What Dreams May Come

It's been a while since I last saw this one, but I will always remember this as one of the saddest movies I ever saw, in a good way of course!

There are hardly any cheerful tones throughout the movie, so it is not for people who like soppy stories. But the effects are amazing and the vision of heaven is very original. Robin Williams is, as always, very good at performing. This was the first serious movie I saw featuring Williams, and I was amazed. I had thought Williams would be the type who could only act decently in comedies, but this one proved me wrong. He can put down a serious character with all ease not only that, he can truly touch you with his oh so tear-jerking lines.

My conclusion: if you are planning on watching this movie, keep your tissues at hand, and some food and drinks as well since the movie isn't exactly what you call short.

If there's one thing that What Dreams May Come has is a vivid imagination. Maybe some readings into Dante's Inferno might have given the writers some ideas as a start. But this goes way beyond.

I remember years ago at a Science Fiction convention Peter Davison said that one nice thing about being the Doctor in Doctor Who was that you could create your character from scratch. Since we've got no reports on the afterlife one can the imagination soar in creating it. Soar it does and at times the creation threatens to overwhelm the cast, but it never does.

Robin Williams doctor and Annabella Sciorra artist seen fated to be mated and are. They raise two children, but both are killed in a car crash devastating the parents both try to move on. Then Williams is killed in a car crash.

At that point the film shifts to the afterlife as Williams starts to get used to the territory. Cuba Gooding appears as a kind of mentor/guide for him. The place looks like paradise, but paradise will not be complete without the family reunited.

The afterlife does have its rules and Williams has to make quite the journey to accomplish his goal. Williams, Sciorra, and Gooding give impeccable performances and the sets are just breathtaking.

If it isn't this is what heaven should be.

Firstly this is an adult movie. I remember when it was marketed on its release. It seemed to be targeted to all ages - Robin Williams off the back of- at that time- children's movies. It promoted the technology of the making. Overall they marketed it completely wrong, which I daresay has led it to being placed in the mediocrity bin.

However, nothing could be further from the truth. What Dreams May Come would have to be one of the most intelligent, emotional, visually beautiful, and well acted projects ever to grace the screen.

Robin Williams is masterful and Sciorra perfectly mirrors her soul mate (Williams). Their performances encapsulate all the joy and abject sorrow human life entails. It's a movie that wants you to find real love, see beyond cynicism and grasp the idea of soul mate. And it's all presented in a stunningly gorgeous montage of exquisite colour and symmetry.

From the opening shot to the closing frame, its magnificent. The story is enveloping encompassing nearly every asset of human emotion. It's a roller-coaster ride but rewarding. Comedy, hope, sadness, joy, elation, despair... all displayed perfectly.

ALL actors shine, Cuba Gooding Jr is his usual excellent self and Max von Sydow is impeccable.

The greatest movie ever? close... most under-rated movie ever? - most probably. Watch it, very few movies will touch you as What Dreams May Come will.

All right, the critics who have panned this film do have a point. This movie is muddled and not a heck of a lot happens in it. It's oversweet, and somewhat unsatisfying -- sort of like eating cotton candy for two hours.

But even with these serious flaws (and they are serious flaws), this is a beautiful film. It's a stunning work of art. The visuals are absolutely amazing, the use of colors is genius, and the Kamen score brilliant. This is a clearly a case where style triumphs over substance.

A number of critics have complained that the dialogue was wooden. I think this is due in part to our desensitivation to underplayed dialogue by DiCaprio-esque actors who insist on screaming all their lines. "I love you," isn't good enough. These days, it has to be "I LOVE YOU!!!!!!!!!!" screamed with heart-wrenching anguish while ripping open their T-Shirts in the rain. Here Williams, Sciorra (sp?), Gooding, and Von Sydow actually *deliver* their lines with a restraint that is refreshing to see. There certainly is emotion in them, and seemingly genuine at that, but it's a subtle delivery and one that can easily be missed by today's audiences if expectations aren't carefully set.

I guess their are two types of filmgoers: those who love schmaltz and those who don't. If you don't love schmaltz, you'll be intensely bored with this film. If you *do* love schmaltz, you'll be blown away and bored in about equal measure.

I am not that crazy about Robin Williams, though I don't dislike him. But he was adequate in this movie, because it called for a real sensitive and really nice guy. I feel that, from almost every one of the actors, there was a luminous glow emanating from their faces, like there was some sort of special lighting used. (There probably was!) As a result, the audience has empathy toward the characters and actually cares about what is happening to them. I've heard so many complaints about how it tries to pull at your heartstrings. Excuse me, but if there WAS a movie out there that made people cry without trying to, I would stay as far away from it as possible...

.....YES, I believe there IS merit to be deserved by a movie if it creates any kind of obvious emotion. I think that crying at a movie either scares or annoys some people.

I like how the movie made me feel awed during the first half, and even more awed during the second half; all the while making me feel sad throughout the movie at the same time. However, there is a difference between 'sad' and 'depressing'. I think the sadness helps any audience realize some parts of their inner-selves.

While very memorable, curiously, the movie never intends for its audience to be close-minded enough to think that this is, with certainty, what happens after you die. It is more of a suggestion, an analogy, of how precious life is, and how deep the bond of love is between some people, no matter what happens.

Rent this one today.