Wicked Stepmother

Of course this film will never be a classic film, but it does have some catchy and campy scenes and lines and it will keep you wondering "what's next?" Bette Davis looks like she has just risen from the dead both figuratively and literally speaking. In 1981, Kim Carnes sang the hit song Bette Davis Eyes but in this film the then 81 year old Bette Davis could be better associated with the 1980 song Welcome to THE MONSTER CLUB - theme by The Pretty Things.

The film is very fractured with scenes jumping all over the place as the witch Priscilla, (Barbara Carrera) places magical spells on anyone she seems to come in contact with, but eh, that's camp comedy for you.

I wouldn't call it a memorable camp film, but I wouldn't call it one of the worse in the camp/horror genre that I have seen in the past either.

I give it a bare passable 5 out of 10 IMDB rating. It will not be on my purchase list either.

As you probably know, Bette Davis walked off of "Wicked Stepmother" after just a week of filming, leaving writer/director Larry Cohen scrambling to rewrite his script and get the movie completed. While the end results make sense (sort of), what is really amazing is that Cohen not only managed to sell the completed movie to a major Hollywood studio, he made enough on the sale to make a profit. The movie simply isn't good, which is probably why the Hollywood studio barely released it to theaters. In her footage, Bette Davis not only looks and sounds extremely ill, she doesn't seem to give a darn about this project. The other actors come across somewhat better, but even they aren't able to generate laughs at any point in the movie. The screenplay they are stuck with simply isn't funny at all. The heavily rewritted screenplay also (perhaps inevitably) feels like Cohen is making things up as he goes along. It also doesn't help that the special effects are mostly pretty cheesy, even for an 1980s film. In short, the movie is a low point for Davis, Cohen, studio Metro Goldwyn Mayer, and everybody else involved with it.

Probably had Bette Davis been in better health and actually finished the film as planned Wicked Stepmother might have been a reasonably good black comedy about the occult. As it was with her walking out of the film for reasons of health I suspect we get both an incoherent story and only about 15 minutes of Bette Davis.

As it was she could have and should have took her final cinema curtain call with the wonderful Whales Of August. It's not as bad a valedictory as Cuban Rebel Girl with her old fellow Warner Brothers player Errol Flynn, but it's still a mess. And Bette looked positively terrible in her scenes.

Detective Tom Bosley is on the trail of a witch who ingratiates herself in a family, loots it and then does something to them for her amusement. In the case Bosley is on they're turned into puppetoons and are found in a shoe box.

His quarry has moved on to another family and vacationing Colleen Camp and David Rasche come home and find that her father Lionel Stander is now married again to Bette Davis. Things start happening to all of them even their son Shawn Donohue as the witch switches back and forth from Davis to Barbara Carrera with Stander not noticing or figuring how lucky can an old guy get. Camp sees her family being torn away from her and she's not taking it lying down.

Not only is this Bette Davis's farewell to the big screen, but also Evelyn Keyes who plays the owner of a shop on the occult who gives lessons in magic. Both Camp and Bosley get a crash course.

Wicked Stepmother is funny in spots and the climax is nicely done, but maybe if some insurmountable problems hadn't occurred we might have seen a better film.

One of the most troubled productions in cinema history, resulted in Bette Davis walking off the set after just one week! The film has a young couple shocked to learn that their ailing father has just gotten married to an evil witch (Davis). Lame humor, poor scripting, and cheap production design are just a few of its problems. Feels like more of a TV movie then an actual theatrical release, and a very bad one at that. Sadly Davis' final film.

Rated PG-13; Mild Violence, Sexual Situations and Profanity.

When an annoyingly controlling and stupid woman comes home with her husband from vacation, they discover her father (Lionel Stander) married to a somewhat disagreeable woman (Bette Davis). However, the daughter is so disagreeable and annoying, the viewer will likely tend to enjoy how miserable she is with the new step-mother. However, soon after this the old lady disappears--in the guise of sexy Barbara Carrera. What's next? Who cares?!

"Wicked Stepmother" is a truly god-awful film. Sadly, it was also Bette Davis' last film and I sure would have liked to have seen this great actress go out on a high note...not this turkey!

Whether or not the story is true that Davis walked off the set and refused to return because the script was THAT bad, I am very inclined to believe it because the film is horribly written. Part of this could be because the 'clever filmmakers' decided to use what little footage they had of Davis and then re-write the film around that in order to hide her disappearance from the script. But considering how clumsy and stupid it all is, I think they did a lousy job in hiding it!! Clearly the writers they employed were about 6 to 7 years-old!

The film itself is in many ways reminiscent of a film made for the Disney Channel or Nickelodeon. After all, the script is clearly something little kids might like and adults with at least a 70 IQ would hate. Oddly, however, it's really NOT a great film for kid because there are many, many sexual references and sexual situations you wouldn't want your kids to see. Overall, a terrible film...one of the worst of Davis' otherwise wonderful career.

I should note that late in life, Davis appeared in quite a few questionable roles--roles other famous actresses probably would have refused. She claimed she needed the money...but badly enough to appear in crap like this film, "Murder With Mirrors" and "Bunny O'Hare"?! Ironically, her arch-rival, Joan Crawford, did exactly the same--appearing in tons of terrible movies late in life ("Trog" is the most egregious example).