Henry: Portrait of a Serial Killer

Although disturbing, "Henry: Portrait of a Serial Killer" takes you through the mind of a serial killer, and it is interesting.

Plot: 8/10 Music: 9/10 Originality: 7/10 Ending: 7/10 Acting: 10/10 Casting: 10/10 Creativity: 8/10 Pace: 9/10 Cinematography: 7/10 Dialogue: 8/10 Suspense: 9/10 Special Effects: 8/10 Setting: 7/10 Entertainment Value: 8/10.

With the BWP hype, a lot of talk of going around about "the scariest movie you've ever seen". Probably because I've seen over a thousand horror/fright/suspense/gore movies, I have trouble pinning it down. I can't name the scariest, I can name the top 5. As far as non-supernatural horror goes, this movie and Last House on the Left are the scariest movies I've ever seen.

I saw this at a film festival and the audience was very, very quiet. My friend and I just sat there quietly cowering most of the time. It's just way too realistic. The opening and closing are probably the most frightening, and we don't even see Henry killing anyone, just the bodies of his victims and their terrified screams in the background, echoing. It will give you chills down your spine. The stuff in the movie that scared me wasn't any big "jumps" or gore, just very disturbing, creepy moments (especially if you knew someone who was been the victim of a homicide, as I do). My friend I saw it with worked at the city prosecutors office and heard about plenty of local murder cases and said it rang very, very true to life. One of the most chilling scenes is early on, when Henry goes to a mall and just sits patiently in the parking lot, scanning. The camera looks coldly and calculatedly at different women in the parking lot from Henry's point of view. There are so many shots you almost start to wonder what the point of the scene is until it hits you: they are ALL potential victims, this is how he looks at women. I have always been careful as a woman whenever I am alone but after seeing the film, to this DAY I do not walk to my car alone at the mall without my mace in my hand, and I look all around me and never turn my back on anyone. The movie also does not glamorize the killing or violence against women at all.

Also, it's a good primer on home and personal safety. (a good rule- Do not EVER let a stranger into your house when you are home alone if you were not expecting him. In fact, after I saw this I never open the door when I am home alone and not expecting anyone, period. Think I'm paranoid? Watch this movie and see how safe you feel).

The plot sounds simple but it's not boring. The movie follows the exploits of Henry, a young man who is practically a textbook case of a serial killer (male, white, 30's, drifter, soft-spoken, shy). Conflict comes when his disgusting nasty inbred cousin Otis Toole stays with him, along with his pathetic sister. One night Otis and Henry pick up a couple of prostitutes and are having sex with them in the car. Henry kills both of them sort of offhandedly, with no more emotion than you would swat a fly. Otis starts joining him on his exploits. Henry is more sympathetic than Otis, however, because while Henry does these things because he is sick and doesn't have a choice, Otis seems to get off on them, and also should know better. Things sorta go downhill from there, and the sister complicates things because she is so desperately lonely that Henry starts to look good to her. It culminates in one of the most chilling, downbeat endings of all time.

After I saw this movie at the festival, I was lucky enough to be there when Michael Rooker, who plays the title character, came out and lectured and did Q & A. When I say lucky, I don't mean lucky that I got to meet a celebrity (though that was neat). I mean lucky that I was able to have proof immediately afterwards that this was just a movie. If the movie had ended and I just had to get up and go home, I probably wouldn't have gotten any sleep for about a week. He was very nice and personable, wore glasses and a blazer, not at all like his character. The thing I remember most clearly is someone asked him what kind of movies he liked and he replied, "I don't like horror movies, really, I like musicals". Everyone laughed for about 5 minutes, partially out of relief. BIG relief. See, it's just a movie, there's the actor right there, and ha-ha, he's actually very shy and charming and harmless, isn't that funny?

Even with all of that, I still find this one of the most disturbing, unsettling movies ever made. You haven't seen a really scary movie until you see this movie.

