Phoenix Nights

When I was a lad my father used to take me & my brothers to a Working Mens Club on Saturday nights. It was AWFUL! Old people sat at regimented benches miserably supping ale, useless ventriloquists, tone-deaf singers, crap magicians & an obese nut-case who used to wander around selling cockles and mussels.

But we LOVED the place!

Peter Kay is a genius. He's got such a wonderfully original and quintessentially English sense of humour. Yeah! We love being "little Englanders" and I've laughed my head off throughout every episode of Phoenix Nights. I doubt this show will ever be seen outside Britain & I'm sure that people from other countries who live/work here will be utterly mystified by it, however. Peter Kay is the patron saint of the northern working class, of which I'm a proud member. "Top bomber!"

'Phoenix nights' is destined to become a classic of British comedy, in the same league as 'Fawlty Towers' and 'I'm Alan Partidge'. It really is that good.

The humour is clever, observational, very politically incorrect and oh-so Northern England. As with all really excellent comedy it draws you in and makes you fond of the characters, despite their many flaws. You all know the type of people in this show because you see them everyday at home and work.

'Phoenix nights' follows Brian and his attempts to rebuild his nightclub for the third time... most recently after it burnt to the ground (hence the name phoenix). Peter Kay plays many of the parts himself (all brilliantly) including Brian, the club owner and memorable of all, Keith Lard the fire inspector with some odd personal habits. Quite apart from Kay, every single actor in the show does a superb job capturing the quirks and oddities that make human life so amusing... there's not one single bad performance.

The only possible problem is that it's hard to tell how well it will travel. Many of the jokes are, as I mentioned earlier, very British and even more specifically, very Northern.

This comedy, which ran for two series, was co-written by and starred (in several roles), Bolton comic Peter Kay, who has his finger perfectly on the breathing pulse of North West England (speaking as someone the same age as Kay who comes from a part of the NW not a million miles from Bolton). Phoenix Nights was set in a lousy Northern club with 'entertainment', bingo, and droll staff, just the kind of club that existed in the 1970s and 1980s.

Brian Potter, owner and sometime licensee, is wheelchair bound and sarcastic, with his wingeing voice and blustering manner. Played by Kay he is a great creation. The main target for Brian's verbal attacks is Jerry 'St Clair' (Dave Spikey) who acts as compère and - at times - terrible entertainer. Doormen Max (Kay again) and Paddy (Patrick McGuinness) went on to have their own spin-off series.

Alongside the long-running feud between Potter and Den Perry (Ted Robbins), the high points of Phoenix Nights includes the variety 'auditions' which ended each episode (who could forget the doves which flew into the air condition fans, or the ping pong lady?). The audience at the Phoenix were real-life Bolton residents, and their reactions are absolutely genuine.

I have two favourite episodes - the one with the outdoor entertainment ('Sammy the Snake' (!), and the Children's Activity Hut, formerly the Gents loo); and the Stars in Their Eyes episode (with the jam-jar glassed club worker as Gary Glitter, and Jerry and Brian as Elton John and George Michael).

It ended far too soon but the two series that were made are the stuff that makes classic comedy.

Clubland will never die.

Well not if Peter Kay keeps treating us to this little lovely. Phoenix Nights is one of those rare comedies. Rare as in its actually funny (see ‘Ed Stone is dead'. Which is so unfunny its basically the ‘Anti-Phoenix').

Anyone who has grown up in the north will instantly recognise virtually everything that happens in the Phoenix. The theme nights, the cheesy compere, the ugly regulars who sit there all day on a pint of mild. Its all there. Which is one of peter kays strengths. Brilliant observation in all of his work.

The writing is incredibly strong and the performances are first rate. The comedy set pieces in each episode will have you in tears (‘The Stannah Stairlift Seduction' and the ‘Erotic Bouncy castle' are standouts).

Season 1 and 2 are, in my opinion, equally as good as each other. And, although it isn't really fair to judge the two together, I actually prefer the Phoenix to The Office. Judged purely on laugh out loud moments Peter Kays superb series just edges it for me.

I didn't think it could get any funnier. Then I watched the DVD with the directors commentary….

Phoenix Nights is so funny.

I can't think of a bad thing to say about it. Yes it is very Northern. But that's great.

I'm pleased that a young British comedian has had the guts to produce a show without consciously thinking of "Cross over appeal". Do the Americans think that way. No.

If it doesn't go to America, who cares. We don't live there.

Mainstream British comedies that you see on BBC1 and ITV like Coupling and My Family HAVE cross over appeal, but they suffer. Well in other words, they're CRAP!!! Cliched, contrived rubbish.

My mother loves Phoenix nights and she's not even from England, let alone Bolton. This is a tribute to Peter Kay. His characters are so rich that the local dialect can't hide the great comedy. In actual fact it contributes, whether you understand it or not. There is a lot going on visually too.

The Office was great, Blackadder was great, Fawlty was great, Steptoe was great, but I think this is my favorite!!!