Laws of Gravity

One of the things that bugs me about indie film-making is that the wrong people make it to step two. Nick Gomez surely should have been able to do more work than "Illtown" and "New Jersey Drive" after finishing this well-crafted, if choppy, urban tale. I liked "New Jersey Drive" a lot, so I guess Nick's getting his recognition through "The Sopranos" at the moment. And why is Mr. Green still only playing psychos and tiny little bit parts, apart from his brilliant work in "Clean Shaven"? At least Adam Trese went on to "Palookaville"!

Ok, so that's more of a rant than a review, and I'll cut to the chase:

If you liked "Bottle Rocket", "Palookaville", or "A Bronx Tale", see this film.

It's an old story, but I'll tell it again:

Guys from bad neighborhoods, against whom the deck is pretty well stacked, get some better-than-usual goods to sell. And sell them they must, under less than ideal circumstances, leading to all sorts of fun and frolic, in a very non-comedic sense. Greene, Trese, Falco, and Schulze stand out. Saul Stein is quite creepy as the face of the "new mob".

This sort of film appeals to me more in its American genre than the current British versions of this story ("London Kills Me", "Lock, Stock", "Twin Town", and "Trainspotting") as the Scots/Welsh/Home Counties vision of petty crime has a heavily injected fantasy slant absent in four American flix cited in my discussion.

Also, these petty-street-crime films are probably (with the exception of John Sayles) one of the few windows into American poverty available in US film right now. The scene in "Laws of Gravity" between minor criminal Frankie and Greene's screen spouse Denise (Edie Falco) on the nature of life and work is brilliant.

lordwhorfin says, go ye forth and rent.

With so many movies copy-catting winning formulas,it is a shame, but no surprise, that "Laws of Gravity" is a little-seen, hardly ever-recalled movie. It got lost in the Chasing Amy/She's the One/Do the Right Thing indie over-load. And I'm not knocking those movies. But please give due credit to the "godfather" of indies,which combined a gutsy and raw, yet still highly intelligent script with near-flawless acting and, at that time, never-before-seen editing and cinematography. Can you tell I'm a fan? I too, like many other viewers, "stumbled" upon this movie while channel-surfing late at night. This will not be a review, being that I don't want to give away any key moments of the film. Rather, this is a plea to all movie lovers to beg, threaten, and/or intimidate the powers-that-be to release this film on video and DVD for, to my extreme shock, this film is nowhere to be found. (Save for the afore-mentioned "stumble".) And if you find it there, TAPE IT! This is definitely one for the personal library!

You can't tell where the film crew is or their equipment, because the whole thing is so close to reality that you can't even call this a real movie. Its more than a movie, its like you're there. You're hanging out with these egregious people, on the street, in their apartments, in the bars they hang out in..its really amazing.

Not one of the actors makes one false move and you can't say that about very many movies. But like I said, they didn't appear to even BE actors in the first place. I wonder if there was a lot of improv between the actors, everything they said was so real.

You can't say a lot really happens, either, but that's exactly like real life, too!

From what I just read, this was made for the amount of money Julia Roberts makes for filming one or two scenes. Whoever said life was fair?

It's not a Means Streets rip-off. It's a decent, low budget movie with some fine acting, and some realistic dialogue. These characters are not brain surgeons, they are rough, inarticulate people who live a hard life. Any predictability comes from the fact that only the inevitable can happen to people such as these. The film captures the feel of a Brooklyn neighborhood well. What appears to be Williamsburg before it became trendy. This movie made me feel I was watching what happens when a bunch of good, no-frills actors spend time together producing a very realistic and gritty ensemble piece. Check it out for yourselves.

The first time I saw this movie was about six years ago on either Showtime or Cinemax can't remember which. I was blown away I missed the first few minutes and thought at first that I was watching a documentary. The hyper camera work, the dialog, the more than real life acting, and very believable situations. No Hollywood style glizt and glamour here. No big name actors, no multi-Jillion dollar budgets. Just basic film making in it's rarest form; raw, unrefined in other words REAL. Real characters, no complicated plots no surprise endings no Hollywood endings no explosions no car chases and crashes. This film is a real character study and you know how it's going to end, the only way it can. (Hey Independent Film Channel why haven't you put this one air yet)?