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Sidewalk Stories

  • 1989
  • R
  • 1 घं 37 मि
IMDb रेटिंग
7.2/10
659
आपकी रेटिंग
Sidewalk Stories (1989)
Nearly silent comedy filmed in black and white follows a street artist (Charles Lane), who rescues a baby after her father was murdered. The artist then sets off to find the mother, but has to first learn how to care for the child. Ultimately he ends up in a horse drawn chase of the murderers.
trailer प्ले करें1:30
1 वीडियो
14 फ़ोटो
Comedy

अपनी भाषा में प्लॉट जोड़ेंNearly silent comedy filmed in black and white follows a street artist (Charles Lane), who rescues a baby after her father was murdered. The artist then sets off to find the mother, but has ... सभी पढ़ेंNearly silent comedy filmed in black and white follows a street artist (Charles Lane), who rescues a baby after her father was murdered. The artist then sets off to find the mother, but has to first learn how to care for the child. Ultimately he ends up in a horse drawn chase of ... सभी पढ़ेंNearly silent comedy filmed in black and white follows a street artist (Charles Lane), who rescues a baby after her father was murdered. The artist then sets off to find the mother, but has to first learn how to care for the child. Ultimately he ends up in a horse drawn chase of the murderers.

  • निर्देशक
    • Charles Lane
  • लेखक
    • Charles Lane
  • स्टार
    • Charles Lane
    • Nicole Alysia
    • Tom Alpern
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.2/10
    659
    आपकी रेटिंग
    • निर्देशक
      • Charles Lane
    • लेखक
      • Charles Lane
    • स्टार
      • Charles Lane
      • Nicole Alysia
      • Tom Alpern
    • 11यूज़र समीक्षाएं
    • 17आलोचक समीक्षाएं
    • 66मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 4 नामांकन

    वीडियो1

    Official Trailer
    Trailer 1:30
    Official Trailer

    फ़ोटो13

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
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    + 7
    पोस्टर देखें

    टॉप कलाकार66

    बदलाव करें
    Charles Lane
    Charles Lane
    • Artist
    Nicole Alysia
    • Child
    Tom Alpern
    • Bookseller
    Edwin Anthony
    • Penny Pincher #1
    Michael Baskin
    Michael Baskin
    • Doorman…
    Jeff Bates
    • Police Officer #2
    Angel Cappellino
    • Bully's Mother
    Jeffrey Carpentier
    • Homeless Native American
    Vince Castelano
    • Child Customer #3
    Jimmy Clohessy
    • Precinct Cop #2
    Robert Clohessy
    Robert Clohessy
    • Alley Tough #1
    Tanya Cunningham
    • Girlfriend
    Deena Engle
    • Park Mother #1
    Ellia English
    Ellia English
    • Bag Lady
    Edie Falco
    Edie Falco
    • Woman in Carriage
    Dara Fishman
    • Homeless Child #2
    Luis Garcia
    • Homeless Spanish Speaker
    Franklin Gordon
    • Alley Tough #2
    • निर्देशक
      • Charles Lane
    • लेखक
      • Charles Lane
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं11

    7.2659
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    फ़ीचर्ड समीक्षाएं

    9gbill-74877

    Brilliant

    Going silent (or almost entirely silent) was an outstanding choice by Charles Lane, and his film feels like an homage to Chaplin in its humor and humanism. In updating the tramp character to a homeless person of color, he seems to ask mainstream audiences to remember a time when so many more were destitute, and to suspend our tendency to judge in favor of empathizing. He also inverts the 'get rich quick by meeting a rich man' theme from Depression era films by having a female shop owner be the wealthy one and love interest. Most of all, he makes a film that's touching and funny.

    Not hearing these characters (or even seeing intertitles) in no way took away from the ability to tell the story, and ironically it made me connect to them more deeply. I should say, not hearing them until the very end, when hearing a few plaintive requests for help hits like an emotional ton of bricks. Nicole Alysia is adorable as the little kid, Charles Lane is heartfelt as the struggling street artist, and Sandye Wilson is compelling as the business woman whose heart is as big as her right cross. How did Charles Lane not get more opportunities after creating this film, even if 'True Identity' was a bust? How did Sandye Wilson never appear in a feature film again?
    7SnoopyStyle

    intriguing indie

    An artist (Charles Lane) does portraits and sells his paintings on the streets. He lives in an abandoned apartment. He comes upon a murdered man and finds the man's baby. He reluctantly takes care of the little girl.

    This is a black and white silent film set in the modern day New York City. Its sensibilities is mostly set in the silent film era. Charles Lane is the star and the filmmaker. He seems to be doing Chaplin and the Kid but with a modern black man and without the slapstick. It is a bit long. The old silent films are usually an hour. It probably does need the dialog text which is missing here. All in all, it's an intriguing black indie.
    8dhoffman

    A mostly-silent film in black and white

    Our protagonist is resourceful, tenderhearted, homeless. He finds himself with a baby, someone else's, and suddenly his life shifts focus. The child, thankfully, does not redeem the main character whose actions are a natural extension of who he is-a nameless person. Without home and name doesn't mean without personality, and a life, and the instinct for survival. The main character suddenly has to be concerned for someone other than himself, and this is the charm of the film, charm without sentimentality.

