expectations of the public in order to survive. As his lawyer Tanner Bolt puts it: "This case is about what people think of you."
Amy and Nick both just play a character. They pretend to be a perfect couple. The movie suggests that pretending and being are not as far apart as we tend to think. When everyone plays along, the shallow masks are going to work. The much-maligned ending underlines this insight perfidiously. It's the point where "Gone Girl" becomes a pitch-black social satire. The last act isn't a thriller anymore, it's a grotesque caricature of modern relationships. I've never seen anything like it, and I can't praise Fincher enough for the risk he took with the last half an hour of this movie.
Ben Affleck is great as the insipid husband Nick. You love to hate him. Rosamund Pike is simply mind-blowing. You'll also see Neil Patrick Harris and Tyler Perry in unusual roles. My personal favorite is Carrie Coon as Nick's caring yet foul-mouthed sister Margo. She's the heart of this movie, because unlike everyone else, she genuinely speaks her mind. Kim Dickens as the clever detective Rhonda Boney is pretty approachable, too.
"Gone Girl" might be Fincher's most splendid masterpiece yet. This movie is so unsettling and cynical, it feels like it was directed by the love child of Alfred Hitchcock and Lars von Trier. If that's not awesome, I don't know what is.
This is a 2.5 hour movie and sometimes these days it's difficult for me to stick with the longer movies but this never felt long. You were always curious what was going on. Let's just say it didn't quite go the way I expected but I was intrigued the whole time. The acting was great. This could for sure be considered a slow burn and I'm actually currently watching the TV show Sharp Objects by the same author and this is paced much better than that. There's a couple things I didn't particularly thing got solved or like how they went at the end but overall a great movie.
David Fincher has done what i thought was the impossible, by making a movie from a book, and it actually being good, i'm even going to say better than the book, and i don't give that out lightly.
First off, the use of sound within the film, both diegetic and nondiegetic really sell this film to me, it does a great job in unnerving us as an audience and its just a little off, if i looked at the score of the film, i wouldn't be surprised if it comprised of tritones (For those who don't know, tritones make music sound just that tad off), and the synth sorta sound reminds me a lot of Alex Forrest's signature tune from "Fatal Attraction (1987), Adrian Lyon"
The Story is fantastic it really shows the disconnect between people in the modern day, and how the media influences everything so strongly.
In Summary this movie is a great watch, and if you enjoy the genre, or just trying to put together pieces of a metaphorical puzzle you will enjoy this movie.
First off, the use of sound within the film, both diegetic and nondiegetic really sell this film to me, it does a great job in unnerving us as an audience and its just a little off, if i looked at the score of the film, i wouldn't be surprised if it comprised of tritones (For those who don't know, tritones make music sound just that tad off), and the synth sorta sound reminds me a lot of Alex Forrest's signature tune from "Fatal Attraction (1987), Adrian Lyon"
The Story is fantastic it really shows the disconnect between people in the modern day, and how the media influences everything so strongly.
In Summary this movie is a great watch, and if you enjoy the genre, or just trying to put together pieces of a metaphorical puzzle you will enjoy this movie.
Two movies for the price of one.
That's a fairly glib start to a review of a movie that I really liked, but it is true. The first half of Gone Girl is a fairly standard "did he or didn't he" mystery thriller. Then, about an hour in, the perspective shifts entirely and suddenly you realise that you're watching – perhaps – the most pitch-black comedy that you've ever seen.
Despite the abrupt shift, I still think that Gone Girl holds together extremely well as one whole movie. Ben Affleck's Nick manages to inspire sympathy without ever being truly likable while Rosamund Pike's Amy (the star of the show in my opinion) is brilliant, terrifying, hilarious and despicable in various combinations and occasionally all at the same time.
David Fincher's direction is both classy and clever (as usual) and several scenes are particularly outstanding due at least as much to his brilliance as that of the actors involved in them. My one complaint would be over the length – it really didn't need to be two and a quarter hours long. There were certainly a few moments, particularly in the first half, when I wished that the movie would hurry up and get to the point just a little more quickly.
Gone Girl is a movie unlike any that I've ever seen before and as such largely defies further description. I would recommend this movie to all (with a warning that the adult rating is well earned) but especially those with a dark sense of humour. The darker the better.
That's a fairly glib start to a review of a movie that I really liked, but it is true. The first half of Gone Girl is a fairly standard "did he or didn't he" mystery thriller. Then, about an hour in, the perspective shifts entirely and suddenly you realise that you're watching – perhaps – the most pitch-black comedy that you've ever seen.
Despite the abrupt shift, I still think that Gone Girl holds together extremely well as one whole movie. Ben Affleck's Nick manages to inspire sympathy without ever being truly likable while Rosamund Pike's Amy (the star of the show in my opinion) is brilliant, terrifying, hilarious and despicable in various combinations and occasionally all at the same time.
David Fincher's direction is both classy and clever (as usual) and several scenes are particularly outstanding due at least as much to his brilliance as that of the actors involved in them. My one complaint would be over the length – it really didn't need to be two and a quarter hours long. There were certainly a few moments, particularly in the first half, when I wished that the movie would hurry up and get to the point just a little more quickly.
Gone Girl is a movie unlike any that I've ever seen before and as such largely defies further description. I would recommend this movie to all (with a warning that the adult rating is well earned) but especially those with a dark sense of humour. The darker the better.
क्या आपको पता है
- ट्रिवियाBen Affleck postponed directing लाइव बाई नाइट (2016) in order to work on this film with David Fincher, even stating, "He's the only director I've met who can do everybody else's job better than they could." On-set one day, Affleck changed the lens setting on a camera an almost indiscernible amount, betting a crew member that Fincher wouldn't notice. Affleck lost the bet as Fincher brought up, "Why does the camera look a little dim?"
- गूफ़In a flashback to 2010, Nick Dunne is shown playing Battlefield 3 (2011), which was released a year later.
- भाव
[last lines]
Nick Dunne: What are you thinking? How are you feeling? What have we done to each other? What will we do?
- क्रेज़ी क्रेडिटThe principal names individually fade in and out onscreen in just two seconds each, half the normal time for a screen credit.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Gone Girl?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $6,10,00,000(अनुमानित)
- US और कनाडा में सकल
- $16,77,67,189
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,75,13,109
- 5 अक्तू॰ 2014
- दुनिया भर में सकल
- $37,08,90,259
- चलने की अवधि2 घंटे 29 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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