Body Bags

Movie-buffs (and perhaps horror fanatics in particular) are strange and unpredictable beings, aren't they? Most of the time we're extremely skeptical and criticize ambitious new projects, yet sometimes we're easily pleased and highly enthusiast about something that is completely derivative, mundane and unoriginal. "Body Bags" is the perfect example to illustrate that: it's a horror omnibus existing of three incredibly prototypic segments and a repetitive type of wraparound story, yet I personally enjoyed it immensely. This is a good old-fashioned "sit back, relax and switch off all brain functions" type of anthology with a nice diversity in suspense, comedy, splatter and absurdity. Yet, the undeniable strongpoint of "Body Bags" is the all-star horror cast and crew, with legendary actors and even directors of the genre appearing in fun supportive roles and insignificant cameos. No less than John Carpenter directs two out of three stories and even stars as the host in the wraparound story. Clearly inspired by "Tales from the Crypt", Carpenter plays the witty and morbid morgue employee exactly like the infamous Crypt Keeper; though with still a little more flesh around the bones (though not too much). The first story was the most effective one! Regardless of how clichéd, repetitive and predictable "The Gas Station" is, it's a genuine horror entertainment. With the landmark "Halloween", Carpenter obviously proved he's the undeniable master of stalk-and-slash movies, and "The Gas Station" ideally fits the pattern. During her first night working in a remote gas station, Anne receives a visit from the maniacal killer who's been terrorizing the area since weeks. It's a highly segment with cool red herrings, dumb decisions, some good gore and a neatly uncanny atmosphere. The remaining two stories are slightly less overpowering, mainly because they revolve on sillier topics. "Hair" introduces an aging playboy who cannot accept his hairline becoming thinner. He desperately starts seeking for a hair-growing method that works and finds the incredibly treatment of the slightly odd Dr. Lock. Needless to say Richard's new hairdo begins to lead its own life with terrible consequences. "Hair" is obviously the most blackly comical chapter of the three. This story isn't gory or tense, but it's a very likable satire about vanity. Finally, "Eye" centers on a successful and happily married athlete who loses his eye in a tragic car accident. He spontaneously volunteers for a brand new and risky eye-transplant procedure and slowly begins to carry on with his life. Shortly after, he begins to suffer from horrific visions and learns the eye's previous owner was a sadistic serial killer. "Eye" starts off a little slow and dull, but gradually turns into an exciting and gruesome little shock-story. With a bit of imagination, you could even interpret this segment as some sort of predecessor for the more famous Asian ghost story "The Eye". Admittedly none of the stories are extraordinary brilliant or innovating, but they're definitely traditional and enthusiastically made. And, as said already, if you don't care about the actual stories, you can always yourself entertain by playing "spot-the-horror-star". "Body Bags" boosts an amazing cast including John Carpenter ("Halloween"), Tobe Hooper ("The Texas Chainsaw Massacre"), Sam Raimi ("The Evil Dead"), Roger Corman ("Pit and the Pendulum"), Wes Craven ("Nightmare on Elm Street"), Robert Carradine ("Orca"), David Naughton ("American Werewolf in London"), George Buck Flower ("The Fog"), Stacy Keach ("Mountain of the Cannibal God"), David Warner ("The Omen"), Mark Hamill ("Star Wars"), Twiggy ("The Doctor and the Devils"), Deborah Harry ("Videodrome") and Charles Napier ("Supervixens").

John Carpenter presents "Body Bags", in which it reads true as he plays very-well looking coroner (well he might not be as what he seems) late at night fooling around in a morgue, while spitting out macabre jokes (visual and verbal) and then introducing us to three buoyant little stories. They range from horrific, humorous and simply bizarre with a "Tales from the Crypt" spin to them. In this low-budget TV production Carpenter would direct the first two; "The Gas Station" and "Hair", but the third story "The Eye" would be fronted by director Tobe Hopper. Carpenter and Hooper wouldn't be the only recognizable names, as the cast line-up is rather mouth-watering. You got Stacy Keach, David Warner, Mark Hamill, David Naughton, Robert Carradine, Deborah Harry, Twiggy, George Buck Flower, Charles Napier, John Agar, Roger Corman and a minor cameo from Tom Arnold. Also some horror participants have tiny parts; Sam Ramini, Wes Craven, Tobe Hooper and make-up/special effects maestro Gregory Nicotero.

The first story; "The Gas Station" starring Alex Datcher, Robert Carrdine and David Naughton is probably my favourite of the lot. It's the most straight-forward, but effectively atmospheric (very well photographed with its encroaching angles) and suspenseful, which sees a lady on her first day of the job looking over an isolated gas station late one-night night, where she becomes a target of a satanic serial killer. Quite high-tempo with its grounded cat-and-mouse layout. You really do feel the growing unease displayed by Datcher's character and the tension that unfolds from its eerily forlorn backdrop, but this exercise into familiarity just works. Some fruity characters also helps, and it's not without its parodying humour either to balance it out.

