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High Hopes

  • 1988
  • PG
  • 1 घं 48 मि
IMDb रेटिंग
7.4/10
6.1 हज़ार
आपकी रेटिंग
High Hopes (1988)
Quirky ComedySatireComedyDrama

अपनी भाषा में प्लॉट जोड़ेंThe life of a working class couple living in London and their complicated relationships with other members of the family.The life of a working class couple living in London and their complicated relationships with other members of the family.The life of a working class couple living in London and their complicated relationships with other members of the family.

  • निर्देशक
    • Mike Leigh
  • लेखक
    • Mike Leigh
  • स्टार
    • Phil Davis
    • Ruth Sheen
    • Edna Doré
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.4/10
    6.1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Mike Leigh
    • लेखक
      • Mike Leigh
    • स्टार
      • Phil Davis
      • Ruth Sheen
      • Edna Doré
    • 34यूज़र समीक्षाएं
    • 25आलोचक समीक्षाएं
    • 84मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 6 जीत और कुल 6 नामांकन

    फ़ोटो14

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 7
    पोस्टर देखें

    टॉप कलाकार14

    बदलाव करें
    Phil Davis
    Phil Davis
    • Cyril
    • (as Philip Davis)
    Ruth Sheen
    Ruth Sheen
    • Shirley
    Edna Doré
    • Mrs Bender
    Philip Jackson
    Philip Jackson
    • Martin
    Heather Tobias
    • Valerie
    Lesley Manville
    Lesley Manville
    • Lætitia
    David Bamber
    David Bamber
    • Rupert
    Jason Watkins
    Jason Watkins
    • Wayne
    Judith Scott
    • Suzi
    Cheryl Prime
    Cheryl Prime
    • Martin's Girlfriend
    Diane-Louise Jordan
    • Chemist Shop Assistant
    Linda Beckett
    • Receptionist
    Ali
    • Baby
    Aidan Harrington
    • Man in Street
    • (बिना क्रेडिट के)
    • निर्देशक
      • Mike Leigh
    • लेखक
      • Mike Leigh
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं34

    7.46.1K
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    फ़ीचर्ड समीक्षाएं

    9mjneu59

    sad, hilarious cross-section of England in the 1980's

    Mike Leigh's bittersweet social satire dissected with devastating accuracy (and a sometimes heartbreaking sense of humor) the widening gap between the haves and have-nots in Margaret Thatcher's England, moving from transparent criticism to crass parody to, finally, a touching plea on behalf of the elderly. It's a gray little film, giddy and depressing all at once, although often as funny (and just as striking) as hearing fingernails scraped down a blackboard. Leigh's cross-section of British society rings true even at its most exaggerated, and his ear for language, whether mumbled Cockney slang or nasal upper-class snobbery, is pitch perfect.

    The film is essentially a showcase for some wonderfully defined characters: marginalized counterculture Marxists Cyril and Shirley; Cyril's ultra-neurotic middle-class sister and her vulgar salesman husband; an infirm old mum; a pair of callous upscale neighbors; and an odd, occasional houseguest named Wayne. The plotting is furtive: nothing much happens over the course of the film, giving the cast plenty of room to stretch out in their roles. The characters and story lines were created by the entire cast through extensive pre-production rehearsals, but the finished film is remarkably cohesive, with acting so natural it could easily be mistaken for improvisation if it weren't so well written. The result is a film of rare and genuine emotion: it's either the gloomiest comedy ever made or a tragedy with no shortage of laughs.
    8McRib1

    Really lovely movie

    Of course the marketing people hype every movie like it's a cross between "Titanic" and "Wedding Crashers" but there is such a thing as a small lovely film and "High Hopes" is it. It's a comedy but nobody passes gas or accidentally drinks urine, so it's a cut above any comedy produced in the U.S. during the last thirty years. It's just about people, working class people in London trying to get by. But its got a good heart and the smiles it provides will stick with you longer than the brain-dead belly laughs strained over in Hollywood comedies. It just feels like real life. The actors don't seem to be acting. And you end up pretty hopeful regarding the human condition.
    10sign-3

    A very real slice of very real life.

    A seemingly quaint period piece that articulates eternal issues. All the characters are so real I wondered if they were based on people I know, as I lived near to kings cross at that time. I now realise these characters are modern archetypes. Did mike Leigh invent the archetypes? The film making itself is so understated that I wondered if I was watching reality TV! The device of the opening character , to lead us into the lives of these characters is a stroke of genius! I always approach Leighs films thinking 'worthy but boring', but time and again he has me crying and laughing and everything in-between. This film will only get better with time.
    8p_adkins2004

    Thatcher's London through the eyes of a socialist.

    Released in 1988, this is Mike Leigh's (director of Vera Drake) sublime comedy which examines the social climate of 1980s London.

    I really liked this film, it centres on one extended family living in London during the Thatcher years. Cyril is a Marxist, who does despite his strong values and views chooses not to act on them, giving the world up for a hopeless cause. His partner, Shirley, desperately wants a baby, despite Cyril's strong views that the world is already "over-populated". Living in the last council house on a now yuppie infested road is Cyril's mum. A member of the generation who has been forgotten, she is slowly losing her marbles, much to the distaste of her neighbours. And as for Cyril's sister, Valerie, who lives in the social climbing climate of the middle class, she has seemingly to forgotten her roots and family ties, no doubt due to her excessive drinking of cheap champagne and her leeching husband.

