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I've watched Robin Williams/Jeff Bridges in this "fairytale" more times than I count. Finally bought it. You have to watch it at least twice , in my opinion,because the first time all I could do was try to let it "settle in".

I love movies that hit me broadsided and then blind me! I keep trying to watch it with my daughter, who only likes love stories, but if I can keep her still long enough she'll find out that this IS a love story, of the most incredible kind. A love story for all mankind.

I hate to gush, but if it's ever called for, it's called for here.

The first time I saw it, I was soooooooo impressed with Mercedes Rhuel's performance and actually said to my friend in the theatre, "That woman's gonna get nominated for the Oscar for this performance", which of course she won for her performance. So, I'm not so unsophisticated after all.

Terry Gilliam has made a lot of good films and a couple of great ones(namely Twelve Monkeys and Brazil)this, though could well be his best.

Why ?

For starters there is the cast.Jeff Bridges,officially the most underrated actor of his generation, giving a performance that veers from one end of the spectrum to the other almost imperceptibly.From comedy to tragedy and back again.

Robin Williams- a great comedian and a better actor than he is given credit for.Fair enough he does tend to go through spells of making films primarily for his kids (Mrs.Doubtfire, Hook, Jack) but when he does decide to buckle down and do a serious role he rarely disappoints (Good Will Hunting, Insomnia, Dead Poets Society).It is with this role though that Williams gives what is the best of his career to date,as Parry. He is undoubtedly insane, but it is not yet too late for him, he justs needs someone to take the effort to save him, and if it had not been for Bridges colossal mistake and subsequent search for redemption, no-one would have done it, and he would never have survived, merely another casualty of another one of Gilliams nightmarish cityscapes. Mercedes Ruehl is perfect as Bridges suffering girlfriend.She thinks of herself as hard-bitten a survivor, and yet she continues to stay with Bridges, trying to prove to herself that she has the strength to change him, to redeem him. She wants to be his saviour, and yet he comes in the shape of a homeless madman, prone to dancing naked in Central Park and seeing floating fairies whilst defecating.The Fisher King is a movie about hope, despair and redemption, and all of the human conditions that fit in between.It contains one of the most inspired,beautiful scenes in recent memory,as Grand Central station transforms from a dingy,noisy concrete hole into a luscious, gorgeous ballroom, simply because of Lydia, Parrys love, the one thing that keeps him grounded in any semblance of reality.The chinese restaurant double- date in which Parry connects with her for the first time is both funny and touching, and makes what comes after even more tragic.

It is at times tragic,brutal even but it's heart cannot be doubted,and it remains a wonderful success.

The movie's plot has been discussed enough, no need to rehash it here. I just wanted to add a few observations. In my opinion this is one of Robin Williams' best performances. I know that at the time he was heavily involved in Comic Releif and this story about mentally ill homeless men and acceptance of all types of people really fits the PC Comic Releif mentality, but he really did a great job here, portraying Parry, a man lost in fantasies of knights and ladies.

Jeff Bridges is very Howard Stern-like as Jack Lucas, the insulated, rude talk show host. In 1991 Stern was still a New York thing, but being that his "fame" has since spread, we see who the character was based on with a little more clarity now.

Michael Jeter as the homeless, depressed former cabaret singer was a delight in every scene he was featured in. His "singing telegram" scene to Lydia in her office was a classic.

Mercedes Ruehl also stood out as sort of living outside this crazy world that Jack Lucas finds himself thrust into. Her home is a haven and scenes shot there are usually scenes of a return to normalcy in the story, a grounding.

David Hyde Pierce has pretty much found his niche as the asexual, slightly fey character. This was basically a toned-down Niles Crane in a hat here.

Amazing movie. Like other Terry Gilliam movies, they unwind like dreams and have the look of otherworldliness. I am sorry that the homeless people arent giddy and uplifting enough for some viewers, but in reality it is a pretty stark existance.

Recommended highly.

Deep humanism runs through the veins of this film from Terry Gilliam, and in some ways it reminded me of old Hollywood and Frank Capra. Its treatment of the homeless and people suffering mental illness because of trauma is highly sympathetic, and in working in fantasy and romantic comedy elements, the film has a light, magical air to it. Jeff Bridges plays an unpleasant radio DJ and Robin Williams is the homeless man whose world was shattered because of something the DJ broadcast, and they're both brilliant here. Mercedes Ruehl and Amanda Plummer play their love interests, and they're fantastic as well - but Michael Jeter nearly upstages them all as the homeless cabaret singer when he belts out a show tune in drag in an office space.

One of the things I liked most about the film was how it deals with charity. We see people throwing coins at homeless people without even looking at them, and a gift of big bills in a shallow attempt to atone for wrongdoing. The scene where Bridges' character says it's not his fault to Williams who can't respond is powerful, and such a metaphor for the affluent wrestling with guilt over those who've been trampled by life (for the rich who actually feel guilt anyway). True charity begins with true empathy, we see, and the giving that comes from immersing oneself into another person's world is divine.

There are some really sweet scenes here, many of which involve Robin Williams. That beautiful story of the fisher king while looking up at the stars, how he imagines everyone waltzing in Grand Central Station because the woman he's secretly in love with is walking across the floor, and the way he tries to offset her awkwardness at the Chinese restaurant are all touching. We get little bits of his comedy too, like when his character can't help himself from picking up a discarded bottle off a trash heap while walking on his first date.

The story takes a lot of twists and turns, and maybe a few too many, en route to what was probably an inevitable ending, but this is a good one. Now if only all radio talk show hosts who glibly said harmful things had to truly confront the consequences of their words.

This movie is really exceptional in a lot of ways. It's got one of those plots, full of ironic reversals and personal struggle, that's been turned into melodramatic trash in every creative medium ever invented. With Robin Williams as the magic crazy guy and Jeff Bridges in an 80s ponytail, the ways the basic concept could have gone awry (in other hands) are truly frightening to contemplate. But with Terry Gilliam at the helm, The Fisher King speaks to your emotions more directly and powerfully than 90% of the movies out there without degenerating into sappiness.

Perhaps the most brilliant acheivement of this movie is the way it takes Robin Williams' crazy-improvisational persona and makes it an integral part of the story. Instead of being a tacked-on adjunct to the "real" movie, Williams' stream-of-consciousness patter is essential to the work as a whole.

At the same time, Gilliam is making an almost-mainstream movie for the first time in his career, while explicitly referencing his past (the Holy Grail). It all comes together into a movie you will never forget.