Communion

This movie is just insane...

I don't know were to start, its supposed to be about alien abduction but it goes beyond to weird territory, i honestly saw Chistopher Walken become Tommy Wissau in some scenes, it is so surreal you think your watching a comedy when its supposed to be science fiction, i don't know what was in the directors mind when he mixed aliens and Christopher Walken, we get one of the most insane movies ever made i don't know if to compare it with Brazil or Eraser head.

Its not bad or good its in a rating limbo, you have to see it for yourself to believe what your watching and trying to make sense of it, its entertaining specially if you like strange premises, i honestly would say give it a watch and judge it for the craziness that it is

The film depicts the personal and professional crises a writer experiences after a series of encounters with non-human beings.

The film strongly benefits from the performances of Christopher Walken and Lindsay Crouse. Walken (always engaging) manages the challenging task of making Whitley Strieber a compelling character; you care about him even if you don't necessarily like him 100% of the time. Crouse succeeds as Whitley's wife; the two together are immediately believable as a married couple.

The film is arguably the most intelligent film about the alien abduction/ visitor phenomenon. Unlike countless cheap, made-for-TV films, where the emphasis is on the sensationalistic, "shocking" aspects of the subject, COMMUNION focuses on the psychological and emotional harm the experience does. We see Strieber describe his experiences to his medical doctor, and then to a psychiatrist. Once his own mental health has been established, then (and only then) does he begin to consider the possibility that the creatures he has seen are actually real.

After questioning everyone from medical professionals to fellow abductees, Whitley realizes the only ones with the answers are the visitors themselves. At the film's climax, he willingly presents himself to the visitors. This is what makes COMMUNION transcend every other film about the phenomenon.

Director Phillipe Mora successfully creates a "you-are-there" atmosphere, letting the actors improvise a lot of their dialogue. There are two distinct moods: one, where things are brightly lit, secure, and normal; and secondly, the dark, unsettling world Strieber inhabits only with himself and with the visitors. Mora's direction is subtle, with cues in both the dialogue and a detailed, occasionally wry visual style.

Another plus is Eric Clapton's opening and closing theme music.

This is a seriously underrated film.

The director's cut (with commentary by Mora) is recommended.

Christopher Walken gives a distractingly bizarre performance in this trippy alien abduction movie. At times, he is bizarre and manic, going from a Dad joke making fuddy dud, to a somewhat menacing dangerous character (such as when he shoots up his home, and receives a muted reaction from his wife). He seems unfocused and indecisive, as he is both convinced of his alien abduction but on the fence about receiving therapy. This kind of day to day indecision may be common in real life, but it is odd to see a character change his mind with each scene in a movie. As in Fire in the Sky, the characters' positive traits are overemphasized so as to make them seem like everyday Americans and not alien abduction kooks. This is somewhat undone by the strange nature of Walken's performance. The director also throws in seeming Easter eggs to cast doubts on the story, throwing in references to alcohol and making the dream sequences ridiculous, campy and trippy. We also know the lead character is a writer, and that this would make a compelling book. At one point, when Walken is journeying to the cabin to perhaps commune with the aliens again, he is passed by a Miller Lite truck. The dream sequences are some of the most bizarre I've seen committed to film. They are trippier than David Lynch, and various camp musicals like The Apple. There are costumed gorilla aliens and dancing slim aliens that invite Walken to an orgy replete with anal probing, all while Walken recites lyrics from The Beatles. This makes it rather hard to believe. I have heard the author feels that the movie was not entirely accurate to his story, but his name is all over it, so he could have exercised greater control. I can only recommend this as a camp film. I will say it is far more entertaining than Fire in the Sky, but the one alien scene we get in Fire in the Sky is more frightening than the alien activity we see here.

This film left a lasting impression on me, which didn't wane during the second and even third viewing. I have never thought about it as an "alien-movie". (Incidentally, the word "aliens" is never once mentioned in the film.) In my opinion, it is a film about the man's reaction to the inexplicable intruding into his orderly existence. It is all about people, not aliens. Each character has their own reaction to the strange. In fact, what we see is a "pilgrim's progress", with Walken fighting against various attempts (by others and by himself) to explain it away. It is a philosophical parable, saying that any explanation would be nothing but a mask over the truth, which cannot be expressed in words. As Walken says: "This cannot be it. I didn't come all this way for you to tell me that this is it."

Director Philippe Mora has made some bizarre movies in his time, and 'Communion' is one of the strangest. Christopher Walken plays writer Whitley Strieber who finds his life going in a very odd direction. Strieber isn't the most grounded guy in the first place - his writing technique seems to consist of putting on funny hats and pretending to be a wolf - but even his broadminded wife Anne (Mamet regular Lindsay Crouse) draws the line at freaking out at Halloween masks, pulling a gun on imaginary owls or intruders or whatever it was, and generally nutso behaviour. She convinces Whit to see a doctor, and then a psychiatrist. Under hypnosis Strieber finds out more than he is prepared for. At least he's not insane... I think.

This is one of Walken's greatest "out there" performances, as memorable as 'The Deerhunter', 'The King Of New York' and 'Wild Side'. He mumbles, grimaces, laughs, dances, twitches, stares, freaks out, charms, irritates and scares. I don't think his "Whitley Strieber" has anything to do with the real life one, but it's a sensational performance nonetheless. Walken has few rivals in screen psychos - only Dennis Hopper during his 70s excesses, or vintage Timothy Carey can rival him. Freakin' weird role in a freakin' weird movie! A must see for lovers of movie strangeness.