I am 57 years old. I've seen many films in my lifetime. I am not easily frightened or upset by movies. I am partial to drama and documentaries. I can count on one hand the films that I have found to be so deeply disturbing, that I later regretted seeing them.This film is among them. It is possible to "see too much" in this life, and once seen, some sights remain trapped in your head FOREVER short of getting a lobotomy, or being

hypnotized. Leaving the theater that day, I honestly felt as though I had actually witnessed several murders. I was really shaken by the horrific realism of this cinematic event. I was sorry that I had seen the film, but it was too late to retract the terror that, even today, still remains in my memory. Some things are so

emotionally damaging, that perhaps they should be left alone. This film was so powerfully unsettling for me, that I feel a need to warn others of the emotional impact. This speaks well of the directors skill at scaring movie-goers, but

approach with caution please. This is a very heavy movie. The Honeymoon

Killers is another film that I regret seeing. Would that I could forget that

nightmare!

A flat disturbing film, almost documentary in scope which trawls the depths of the human condition. 'Henry' is not surprisingly often slated as a violent exploitation film, bundled together at Film Fairs with the Italian cannibal flicks of the 70's.

Make no mistake though, this is a highly commendable piece of movie-making, which tackles the subject of serial killers with the same no-holds-barred approach which 'M' did way back in 1931. By referencing the early Fritz Lang classic, I am intentionally comparing 'Henry' favourably with it. I would also say that Henry Rooker's performance is on a par with Peter Lorre's.

The film develops like a three-handed play, revolving around Henry's flat which he shares with former prison-mate, Otis. The trio is made up by Becky, the sister of Otis, who comes to visit.

We are introduced to Henry immediately as a killer and the story does exactly what it says it will in the film's title. We simply follow Henry throughout his daily routine. No mention is given to any police enquiries and Henry is oblivious to any notion of avoiding capture or covering his tracks. Much of the film's power comes from this nonchalant approach, whereby if a person doesn't register that something he is doing is wrong, then it quickly becomes almost acceptable.

Rooker, in the title role, is totally convincing and gives a chilling performance, free from the mannerism clichés which detract from more famous serial killer characters like Hannibal Lector and Norman Bates. I can only think of Kevin Spacey in 'Seven' (1995) giving a similar level of performance for this character-type.

Despite a couple of scenes whose violent content borders on the gratuitous, for the most part 'Henry' succeeds by relying on a suffocating atmosphere and it's down-beat characters.

Anyone without a sense of desolation at the end of the film must be devoid of their senses.

BEST SCENE - Henry and Otis enjoying a night in on the sofa, watching their recent home-video recordings, is one of the most disturbing scenes I can remember watching.

In 1960, Michael Powell committed professional suicide by directing and producing "Peeping Tom," a thriller in which a psychopathic murderer photographs his victims at the moment of death. Denounced as sick and without redeeming social value, "Peeping Tom" vanished from theaters, while its director, also denounced as sick, went on to make only two more films in the next eight years. Powell's film has gone on to attract an avid cult following and, if it hasn't done so already, so will "Henry: Portrait of a Serial Killer."

Loosely based on the real life exploits of Henry Lee Lucas, a leering, low IQ sicko who became a media star after claiming to have murdered several dozen people (some believe Henry was bragging), this film takes a gritty, realistic approach that creates the impression that we are watching real life unfold. Director John McNaughton exploits the discomfort the viewer is inclined to feel by presenting a scene in which Henry and his equally vicious former cellmate, Otis, videotape the rape and murder of one of their victims, then play it back for further amusement. This shocking episode effectively makes the point that those who seek second hand thrills through violent "entertainment" are almost as guilty as the perpetrators of such deeds. By casting anonymous non-stars in the leading roles (not that he had a choice considering the budget and the repellent subject matter), and focusing entirely on the exploits of the killers (there are no scenes of police investigating the crimes or peeks into the lives of the victims), McNaughton has created a brutal, amoral horror film that makes the bloodiest gorefest look benign. Although the real Henry was apprehended, his cinematic counterpart is never even suspected of his crimes, and gets off scot-free.

Is "Henry" a film to acclaim or condemn? It's a difficult question to answer, and I, for one cannot make a decision. It is so expertly made that I think McNaughton deserves a round of applause and maybe an Oscar. But, at the end of the video tape of the film that I watched, there was a commercial hawking "Henry" T-shirts ($14.98) and posters ($7.98). Both were available through "Henry Merchandising," and this attempt to turn this all too real murderer into a cult figure deserving of a fan club is despicable.