    This film is a brilliant gem of 1980s British cinema, despite its clear socialist values (it's cartoonish portrayal of the rich and yuppie somewhat softens the blow of its left wing message), it brings up so many interesting questions in an intelligent manner, portraying all its characters from a variety of angles and political stances, its hard not to like Cyril, but when he criticises a young 'active' Marxist follower for planning to open a market stall, he is shown to be hypocritical.

    Leigh' doesn't just direct, but also write, and the script is water tight. It is extremely witty, just full of emotion and very down to earth.

    This film is a very good snap shot of life in a variety of social situations and views in the churning world of the 1980s as the capitalistic London really began to boom. It is a flick that will not doubt have you smiling from cheek to cheek, yet also leave you feeling emotionally vulnerable and self-questioning.
    9Pedro_H

    Social satire that is not always comfortable viewing

    The life and times of an extended family in 1980's London.

    Director Mike Leigh is probably the closest the UK has to Woody Allen: and like Allen his films go from absolute classics to barely watchable. Here he is about as good as he ever will be - indeed there are scenes from this movie that are, in there own way, as profound and original as anything that has been put down on film.

    Who else would let the camera linger on the face of an old woman just at the point of losing her sanity? Or dare to present a couple going nowhere as the centrepiece of a feature film? Or even present "success stories" (a yuppie couple) as rank and selfish? Here lower-middle-and-upper crusts are clowns, it is only a matter of levels and angles.

    Indeed, Leigh never gives us anything to cling to. Nor does he want to present hope that things will change for the better. Take the central couple Shirley and Cyril (Philip Davies and Ruth Sheen). Why are they living like squatters in their own tiny flat? Why can they not buy a proper bed (they sleep on the floor) or look for somewhere better - after all they both work? Apart from the question of a child (she wants - he doesn't) they both seem happy to live in squalor. In Shirley we at least have someone who cares for other people.

    The old lady - through which the story is told - is on her last legs as regards living an independent life. The house she lives in has become neglected and the area she lives in no longer contain her type of people. Her neurotic daughter is so wrapped up in her own suburban life that she does seem to realise her mother is at the point of collapse. The scene where she holds a birthday party for her aged mother is agony - not for her confused mother - but for us the viewer.

    Some of the performances are a little of the top (Leigh's films let actors improvise) and I could have lived without so much of the melancholy music track that rubs everything in. But this is the only film since One Flew Over The Cuckoo's Nest that lets humour and tragedy sit side by side without blinking.

    Director Leigh gets under your skin and takes you places we haven't been on film before - but I am not sure they are places I would want to go on a regular basis. He is a one-off, but I am secretly glad about that.

    इस तरह के और

    Life Is Sweet
    7.4
    Life Is Sweet
    Career Girls
    7.1
    Career Girls
    All or Nothing
    7.5
    All or Nothing
    Meantime
    7.1
    Meantime
    Bleak Moments
    6.9
    Bleak Moments
    Another Year
    7.4
    Another Year
    Vera Drake
    7.6
    Vera Drake
    Happy-Go-Lucky
    7.0
    Happy-Go-Lucky
    Four Days in July
    6.6
    Four Days in July
    A Sense of History
    7.8
    A Sense of History
    Topsy-Turvy
    7.3
    Topsy-Turvy
    Secrets & Lies
    8.0
    Secrets & Lies

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Before High Hopes (1988), director Mike Leigh had made Bleak Moments (1971), released in 1971, and Meantime (1983), released in 1983. This gap in his filmography was attributable in part to his process for creating films: When he applied for financial backing, he did not yet have finished scripts, preferring to allow actors, once they were hired, to use improvisation sessions to create the dialogue. As a result, given the absence of a concrete script, many potential financial backers were reluctant to support Leigh's work. For "High Hopes," that spelled doom until the British TV station Channel 4 stepped in and partially funded it. The result is one of the most moving and engaging films of the 1980s and an early masterwork in Leigh's catalog.
    • गूफ़
      After they come back from the opera, Lætitia sings the aria "La ci darem" to Rupert, which she claims was from the opera they just saw. They proceed to talk about the characters Susanna and Cherubino. However, these characters are from The Marriage of Figaro whereas the aria "La ci darem" is from Don Giovanni.
    • भाव

      Rupert Boothe-Braine: Now... what made this country great was a place for everyone, and everyone in his place. And this is my place.

    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Chances Are/Paperhouse/The 'Burbs/Bert Rigby, You're a Fool/High Hopes (1989)
    • साउंडट्रैक
      Poor Man's Prison
      (uncredited)

      Written by Keith Colley and Knox Henderson

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is High Hopes?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 26 फ़रवरी 1989 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Velike nade
    • फ़िल्माने की जगहें
      • Stanley Passage, King's Cross, लंदन, इंग्लैंड, यूनाइटेड किंगडम(apartment of Ruth Sheen and Philip Davis)
    • उत्पादन कंपनियां
      • Portman Productions
      • Channel Four Films
      • British Screen Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • £18,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $11,92,322
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $27,964
      • 26 फ़र॰ 1989
    • दुनिया भर में सकल
      • $11,92,322
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 48 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    High Hopes (1988)
    टॉप गैप
    By what name was High Hopes (1988) officially released in India in English?
    जवाब
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    • योगदान करने के बारे में और जानें
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