"Hair" the second story, starts off with a natural fear before becoming quite an offbeat and quirky entry which sees Stacy Keach being plagued by the fear of losing his hair. After trying everything to combat it, he seeks treatment from a specialist doctor. It works --- lovely long hair, but at what cost. Keach is a blast in the lead and he shares terrific on-screen chemistry with the likes of Sheena Easton, David Warner and a colourful Debbie Harry. Witty dialogues and a nice sense of wicked cruelty in a revelation that's just plain crazy.

Finally we end off with Hooper's "The Eye". A brooding supernatural tale that has Mark Hamill an up-and coming baseball player in a terrible car accident, where he loses his right eye. However a doctor offers him the chance to get that sight back in an eye transplant but there's no guarantee it will work. However it does, but soon he's plagued by headaches and visions --- dark and disturbing ones. This one takes on a more serious approach compared with the previous outings with an excellently confident Mark Hamill with good support by Twiggy. The story might be predictable, but it's well-paced where the inflicted transformation of our edgy central character is suitably pitched. Some ghastly shocks moments show up too.

Joining it up is the enjoyably warped wrap-around segment with Carpenter (where Rick Baker did the make-up for) and this sees the cameo turns of Hooper and Arnold at the end. The dialogues might be what you most remember, but some of the decors on show in this segment are amusingly executed.

As a whole it's a complete package with the stories perfectly complementing each other. They might not be spectacular, but I liked the three.

Good, fun comic horror anthology opus by Carpenter and co.

Three short stories in the horror genre: The first about a serial killer. The second about a hair transplant going wrong. The third about a base ball player who receives a questionable eye transplant.

The sad truth is that giving this film as high a rating as I did really comes down to one thing: the endless supply of guest stars from the horror genre (and beyond). Who can dislike a film with Wes Craven, Sam Raimi, John Carpenter, Tobe Hooper and more? That is incredible.

As for the film itself, it is about average. The acting and directing are fine, and the gore really starts to add up in the third segment. But the script was really nothing special, and I am not shocked that Showtime declined to turn this into a regular series (any given episode of "Masters of Horror" is better).

The disc from Scream Factory makes this average film a little something more, with plenty of insight from Stacy Keach, John Carpenter and producer Sandy King. Horror fans may think the movie is average, but you are bound to learn a few things from the commentary.

Three stories courtesy of John Carpenter and Tobe Hooper, sounds like it can't miss, right? The results are mixed, but pretty interesting all the same.

The Gas Station is vintage Carpenter. Here he maximizes the effect from a truly simple premise and creates a genuinely scary story. It's simple, but the final minutes are riddled with tension and general uneasiness. The best of the bunch.

Hair is a truly funny story with a terrific performance by Stacy Keach. It goes way over the top towards the end, but still, it's highly amusing for the most part.

Eye, the weakest of the three, due to it's complete and utter predictability and complete failure of generating any real chills. It's fun to see Hamill and it's pretty gory but that's about it.

One terrific story, one pretty good and one pretty bad, all in all, it's worth watching but it's nothing spectacular.

In this early-90s, Tales From The Crypt-style, made-for-TV anthology from masters of horror John Carpenter and Tobe Hooper, creepy morgue attendee The Coroner (played by Carpenter, whose acting is nowhere near as good as his directing) unzips three tales of the macabre…

Tale number one, The Gas Station, is directed by Carpenter, and stars Alex Datcher as Anne, whose first night as a gas station attendant doesn't go quite as planned when she is targeted by a serial killer. Operating well within his comfort zone, Carpenter returns to the same bag of tricks he used years earlier for his seminal blockbuster Halloween, delivering a tense, atmospheric piece that, while not exactly groundbreaking thematically or visually (one shot, in particular, is lifted directly from Halloween), still proves to be a lot of fun. Datcher makes for a likable scream queen, there's quite a bit of enjoyment to be had from guessing which of the station's patrons might be the killer, and we get a few welcome cameos from some well-known horror luminaries.

Hair, Carpenter's second offering, also sees the director visiting familiar territory: a They Live-style story of aliens operating undercover on Earth, it sees desperate, balding, middle-aged man Richard Coberts (Stacy Keach) visiting an experimental hair clinic that guarantees overnight results. Unfortunately for Richard, his new lustrous locks are actually minute parasitic extraterrestrials that intend to feed on his brain!!! With such a patently silly concept, Carpenter has no option but to play this one for laughs, and amazingly, it works, with the balding Keach proving that he has quite the sense of humour. Hair also features decent turns from David Warner as sinister Dr. Lock, Debbie Harry as his kooky nurse, and Sheena Easton as Cobert's sexy girlfriend Megan.

In contrast to the light-hearted nature of Hair, the third and final segment, Eye, is a much darker affair. Directed by Tobe Hooper, it tells of up and coming baseball player Brent Matthews (Mark Hamill), whose career looks to be over when he crashes his car, losing his right eye as a result (a shard of glass piercing the organ). However, thanks to a revolutionary eye-transplant procedure, he regains full vision, but at a cost: his new eyeball causes him to have horrific visions and gradually alters his personality. Yet another scary story to borrow heavily from horror classic The Hands of Orlac, this is extremely derivative stuff, but thanks to solid direction from Hooper, some cool gore, a surprisingly strong central performance from Hamill, and a neat downbeat ending, Eye proves to be a delightfully twisted and thoroughly enjoyable way to wrap up this fun little flick.