IMDb रेटिंग
6.8/10
6.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA group of women who are imprisoned on the island of Sumatra by the Japanese during World War II use music to relieve their misery.A group of women who are imprisoned on the island of Sumatra by the Japanese during World War II use music to relieve their misery.A group of women who are imprisoned on the island of Sumatra by the Japanese during World War II use music to relieve their misery.
- पुरस्कार
- 1 जीत और कुल 7 नामांकन
Johanna ter Steege
- Sister Wilhelminia
- (as Johanna Ter Steege)
फ़ीचर्ड समीक्षाएं
The film is based on actual true events and was inspired by the reminisces of the actual women prisoners of war, many of whom became life-long friends after the ordeal. Fact-based recounting of a group of women who are imprisoned on the island of Sumatra by the Japanese during World War II and used music as a relief to their misery .During WWII a group of women are captured by the Japanese and struggle to survive in brutal POW camp in the Far East . Their confinement is recounted in unsparing and harrowing detail , as Irish/British/Dutch/Jew women find themselves interned for the long duration . As orders from Nipponese Army Administration are strict as ¨Men and women will be imprisoned separately ¨ . ¨To avoid punishments and beatings , the ladies should presume themselves to endeavor , with passive behavior not negative¨. It is an internment camp, where civilians are kept for no other reason than being of the wrong nationality , this happened, for instance, to Japanese civilians in the U.S. Meanwhile, Adrienne suffering a surreal and brutal experience ; she is cruelly attacked ; however , she attempts to lift the spirits of the inmates and the brutalized women. Later on , she creates a choir , but the film refers to the singing prisoner of war women as a vocal orchestra rather than as a choir . This P.O.W film centers women prisoners as its principal cast and subjects with a theme of utilizing music to survive the horrors of war . The final credits state that the vocal orchestra performed over thirty works in the P.O.W camp . It discontinued performing though when about half of the members had died and the remaining survivors were not well enough to participate. The real-life first concert held by the women in the actual P.O.W camp was held on 27 December 1943 and the vocal orchestra performed over thirty works in the P.O.W camp during 1943 and 1944.
¨Paradise road¨(1997) is a good film set in Singapur , directed by Bruce Beresford with an all- woman star-cast as Glenn Close as Adrienne Pargiter , Julianna Margulies as Topsy Merritt , Frances McDormand as a Jew doctor , Cate Blanchett as Susan Macarthy and Jennifer Ehle as Rosemary Leighton-Jones . And special mention to Clyde Kusatsu as cruel , brutal Sergeant Tomiashi, 'The Snake' . Interesting and strong drama , being perfectly adapted by the same director Bruce Beresford , David Giles (story) and Martin Meader (writing credits) , also producers . The film is based on the diaries, reminisces and testimonies of Helen Colijn and Betty Jeffrey as described in their books, "Song of Survival" and "White Coolies". No weakest in the cast and few in the movie , which presents the women's Japanese captors as human and inhuman at the same time with clashing cultures included . Clearly there's much longer plot in this, but director Bruce Beresford concentrates on the passionate acting of Glenn Close . It's a taut psychological drama about physical and emotional survival focusing on the tensions between Glenn Close, soldiers and camp commander well played by Stan Egi as cultured officer. Crammed with emotive moments , the picture has a string of committed performances from Glenn Close Pauline Collins , Jennifer Ehle , among others . Familiar ground is trod in this prisoner-of-war saga , but the thought-provoking story and magnificent acting help sustain interest. Colorful cinematography filmed on location in Marrickville, Sydney, New South Wales, Australia ,Penang ,Malaysia ,Port Douglas, Queensland, Raffles Hotel Singapore . Sensitive musical score , the music in the film was derived from the actual score transcripts used in the P.O.W camps which survived World War II. This superior though overlooked drama , is also laudable for a fairly portrayal of the enemy captors and being rightly directed by Bruce Beresford , this is the second war movie he directed , his first was Breaker Morant.
