cyn_duncan

Considering that this film was made in 1978 when no one - especially no one in Mexico - was making films about gay men, this film is remarkable for the way it presents a critique of macho culture. La Manuela, played brilliantly by Roberto Cobo, doesn't want to be a man because she doesn't want to be a "bruto," an animal. Pancho and his brother in law, Octavio, represent everything that's wrong with Mexican men. They are obsessed with appearing "manly" in the eyes of the world. They treat women like objects, they are violent, and they like to control other people. Pancho is especially pathetic because he is obviously attracted to la Manuela but can't admit it. On the other hand, la Manuela is very honest and open about who she is and what she wants. She doesn't care if people make fun of her and call her names. She is kind, supportive, and in decisive moments, brave. In case you're thinking this is a male-bashing film, it's not. Don Alejo, the aging cacique (boss) of the town is an old fashioned patriarch who has his flaws, but he is not threatened by men like la Manuela. He doesn't pass judgment on people and he recognizes wrongdoing when he sees it. He suggests that there are other ways to be a man in Mexico, and that people like Pancho and Octavio are threats to society. The relationship between la Manuela and her daughter, Japonesita, is sweet and touching, like the mother and daughter roles in a 1940s melodrama, but with a modern twist! Although la Manuela sometimes acts campy and parodies female behavior, it is clearly just part of the spectacle or show. When she's not on stage, she's down to earth and practical, like any of the other "girls" who work in the brothel. This film shows the seamy side of life in a small town, but ultimately suggests that the people who live and work in the brothel are more honest and sincere than those who belong to the so-called "respectable" outside world. Roberto Cobo is perfect in the role because he's not beautiful or feminine looking, but he knows how to seduce with words and gestures. The final "dance of the kiss" is hypnotic, and it's easy to forget that he's not a "real" woman as he dances for Pancho. Running like a thread through the whole film is a commentary about how life in Mexico is changing and how small town life is disappearing. It's a great film, well worth seeing, the best film coming out of Mexico in the 1970s, without a doubt.

I enjoy seeing films that deal with people who don't get a lot of representation in Hollywood film, and watching this movie about young Latinos growing up in NY was a treat. I especially like the way it deals with the subject of family and friends. This isn't the typical white middle class neighborhood with mom, dad and a dog. To a large extent, the kids are raising themselves, and trying to figure out who they are without a lot of help from the adults in their lives. Some of them are emotionally wounded, but nevertheless they're strong. They survive without hurting other people, and when times get tough, they come together and support each other. I didn't think it was overly romanticized in the way it deals with the subject. True, the film doesn't focus exclusively on the horrible, depressing things that go on in poor neighborhoods. We don't see rapes, gun fights and rats running around, but I'm glad that someone made a film about Latinos that doesn't focus on drug use, violence, and gangs. These characters just seem like normal people who are trying to get by and do the best they can in the circumstances. They don't come across as victims, we aren't supposed to feel sorry for them or pity them. It's a nice character study, and shows that relationships between young people aren't simple. I especially loved the grandmother, who came across as very human and showed real depth. I would recommend this film to people who are tired of run of the mill stuff and want to look at something different.

There are so many documentaries that talk about how horrible Fidel is, all of the abuses and crimes that Fidel has committed since the Revolution, how the Cubans are so unhappy and mistreated, etc. It's easy for people in the United States to think that no one likes or admires Fidel. This documentary helps explain why he has supporters. Yes, it's a sympathetic look at Fidel and Cuba, and it makes Fidel seem charming. But, there are lots of people in the world who think he IS charming, and don't think of him as a monster. Estela Bravo isn't alone in her admiration. It's interesting to see another perspective and understand that there are two sides to every story. I'm tired of seeing everything slanted from the perspective of Cuban Americans who lost everything in Cuba and hate Fidel with a passion. I think it's healthy to have another perspective, and this film will help you understand the situation between the United States and Cuba more fully.