Fresa y chocolate

This movie is about accepting difference and learning to appreciate other points of view and other ways of life. It's not really a movie about gay men - get over that! It's about friendship, and about the love Cubans feel for their country. Jorge Perugorría is absolutely great in this role, as are all of the other characters. The scenes of Havana are beautiful and heartbreaking. This film conveys what it must feel like for Cubans to leave their country, and how difficult that is. It's also about learning to think for yourself and to have opinions and do things that others might not find "politically correct." There's nothing subversive about this movie, and nothing that you need to hide from the kids. In fact, I recommend that people show the film to their teenagers and talk about it, because it sends such a great message about accepting people as they are. It's also tender and funny, and has just the right balance of humor and drama. Nancy (Mirta Ibarra) is wonderful.

The comment from the viewer in Norway who had to be forced to watch this lovely film is in dire need of just more than learning to speak Spanish. This film is not about two gay men, as one character is gay, the other is straight. It is a movie about how two people who seem to be very different are really very similar. Both love their country and they learn that love of man (or of woman) and of country can be expressed differently and still be valued and respected. It is a wonderful, charming, endearing and thoroughly well acted movie. It is extremely realistic and gives and shows a snapshot of Cuba we are not able to see or partake of. I thoroughly enjoyed this movie. It is funny, well acted and well written and directed. The two male leads are superior as is the female character. I have seen this movie many times and never tire of it. I most highly recommend it. It is not a gay film, so don't think of it that way or you will be very disappointed.

STRAWBERRY AND CHOCOLATE (Fresa y Chocolate)

Aspect ratio: 1.85:1

Sound format: Ultra-Stereo

Used as an unwitting pawn by his pro-revolutionary colleagues, a naive student (Vladmir Cruz) is encouraged to develop a platonic relationship with a flamboyant gay artist (Jorge Perugorria), whose political allegiances have fallen under suspicion. But as their friendship deepens, Cruz is transformed by Perugorria's resistance to the Cuban regime, even as the forces of oppression begin to close around them.

Based on a short story ('El Lobo, el Bosque y el Hombre Nuevo') by screenwriter Senel Paz, STRAWBERRY AND CHOCOLATE is a joyous celebration of life and non-conformity, distinguished by Perugorria's vivid performance as a self-proclaimed 'outsider' who rejects his friend's unquestioning loyalty to the Cuban political system that is stifling their beloved homeland. Their budding relationship is complicated by Perugorria's unrequited love for Cruz, depicted here with dignity and compassion, though it's their political differences which ultimately unite the two characters, even as Perugorria is forced to reap the whirlwind of his public defiance. Also starring Mirta Ibarra as Perugorria's flaky neighbor, who introduces virginal Cruz to the joys of sexual liberation! It isn't a terribly cinematic film, but production values are solid, and the characters are played with such integrity, it hardly matters; this is a movie in which ideas take precedence over action, and the emotional payoff is quite powerful indeed. Beautiful music score by Jose Maria Vitier, too. Directed by Tomás Gutiérrez Alea and Juan Carlos Tabío.

NB. The original US version (released by Miramax) is missing approximately six minutes of footage. Absent material includes a brief conversation about racism during Cruz's first visit to Perugorria's apartment, and a sad little sequence in which the two characters pretend not to notice each other after meeting by accident in a bookstore.

(Spanish dialogue)

`Strawberry and Chocolate' (1993)is set in contemporary Havana. The luster of that city has dimmed after nearly four decades of Castro's rule. David (Vladimir Cruz), a student and avid Castro supporter, is on the rebound after losing his girlfriend. He had taken her to a cheap hotel to make love, but the place is so shabby it puts her off. Instead, he promises never to touch her until they marry. In the next scene, she marries someone else while David stands sullenly among the well wishers at the registry office. Then he meets Diego (Jorge Perugorría).

Diego, who is flamboyantly gay, parks himself at David's table in an outdoor café to eat a dish of strawberry ice cream. For David, this is suspicious because chocolate is also available. Diego says some people like chocolate, some like strawberry, an innocuous line that gives the movie its title and also hints at the odd couple relationship to follow.

Diego does not disguise his sexual interest in David, but is also interested in giving David an education the regime denies him. The older man is far more cultured than his new friend. Offers of books banned in Castro's Cuba, such as a novel by Mario Vargas Llosa or the poems of John Donne, lure David to his apartment for tea and talk. When David reports that Diego is involved with a forbidden art exhibit, he is directed to befriend Diego to find out more information. `Strawberry and Chocolate' thus sets their emerging friendship against the backdrop of two bleak themes: anti-gay prejudice in the Castro regime, and the betray-thy-neighbor expectation of a police state.

But almost nobody conforms to type. A woman in Diego's building who is part of the neighborhood Vigilance Committee, on the watch for counter-revolutionary activities, turns out to be a good friend to Diego and then to David. Everyone plays one game with the government, but a different one in their private lives. This is a lesson David has to learn. Encounters with women along the way provide a few subplots, but the heart of the story lies in the hearts of the two men.

`Strawberry and Chocolate' is credited to directors Tomás Gutiérrez Alea and Juan Carlos Tabío. The former was, until his death shortly after completing this film, the best known filmmaker in Cuba, winning an international reputation in the 1960's for titles such as `Memoirs of Underdevelopment,' a look at life in Cuba in the early Castro years that tempers criticism with prudence. `Strawberry' is smaller in scale and less overtly political.

The film was nominated for an Oscar in 1995 and won awards at film festivals around the world (including the Sundance Festival). American viewers may instantly slot it with Hollywood features that show how straight characters learn life lessons from a wiser gay companion (`Boys on the Side,' `As Good As It Gets'). And at times Diego's excesses recall the worst performances of Harvey Fierstein. Yet superb performances by the two male leads eventually move beyond stereotypes they – and the audience – initially share about each other, transforming their unexpected friendship into a statement that puts the lie to official groupthink in a repressive regime.

A beautiful movie for the heart. One of the most wonderful stories of friendship ever told.

Jorge Perugorría as Diego is amazing. (I'd well like to see some of his other work.) It is most astonishing to see how his character develops from the limp-wristed cliché gay at the beginning to a fascinating man who gets in conflict with the regime because he is different on every level from what the system requires him to be: he is an independent spirit, a person with a genuine love for the arts, for literature, for music, he is disappointed by communist ideals - and he is also gay, by the way.

Vladimir Cruz is also very fine as the young and naive David who discovers things through his friendship with Diego he'd never ever thought of: like discovering the beauty of things, of life, of poetry and music... And also being committed to another person, even though this person may seem very 'different' from oneself at first glance.

The development of David's and Diego's friendship is fascinating (I wouldn't interpret anything more into it, not even in the final scene). This is also a "coming of age" tale, in a way: by his friendship with Diego, David begins to think, develops a maturity of spirit - and is also, at last, able to develop a loving and mature relationship with a woman. It is very sweet when he tells Diego: "No-one will hurt her. She is with me."

A true gem of a film. I recommend it to everyone.