Other films about women on concentration camps mistreated by Japanese military during WWII are the following : ¨Three came home¨1950 by Jean Negulesco with Claudette Cobert , Patrick Knowles , and Sussue Hayakawa ¨Women on valor¨(1986) by Buzz Kulik with Susan Sarandon , Kristy McNichol and Alberta Watson set in Philippines .
¨Paradise road¨(1997) is a good film set in Singapur , directed by Bruce Beresford with an all- woman star-cast as Glenn Close as Adrienne Pargiter , Julianna Margulies as Topsy Merritt , Frances McDormand as a Jew doctor , Cate Blanchett as Susan Macarthy and Jennifer Ehle as Rosemary Leighton-Jones . And special mention to Clyde Kusatsu as cruel , brutal Sergeant Tomiashi, 'The Snake' . Interesting and strong drama , being perfectly adapted by the same director Bruce Beresford , David Giles (story) and Martin Meader (writing credits) , also producers . The film is based on the diaries, reminisces and testimonies of Helen Colijn and Betty Jeffrey as described in their books, "Song of Survival" and "White Coolies". No weakest in the cast and few in the movie , which presents the women's Japanese captors as human and inhuman at the same time with clashing cultures included . Clearly there's much longer plot in this, but director Bruce Beresford concentrates on the passionate acting of Glenn Close . It's a taut psychological drama about physical and emotional survival focusing on the tensions between Glenn Close, soldiers and camp commander well played by Stan Egi as cultured officer. Crammed with emotive moments , the picture has a string of committed performances from Glenn Close Pauline Collins , Jennifer Ehle , among others . Familiar ground is trod in this prisoner-of-war saga , but the thought-provoking story and magnificent acting help sustain interest. Colorful cinematography filmed on location in Marrickville, Sydney, New South Wales, Australia ,Penang ,Malaysia ,Port Douglas, Queensland, Raffles Hotel Singapore . Sensitive musical score , the music in the film was derived from the actual score transcripts used in the P.O.W camps which survived World War II. This superior though overlooked drama , is also laudable for a fairly portrayal of the enemy captors and being rightly directed by Bruce Beresford , this is the second war movie he directed , his first was Breaker Morant.
Other films about women on concentration camps mistreated by Japanese military during WWII are the following : ¨Three came home¨1950 by Jean Negulesco with Claudette Cobert , Patrick Knowles , and Sussue Hayakawa ¨Women on valor¨(1986) by Buzz Kulik with Susan Sarandon , Kristy McNichol and Alberta Watson set in Philippines .
10srne
I stumbled across this movie surfing TV channels late one night. I was drawn right into the plot, and thought it was an incredible story, incredibly well-told. It's a true story, which I previously did not know anything about, but should have. Both the story, itself, and the film, should be much, much better known. It is also one of Glenn Close's best performances. Her performance, and the film, itself, are absoultely gripping! If you like true-life stories that are extremely well-done, such as "We Were Soldiers," then this one is of a similar genre, but with the main characters being women.
This film gripped me from the opening scene in the hotel ballroom and prooved to be a class act right to the end. Director Bruce Beresford's track record includes Driving Miss Daisy, Tender Mercies and Breaker Morant, so Paradise Road came as a special treat, not realising at the time of viewing that he had directed these films. The realistic scenes of violence had a tremendous impact in contrast to some of the wonderful underplaying of the leading actresses, notably Glenn Close and Pauline Collins. The Japanese actors, although unknown to me were chillingly effective. I can only hope for more films of this calibre but alas they are few and far between.
I found this a very moving film about a group of fairly ordinary people placed in extraordinary conditions. I found myself quite involved with all the acting and the story line. Here is a film filled with outstanding and understated performances about people's ideals and courage being tested.
As to this story having been told in 2 or 3 other movies, I find that to be an incredible comment. I didn't see anyone saying that there had already been about 100 movies about men fighting in World War II when "Saving Private Ryan" came out. It is time that the stories of these extraordinary women be told. Soldiers aren't the only ones to suffer and die in wars.
