Bread

Comedy set in a Liverpool household, about a family that scrimp and scrape to earn a living. The moral of the story is they sit around the dinner table arguing. Ron Forfar who plays the Dad, Freddie Boswell is a down on his luck nagged man after his affair with 'the tart' as his wife calls her. Not a sitcom that lives long in the memory.

Set in Liverpool in the 198o's at the time of high unemployment, Thatcherism and the miner strikes, through to the 1990's. The Boswell household was run by matriarch Nelly, a strict Roman Catholic family and Nelly always found salvation in the Church. Every mealtime she passed round a china hen in which they all put money. Sometimes we got to see Freddy, Nellie's ex-husband, who lives in a caravan with his girlfriend Lilo Lil, a big chested Irish woman with flame red hair, short skirts and a little fur jacket and high heel shoes and an equal fiery temperament to match.

Every episode had some crisis which the whole family would resolve around the dinner table, and a prayer or two would be said.

Money matters would be solved by going to the local DSS office, where they were met by the fiery, ice hearted DSS lady. The family claimed every single penny they were entitled and more if they could. And they worked on the side too to bring in extra cash

I love this show! I used to watch this when my family was stationed in England and it became a favorite for my whole family. The mother was one of the best; loud, dominant, and acid tongued. She keeps her five children at home with her, as her husband continues coming back and forth between his family and his Irish mistress. Some of the best scenes are between the mother (Nelly Boswell) and the mistress (Lillian, but known as Li Lo Lil or Tart). Joey was a hottie with his bleach blond hair and black leather clothing. Aveline was the cute, but bumbling model. Jack was the shy, overweight antiques dealer. Adrian was the sexually repressed poet. And Billy, the youngest, was a daddy at 16. This comedy was great when its original cast was present, but once the actors playing Joey and Aveline left, it lost its humor. I'll always remember Bread for Nelly standing on her doorstop screaming," SHE IS A TART!" and then crossing herself before she returns to her chaotic family. A British Married With Children, but funnier. If you see this show, watch it!

In it's heydey Bread was a decent comedy about the Boswell family-a Catholic family living in Liverpool. Nellie Boswell held the largely unemployed family together during the series as they got up to all sorts.

Living down the road from the Boswells was Granddad who was an irascible old man who kept bothering them every five minutes. He added to the humour.

The only problem was that Bread ran longer than it should have. A lot of comedy shows outstay their welcome and Bread was one of them. It ran until the early 1990's but by that time most people-including myself-were fed up with it. Comedy shows should only have a limited run and Bread chose to go on for longer than it should have.

But in all fairness, the early episodes were very funny and do deserve a look.

I mildly remember this as a pre-teen in the early 90's; I guess I'd sit though it habitually (as you did !) and was too young to understand the socio-cultural setting and subsequent humour to reflect Scousers in Thatcher's Britain. I bought this from CEX a couple of days ago; the 1st time I've seen it in about 30 years ! Oh the nostalgia !

The humour is moderately funny - if a tad mediocre. Sure, the squalor and hardships of a struggling large working-class Catholic family all living in a small terraced house on a Liverpool hill street is all summarized through good old English comedy; sure, this show probably helped the '1 in 10' in Thatcher's Britain to laugh off everyday hardships and deprivation !

The most memorable thing about this show has to be that catchy, vibrant, totally kitsch and completely classic theme tune, supposedly sung by the main cast. (it's the 1 thing I do remember of this show back in the day !)

All in all, I'll give it a fair 7/10 for being (moderately) funny, a good satirical send-up of the decade and of course the brilliant theme tune !