Shirley Valentine

I just recommended this movie to a friend who's having her mid-life crisis. Just like Shirley, she can't stop taking care of other people at her own expense. Everyone who reviews this film focuses on its heart-warming qualities, making it sound like Pollyanna. The reality of Shirley Valentine is that it's very grounded in reality. Every moment of the film is fraught with ambiguity, moral and emotional. Shirley's trip to Greece and subsequent adventures are not Hallmark moments. She realizes quite clearly that her fantasies are superimposed on the necessities of reality. She doesn't marry a tycoon: she gets a waitress job. She realizes from the get-go that her relationship with Costas is a good-natured fraud. The ending of the movie doesn't answer any questions except "How does Shirley feel right at this moment in time?" This is not a film about escaping to a fantasy. It's about finding a reality that works for who you really are. Every human being on earth who's dissatisfied with their life should watch this film.

Shirley had lost herself in the humdrum lifestyle of a housewife with kids grown and an indifferent husband stuck in his own boring routine. She strikes out on a vacation to Greece to get in touch with the girl she once was. The show worked better as a theatre piece - as a one woman show. Here it gets cluttered up with a lot of characters and Shirley's asides to the camera do not always work. Pauline Collins is as great in the role as she was on stage. Greek men seeing this must cringe at the Tom Conte caricature of a Greek lover. I rated it an 8 for Pauline's performance and the music.

This is a sweet yet hilariously funny film about a housewife from the north of England, who takes a trip to Greece and finds that there is more to life than the kitchen sink.

It's one of those films that should be seen by anyone that has at any point felt that there's something missing in their life or that they've had missed opportunities as you will have great empathy with the main character Shirley. Having said that, it's generally just a great film. Not only does it do a very good job at putting one in Shirley's shoes but it's also a great social comment about an average English persons life.

Having said all this, it's one of the funniest films I have ever seen. The humor is ever present throughout the film yet never takes away from the seriousness of Shirley's situation. I found I was smiling to myself all the way through. I particularly liked the way that it pokes fun at the common Englisman's appreciation of foreign hospitality.

Each character brings great life to the film particularly Pauline Collins and Tom Conti. Pauline's regular off-the-cuff comments add character to the film while Tom's smarmy approach entwined with his overall role in the story (without wanting to spoil it) make for an excellent watch.

Great appearances by Julia McKenzie, Alison Steadman and Joanna Lumley add great depth to Pauline's character whilst adding great comedy and life to the film.

Shirley Valentine is a gem of a film and a must see. The style is certainly not "Hollywood" and it appeals to the same tastes as other English greats such as -The Full Monty-.

I give it a strong 10 out of 10.

For all of you middle-aged men and women who wonder just who you are, and where you're going; this is the movie for you!! What an insight to the real human spirit!! I've watched this several times and never fail to shed a tear over how I spent my life. This is a MUST DO for any adult struggling to make it. ( Bring a hankie) This is for men also!! The director has touched on the basic human emotion; who are we, why are we here, and most of all; what happened to "ME"? This movie has addressed so many questions that we all have, being caught up in the every day life, but always wondering-----"what if"? What a release for us to see that some times a person will follow their dreams! The message here is---Be true to yourself!!

Pauline Collins is a 42-year-old Liverpudlian housewife who talks to the walls. One day she gives husband Bernard Hill's Thursday steak to the hound of the snooty lady across the street; she has been keeping it on a vegetarian diet. Hill explodes when she gives him fish and chips; that's Tuesday's meal. Her friend Alison Steadman wins a trip for two to Greece, takes Miss Collins along and abandons her to her own devices. She has no issue with that. She enjoys Greek food, drinks retsina and has an affair with tavern owner Tom Conti.

In her second movie role -- she had played a stripper in an exploitation film in 1966 -- Miss Collins recreates her Tony-winning role in the stage's one-hander. Given the bareness of the actual stage production, there is a shift of tone, from fantasy to anomie, and the other characters are given little depth, Miss Collins seems to be the character she plays in this gender-switching variation on ZORBA THE GREEK. If it also seems reminiscent of EDUCATING RITA, that's because Willy Russell wrote both plays, produced their transfers to the screen under the same director, Lewis Gilbert. Miss Collins is, as you might guess from the above, wonderful.