    This is an intriguing contrast of the humorous set against the plight of the homeless in NYC; it works, partly because it is so outrageous and comic in its implementation-e.g. the conflict with the other street artist, the use of the bathtub. A gentle, good film whose final moments still resonate in the mind, not because of their greatness, but because of the unexpected but successful shift in focus and technique. It achieves.

    Charles Lane as writer, director, and main character has done a very fine job in three areas, none suffering because of the others.
    8tmpj

    Actually...not a bad movie....

    I saw this film a number of years back---circa 1990---on PBS. It got ONE airing...and I never saw it again. I had even forgotten the title...until I ran across it by accident.

    Charles Lane pays homage---in a manner of speaking---to Chaplin...by way of default. This was a period when Blacks were still struggling to get any film made...and struggling to have films released. Lane ran out of dollars, evidenced by some few moments of sound.

    But he manages to salvage the film in the style of pantomime...like the "ol' time flickers". This film is more a commentary on the times, than an homage to any particular screen idol of the past. Homelessness and poverty are its main themes, and the struggle to survive is intensified when the hero takes on the added responsibility of caring for a child whose parent has gone down in an "unfortunate happenstance".

    The acting is natural, not campy, and there are a few "hot scenes". But, all in all the film is a good watch, rather touching at points, filled with 'Chaplin-esque' pathos (a la "The Kid"...but it doesn't get quite that intensely mushy). However, the closing scene is pretty intense, and reveals a bit of the pain, misery and suffering all too pervasive during that time---all in the name of greed--and much of which remains with us to this day.

    Charles Lane needs to make other films, and he needs to put this one back into circulation--it merits an across the board viewing. This one is a stand alone of the genre of Black films and, though it had nothing even close to the budget of Mel Brook's "Silent Movie", its point are well taken. It is a movie that you will enjoy...and I would caution having the kids watch due to some sexual situations and a little violence. But enjoy. I don't know if this film is back in circulation---I understand it has been out of circulation for some time...but I would not mind coming into possession of a copy.
    7StevenKeys

    Sidewalk Stories

    In the age of realism, don't expect the charm of Chaplin, but sundry Lane (writer director actor) gives a pretty good imitation of his pioneering namesake in this low Talkie tale (dog bark & closing comments) about a street artist who witnesses an alley murder and then assumes care of the victim's 2-year old child.

    Think of a story in parts Paper Moon, Midnight Cowboy and The Kid (21) but this Charlie make is longer (98m) than the Coogan kind, more stressful, yet, like the Silent great, keeps you engaged on a scoop of romance (Wilson), dash of drama (kidnapping chase) and pinch of poignancy in closing message on plight of the homeless. Production values in camera (Dill) and score (Marder) are high, while Dad's (Williams) final game of chance (coin flip) adds whimsy of days long gone. And watch for an early Edie Falco (The Sopranos) as half a kissing couple in carriage ride (3/4).

    इस तरह के और

    Hearts and Minds
    8.2
    Hearts and Minds
    A Lady Without Passport
    6.1
    A Lady Without Passport
    Out of the Blue
    6.4
    Out of the Blue
    Fog Over Frisco
    6.5
    Fog Over Frisco
    That Night in Rio
    6.7
    That Night in Rio
    A Place in Time
    7.4
    A Place in Time
    Murder, He Says
    6.9
    Murder, He Says
    स्टील का जाल
    6.9
    स्टील का जाल
    Knight Without Armour
    6.8
    Knight Without Armour
    Freud
    7.2
    Freud
    I Walk Alone
    7.0
    I Walk Alone
    True Identity
    5.1
    True Identity

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Disney offered Charles Lane the chance to do a remake with sound and color. They wanted Tom Hanks to star. Hanks loved Sidewalk Stories (1989) but turned down the remake. Lane did not want to make the remake at all.
    • गूफ़
      When the Artist is forced to leave the library, there is a paperback book on the table in one shot that disappears in the next shot of continuous action. The Artist could not have picked it up because he had his sketch pad in one hand and the little girl's hand in the other.
    • क्रेज़ी क्रेडिट
      At the end: "Dedicated to the memory of my father with love."
    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Back to the Future Part II/All Dogs Go to Heaven/Henry V/Prancer/Sidewalk Stories (1989)

    टॉप पसंद

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    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • जनवरी 1990 (यूनाइटेड स्टेट्स)
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 37 मिनट
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Dolby
    • पक्ष अनुपात
      • 1.85 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Sidewalk Stories (1989)
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