As to this story having been told in 2 or 3 other movies, I find that to be an incredible comment. I didn't see anyone saying that there had already been about 100 movies about men fighting in World War II when "Saving Private Ryan" came out. It is time that the stories of these extraordinary women be told. Soldiers aren't the only ones to suffer and die in wars.
Why didn't more people see this film? This is what makes it great:
As an ensemble piece it works wonderfully - the cast are truly magnificent. Glenn Close is fabulous as the 'central' character and most well known 'star', but she does not monopolise all the scenes and screen time. She blends in with what is a wonderful cast, and does so impeccably. Why she hasn't been given more kudos as an actress is beyond me - she is stunning.
The film worked perfectly because of what comes across as a genuine rapport between the female cast. Each actress brings a different element to the story - Jennifer Ehle is strong willed and beautiful, Julianna Marguilles fiesty and dominant, Pauline Collins has such a human quality which she conveys to perfection, Cate Blanchett portrays wonderfully a quiet woman with a rebellious side. All compliment and balance each other. The actresses succeed admirably in bringing to the fore the bond that grew between their real life inspirations for this story.
The direction is precise and the cinematogrpahy beautiful. Despite the bleak context, Japan still looks vibrant and colourful, full of life.
The score. I can't do justice to the score in words - the vocal orchestra formed by the women is just beautiful and poignant to listen to and really does need to be heard to be understood. Somehow the actresses manage to make the music symbolise their humanity and spirit. It works wonderfully.
Overall, this is a heartfelt film with a profound message of hope which runs all the way through it. 'Paradise Road' is one of those rare films which reminds you of the indestructible nature of the human spirit. I wish there were more films like this one, and I wish more people had have seen this film. In a word it's a gem.
As an ensemble piece it works wonderfully - the cast are truly magnificent. Glenn Close is fabulous as the 'central' character and most well known 'star', but she does not monopolise all the scenes and screen time. She blends in with what is a wonderful cast, and does so impeccably. Why she hasn't been given more kudos as an actress is beyond me - she is stunning.
The film worked perfectly because of what comes across as a genuine rapport between the female cast. Each actress brings a different element to the story - Jennifer Ehle is strong willed and beautiful, Julianna Marguilles fiesty and dominant, Pauline Collins has such a human quality which she conveys to perfection, Cate Blanchett portrays wonderfully a quiet woman with a rebellious side. All compliment and balance each other. The actresses succeed admirably in bringing to the fore the bond that grew between their real life inspirations for this story.
The direction is precise and the cinematogrpahy beautiful. Despite the bleak context, Japan still looks vibrant and colourful, full of life.
The score. I can't do justice to the score in words - the vocal orchestra formed by the women is just beautiful and poignant to listen to and really does need to be heard to be understood. Somehow the actresses manage to make the music symbolise their humanity and spirit. It works wonderfully.
Overall, this is a heartfelt film with a profound message of hope which runs all the way through it. 'Paradise Road' is one of those rare films which reminds you of the indestructible nature of the human spirit. I wish there were more films like this one, and I wish more people had have seen this film. In a word it's a gem.
क्या आपको पता है
- ट्रिवियाThe music in the film was derived from the actual score transcripts used in the P.O.W camps which survived World War II.
- गूफ़The women of the choir did the singing while sitting down because of having to work in the extreme heat during the day left them exhausted.
- भाव
Adrienne Pargiter: You don't hate them do you?
Margaret Drummond: No.
Adrienne Pargiter: Why not?
Margaret Drummond: I've tried, but I can't bring myself to hate people. The worse they behave, the sorrier I feel for them.
- साउंडट्रैकSymphony No. 9 in E minor Op. 95 'From the New World' II. Largo
Written by Antonín Dvorák (as Antonin Dvorak)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Paradise Road?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Дорога в рай
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,60,00,000(अनुमानित)
- US और कनाडा में सकल
- $20,07,100
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $62,518
- 13 अप्रैल 1997
- दुनिया भर में सकल
- $20,07,100
- चलने की अवधि2 घंटे 2 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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