Unhook the Stars

What a collection of screwed up folks. Here we have a woman who has lost control of her life, not to mention her mouth; a permanently aggravated daughter; a goofy wife beater who sings Cocker atrociously; and a hot to trot trucker and his blinky, well meaning girlfriend. Together they form one of the best dramas I've seen in a good while as they try, try, try to get their lives on track so they can just be whole and happy. First rate.

the title of this film goes along with the song ..."nothing left to do here, but unhook the stars".... After the death of her husband, Gena Rowlands finds herself in a big house, with no family, and nothing to take care of.

She begins to care for the young son of Marisa Tomei, who is involved with an abusive soon to be ex-husband. The actor playing her son does very well, he develops a relationship with Rolands, she becomes a surrogate grandmother.

Such a nice story, because it is realistic, and not overdone. Rolands has another son who lives in San Francisco, and wants her to move into his penthouse; when she realizes her daughter-in-law just wants a live-in babysitter, she says ..."No-I'm done"...; While she loves her children she now realizes it is her turn; her time to do something SHE actually wants.

At the end we see her packing up the house; her younger daughter is upset; there will be no more family home. But Rowlands realizes she is doing the right thing; her relationship with the young boy has faded; she now needs to do something for herself.

There are also a few amusing scenes with Gerard Depardieu, as a truck driver who she meets at a bar with Tomei and her friends. Overall a bittersweet movie which is a nice change, showing a mature woman re-discovering her life, and not taking care of everyone else, at the expense of her own identity. 9/10.

Two very different women, one a demure, middle-aged woman with an over-bearing son and a rebellious daughter; the other, an "in -your-face" young woman. They are neighbors and find a need for each other in a very human way. Depardieu is the fellow who makes a difference in Rowland's life -we never know how much. I wish more had been made of the relationship between Rowland and her daughter. It never becomes clear what their problem really is, and nothing is really resolved. Another exit to the airport ending leaving the viewer with many questions unanswered -very annoying, but overall a good film.

Marisa Tomei has always been one of my favorite actresses. She has a very individual, very strong, not to mention incredibly hot, presence and is one of the major scene thieves of our time. She is by far the best thing about My Cousin Vinny, which would hardly be even close to being as worthwhile without her. She is the only reason to watch Just A Kiss. She is wonderful in Happy Accidents and In the Bedroom. In Unhook the Stars, she is a joy to see, not just for her presence and ability to intrigue even inaminate objects but also for the freedom-emblazoned attitude she fleshes out in her character. She is not at all subtle, but she is a realistically subtle contrast to Gene Rowlands, who plays opposite her. However, in this film, Gena Rowlands serves to be the first person I've ever seen who's stolen any scene from the likes of Marisa Tomei. Tomei's earliest scenes are brilliantly fiery, both hilarious and alarming, one of these great instances involving dialogue with other characters while she is in another room cursing and raving into the phone incidentally during the natural pauses in between the other characters' exchanges. But gradually, Rowlands earns our focus a bit more, because I've hardly felt more deeply for many other characters in many other movies.

Gena Rowlands plays a mother on the latter end of middle age whose daughter gives her great disrespect and constantly runs off, leaving her to do her paper route. She has a highly serious and successful son who lives for admiration and objectifies his wife. Rowlands is lonely, riding the gentle winds through the motions of life at home. When Tomei, grungy, aggressive young mother, asks her to babysit her young son while she's at work, a new and beautiful relationship emerges into Rowlands's life, giving her great happiness and fulfillment, but the natural interferences and oncoming decisions of life seem to taper it. The scenes with her and the young boy are so touching and full of emotion. I won't explain further into her character or the story that is driven by her, but I will say that what she is is a touching, very very deeply felt characterization of a common, lonely mother of great selflessness, surrounded by the self-absorption of the people she cares the most for. And you will be surprised at how much you care for such overlooked people, people who rarely come to be the lead character in a movie.

Though Nick Cassavettes doesn't quite have the intensity or fluently original technique that his father, John Cassavettes, had, he does carry on in the Cassavettes tradition of plain and direct interpretations of reality. His film is about loneliness, and about the sort of person who takes so little from us in return for so much that she gives, and how she is prompted to live.

"Unhook the Stars" is all about Rowlands who plays a middle aged widow with grown kids who wakes up one day to find herself no longer needed as a wife and mother. An uneventful and even character study which builds enough interest in the Rowlands character to make it not too difficult to overlook her supporting cast who play obvious stereotypes, "Unhook..." is a flick with no punchline which plays like a meal with no dessert. The entertainment is in the ride, not the destination. A good slice of mature life flick worth a look.