The Unborn

A childless couple (Brooke Adams, Jeff Hayenga) go to a doctor (James Karen) to try to conceive. It works but Adams slowly becomes aware that there's something seriously wrong with the baby...

Pretty interesting idea is thoroughly done in by a lousy script--the basic idea is OK but becomes screamingly predictable towards the end. I saw every "twist" coming. The direction is poor--he seems to have no idea how to shoot a basic scene. The production values are--to be nice--lousy. Very shabby. And, the gore scenes are too unpleasant (I almost turned it off when a pregnant woman started stabbing herself in the stomach) with lousy special effects. The film completely derails at the end when it becomes quite clear they had no idea HOW to end this film.

Some good acting makes it somewhat bearable. Adams, Hayenga and Karen are all good at their roles and kept me watching but that was about it. This film barely got released in 1991 and still remains unknown--it's easy to see why. I give it a 4.

I am an average Horror/Sci-Fi/Thriller/Creature Feature movie buff. I am 62 and have seen them all including the Asian Creature Features to the Nordic Horrors. I will give anyone their right to an opinion....but.....the rating system on many of the movies on this sight have been skewed by someone having a bad day.

Very few Horror et.al.movies make it to the Oscars. So what...those of us who are fanatics of these films have an odd sense of appreciation for the unbelievable.

The Unborn is a good movie....I like Brooke Adams....I like mad scientists...I like freaky things that squish in the night...I like house wives that are slightly nuts....I like husbands who don't have a clue....I like Lisa Kudrow (did you see her????) Those of you who want to sit back and watch a really good Sci-Fi/Horror will have fun with this one. So skip the ratings and watch the movie. (And don't forget the popcorn.)

This is a disturbing horror film - not for all tastes and definitely not for the faint of heart! It is about a doctor who is creating superhuman foetuses without the mothers' knowledge. Unfortunately, there are extreme side-effects. "The Unborn" is much more poignantly frightening than "Rosemary's Baby" primarily because of the brilliant, sharply spooky musical score by the "Godfather of Electronica" - Gary Numan - and the very graphic, shocking, and adrenaline-releasing final moments of the film; however, poor production standards and not the greatest acting (has somewhat of a B-Movie flavour) prevent the film from becoming one of the better films of its kind (like the aforementioned). DO NOT WATCH THIS ALONE IN THE DARK! (6 out of 10)

A couple (Brooke Adams and Jeff Hayenga) who cannot have children joins an in-vitro fertilization program. While she is with child, she finds strange occurrences happening within her body.

Always nice to see James Karen ("Return of the Living Dead") in another genre film. Also, bit parts from both Lisa Kudrow (pre-"Friends") and the perpetual D-lister Kathy Griffin. Add to that Roger Corman as producer, and you have a few choice names...

The concept of the villain being an evil geneticist connected to the Human Genome Project... not sure if that is brilliant, silly or inadvertent fear-mongering. Looking back twenty years, we now know the Human Genome Project was completely safe and taught us many valuable things (and I did not know it used any human subjects). Maybe in 1991 they did not understand it?

The film seems to be strongly influenced by "Rosemary's Baby", as it follows a pregnant mother with who-knows-what growing inside her. Of course, this film is not about satanists... at least, not that I know of.

The Unborn is a pretty good low-budget horror movie exploiting the fears associated with pregnancy. It's very well acted by the always-good Brooke Adams and b-movie stalwart James Karen, although the supporting cast is pretty average for a b-grader. The music, by Gary Numan of all people, is good too. Henry Dominic's script is quite intelligent for this sort of thing, although there is a hint of misogyny about it. Rodman Fender's direction is merely adequate, and there are some unnecessary cheap scares. If you're a fan of Adams, whose movie career is nowhere near as illustrious as it should be, check it out; she's great, as always.