Secrets & Lies

Mike Leigh's superb comedy-drama of family relationships. Heart-rending, bitter and delightful by turn

Leigh's modern classic captured a brace of Oscar nominations but went home empty handed in the face of The English Patient's near clean sweep. Even Blethyn's Cannes-winning performance lost out to Frances McDormand's Fargo turn (hard to challenge this decision, although in any other year the brilliant Blethyn would have deserved to win). The film eventually racked up a considerable number of awards, its Oscar success aside.

The story, every bit as believable and real as the rest of Leigh's work, centres on a woman, Cynthia Purley (Blethyn ), whose mid-life crisis is further exacerbated by the appearance on the scene of the daughter she gave away at birth, the wonderfully named Hortense Cumberbatch (Baptiste) - a young, beautiful, professional black woman who causes a few eyebrows to be raised in the family, and forces Cynthia to come to terms with her past.

Alternating between high comedy, scathing one-liners (Blethyn telling daughter Rushbrook she has a face like a "slapped arse" is a moment to treasure) and tear-jerking poignancy, with Spall, Rushbrook and Baptiste all offering strong support, this is nothing short of superb.



Verdict A genuine hit for Mike Leigh, Secrets And Lies has the coarse grain of real life, sympathetically and affirmingly fashioned.

Brenda Blethyn, Marianne Jean-Baptiste, Timothy Spall, Phyllis Logan, and Claire Rushbrook star in "Secrets & Lies," a 1996 film written and directed by Mike Leigh. The script is actually improvised, with the actors learning what the characters learn as they go along.

Brenda Blethyn is Cynthia Rose Purley, a factory worker and single mother with an obnoxious daughter, Roxanne (Rushbrook). Cynthia is dependent for the occasional handout by her successful photographer brother, Maurice (Spall). Maurice lives in a lovely home with his wife (Logan); Cynthia can't stand her and the feeling is mutual. Maurice no longer has the relationship that he once had with his niece Roxanne, and this bothers him.

Cynthia gets a call one day from a woman named Hortense Cumberbatch (Jean-Baptiste) who claims to be the daughter she gave up for adoption. After some hemming and hawing, Cynthia agrees to meet her at a subway stop. When she meets Hortense, she's shocked. Hortense is black.

This is a wonderful, poignant, and funny story with just the right amount of drama and humor. The scene in the restaurant, when Cynthia says that Hortense couldn't possibly be her daughter because she's never been with a black man is absolutely priceless.

The performances are tremendous. Brenda Blethyn is marvelous as the fragile, needy, eager to please Cynthia, though the character gets a bit annoying with her high-pitched voice and constant talking. Timothy Spall plays a big man with a big heart and will bring one to tears toward the end of the film. It was great to see Phyllis Logan from Lovejoy in such a marvelous role, and she does a great job. Marianne Jean-Baptiste is wonderful as a successful young woman who fights to keep her equilibrium when she's in the midst of a family explosion.

Really enjoyed this -- and I guess the name Cumberbatch isn't as unusual as I thought.

This is one of my very favorite movies of the last 10, even 20 years. For me, its greatness lies in the resonance of the story lines, the brilliant acting, (Brenda Blethyn, Marianne Jean-Baptiste and Timothy Spall all turned in Oscar-worthy turns, and the rest of the ensemble were all with them), and Mike Leigh's direction.

This is a feast of tremendous acting, by a most talented ensemble who really become their characters. The scenes play out very naturally, and you really feel a part of the story, with special empathy towards - in no particular order - Cynthia, Maurice and Hortense. As the film builds towards a showdown/climax at the birthday party, you can even take a step back and at least sympathize with Roxanne and even, Monica.

This rates 10/10 by this reviewer, who wishes that more directors - if they truly have a good story to tell - will shoot and edit the film in a way that appreciates the audience's intelligence and capacity to feel without being manipulated by a director's avant-garde(??) bag of tricks ...for comparison, perhaps see my scathing review of 21 Grams! What a contrast of styles!!!

The way Leigh weaves a story here - no screenplay, just tell the actors what the scenes are supposed to do, give them an outline, but don't give away the punch line or the ending - shows up in the final print. This is cinematic magic, with Blethyn turning in one of the most breathtaking performances ever seen on the silver screen. The transformation into Cynthia Purley is total. Study especially the scene in the cafe in Holborn - story has it these two principals had not met before shooting this scene, and the scene goes on forever, and puts incredible demands on both actors, especially Blethyn, who is simply unreal in her abilities. All do a great job here. This is not a light comedy. It will tear at you, thanks in part to the evocative music, but at the end you will go 'wow' and feel good for having seen it.

I'm flabbergasted to read comments from the US complaining about the awful accents in "Secret and lies". Hey, people, you're 'merkans, and this language is supposed to be you mothertongue, it ain't mine, and I can nevertheless cope, so what ?? Has Hollywood's cliché-ed accents eroded your capacity to understand other ones that just happen to be real in the UK ? How d'you think Brits, Aussies and Kiwis cope with 'merkan accents then ? Yet US films are the same problem to them ! Come off it, panning a movie just because one is too lazy to make a little effort in concentration ia a wee tad unfair ! "Secret & Lies" is an excellent movie, great acting, and well, Timothy Spall and Brenda Blethyn are good in there because they sound real, because ther accents may not be that smooth to some ears, but they do add credibility to their characters.

BTW, a good few Brit movies on DVD happen to have english subtitles for the hard of hearing, the feature could be a help into getting used to those weird accents 60 million people across the Pond happen to have...