Fashions of 1934

It's a caper in the fashion industry. The awesome, charming William Powell, as the forger and faker who moves from one scheme to another, and one country to another. Bette Davis is Lynn, his sidekick. Davis was just getting going in show biz, and would quickly move into some bigger roles. The hilarious Frank McHugh and Hugh Herbert are both along for comedic laughs. and of course... Busby Berkeley directing some huge, gigantic song and dance routine involving TONS of dancers ( as usual). there's a love (triangle) story in amonst the goings on in the fashion world. Which gir will end up with which guy? and which guy will end up with which business? shenanigans that wouldn't be allowed for much longer, under that dreaded stronger film code that would be installed pretty soon after this. it's pretty good. Director Dieterle has an interesting story on wikipedia.

Bette Davis looks so beautiful in this confection of a film that celebrates the glorious fashions of the early 1930's. This film will start a love affair for life with the clothes here. If only we could look as lovely every day.

William Powell and Bette Davis are mere side lines in this film that was made in the height of the Great Depression. The story of a conman in the fashion world of the 1930's is an usual storyline but it gives opportunity for an insiders look at this world that we really know and understand very little especially at this time. There are some unusual scenes that include

a walking stick that is a camera. The main musical scene has girls as harps. It is absolutely enchanting.

A previous reviewer called this film "dated". I'm always rather amused by such a comment. Of course it's dated--the film was made in 1933! That's precisely what makes it so charming. It's a slice of Americana, circa 1933, that you are unlikely to find in any other way. The music, the fashions, the decor, even Busby Berkely's over-the-top, wonderful production number all add up to a fantastic glimpse of our past. The art deco sets alone are worth the price of admission (which on TCM is free!). Throw in some marvelously talented actors who may not have been doing their best work--but they were entertaining just the same--and you have a simply marvelous little piece of cinematic magic. And that tune--"Spin a Little Web of Dreams"--I can't get it out of my head!

Old time Hollywood doesn't come much slicker than this- a fast talking Powell, a fast moving screenplay, lots of scantily clad girls, and plenty of snappy dialogue. All add up to a WB topper, and catch that Busby Berkeley choreographed show stopper. Have ostrich plumes ever been used to greater dance effect than with Berkeley's artistic eye. Then too, guys, the chorines are about as near-nude as even pre-Code would allow. And that's along with parades of statuesque ladies modeling the year's high fashions. It's also Bette Davis as a near ingenue in her pre-feisty phase. Still, I could have done without two gag men (McHugh & Herbert) furnishing what amounts to unnecessary comedy relief, the snappy dialogue already supplying as much as needed.

Overall, Powell dominates the speedy proceedings showing his rare talent for charm and presence. Then too, the plot's an engaging one as Powell moves effortlessly from one slick fashion scam to the next. But you may need a scorecard to keep up. Also, check out IMDB's trivia for interesting production facts, like what Davis objected to in her part.

All in all, it's pre-Code Hollywood at its most liberated and engaging, so don't pass it up. Plus, the colorful results are a can't-miss for fans of Powell like me.

Don't let the title fool you. Fashions or Fashions of 1934 is just inocently fun to watch. Considering that it was made in the middle of the depression, it gave American's what they were looking for--humor, a love story and a considerable amount of extremely sexy costumes (pre-censor). As always, William Powell is at his best and Bette Davis, is well, Bette Davis--younger and more innocent but absolutely stunningly beautiful. Powell's performance is always enhanced by supporting actors--in this case Frank McHugh who has played his comedic side kick in several other movies. The direction is excellent--good continuity tells an simple but excellent story. Fun to watch--in 1934 or today.