हडसन हॉक

A movie that I've never understood the critics' response against. Yes, it's primarily a Bruce Willis ego-trip. Who cares? It's a _fun_ Bruce Willis ego-trip. He smirks, smartmouths, struts, sings, and strides through every scene. But he still doesn't manage to steal the thunder of Danny Aiello, James Coburn and his band of covert agents, and Sandra Bernhard and Richard Grant in a truly bizarre series of sequences as eccentric (to put it mildly) billionaires. Andie MacDowell doesn't make much of a romantic lead, but even she gets a goofball sequence when she starts speaking in Dolphin-ish.

Is this a great movie? Not really. Will I absolutely stop and watch it if I happen to see it's on? Yes, I will. It's truly an oddball comedy, most definitely not every joke works, but its manic energy and silliness still manage to crack me up.

The real credit, for me, goes to the movie's two ridiculous scene-chewing villains, Minerva and Darwin Mayflower who pretty well have to be seen to be believed. If you looked up over the top in a dictionary I think you could possibly see a picture of them, and yet they're played with such conviction and flair that I love every scene they're in. For me, without them, the movie wouldn't be anywhere near as fun.

This movie was on my list of movies generated by actors as personal projects. That's because you really get to know these guys when you see what they really want to do. Bruce worked on this for a very long time.

If you check out Willis' acting stuff, it is a particular style, very much like Mel Gibson's. The idea is to focus on the character in a serious way, but always let the audience know that there is a carefree guy doing it. The formula is subtle and depends on the genuine take on life that the actor has.

If you allow for the incompetent editing and execrable score, this is a very clever movie. In particular, it is a very clever placement of a movie about other movies. It walks through the various motions of a real movie, with lots of references to remind you. But it is really a bunch of jokes that make the broadest fun of movies. The position and distance that this film has to real movies is precisely the same as Bruce's acting stance to the job he does in portraying the character.

Check it out. It's got some problems, but it tells you a lot about Bruce in whatever of his other films you like, and will likely enhance that film.

Hudson Hawk has cult movie written all over it. Bruce Willis and Danny Aiello have a blast making robberies while singing show tunes. It put me in the spirit of the movie and I enjoyed myself. Everybody in the cast overacts but that didn't bother me at all. This is the kind of movie that after years pass will be considered a cult classic. Check out Hudson Hawk if you want to have a good time. Because like all the best films, you have to suspend your belief in reality to make it work and this movie is fantasy on a whole new level.

I'm torn on HUDSON HAWK. After watching it, part of me went, "What the hell was that?" But another part suggested that maybe I wasn't hip enough to "get" what it was trying to do. Part of me thought it was a completely ridiculous waste of time. Part of me thought it was just good, clean fun.

Though certainly not for everybody, there are enough redeeming qualities in HUDSON HAWK to avert its dismissal as a multimillion-dollar turkey. Bruce Willis is Eddie "Hudson Hawk" Hawkins, a cat burglar intent on retiring but who is forced to steal Da Vinci works of art for a (gasp!) world domination plot. Along for the ride are Tommy Five-Tone (Danny Aiello), mysterious nun Anna Baragli (Andie MacDowell) and conniving bad guy George Kaplan (recognize that name?) played by the late James Coburn.

The plot sounds like it could have made for a good DIE HARD-style caper, but director Michael Lehmann had other ideas. As he reveals in the DVD version's audio commentary, HUDSON HAWK was meant first and foremost as a comedy. Trouble is, it was promoted more as a Bruce Willis action blockbuster. Audiences were left scratching their heads as their favorite tough guy engaged in Stooge-like slapstick, sipped cappuccino and, most astoundingly, crooning Crosby classics.

Not that mistaken expectations are the only thing wrong here. Indeed HUDSON HAWK is simply too silly for its own good. The gags frequently fall flat, nearly embarrassing the talented performers involved. The plot is overly convoluted, and Richard E. Grant and Sandra Bernhard as the villainous Mayflowers are a bit hard to take. At its lowest points, you'll be astounded something like this could receive a theatrical release.

To get the most out of HUDSON HAWK, go in with an open mind. It's unlike anything you've seen before -- in both good and bad ways.