Phantom of the Mall: Eric's Revenge

OK, first of all this is pure unadulterated 80's cheese. The shoulder pads are massive, the hair is massiver ( is that a word? ) and the fashions are gross. The plot is ludicrous, Eric's house was burnt down and they built a mall in it's place. So like some homeless ghoul with a vocoder ( you'll know what I mean when you hear his voice ) he haunts the mall. The movie has some great kills a car chase and explosions. There's a bad guy that looks like George Michael from the Faith video. Morgan Fairchild is in it how 80's is that. A few highlights are Eric takes one guy out with a series of roundhouse kicks and he lasso's a guy. The girl in peril has so many dream sequences she may be narcoleptic, each one is accompanied buy the same power ballad. Unfortunately Pauly Shore is in this movie, but he isn't doing that annoying voice that he started doing later in his career. Joy of joys, after the thrilling climax there is a song on the credit sequence about the film. Great fun. I loved it.

Dont be put off this film by the star rating or the tacky movie title. I collect 80s B- movie classics and i quite enjoyed this movie. Its about a girl who starts a new job in a mall and is still traumatised over the death of her boyfriend(Eric)and evidence keeps on showing up that makes her believe he may still be alive. He protects her when she is in danger, and goes on a murderous rampage. The Fx arent fantastic but the story is quite interesting and the acting is reasonable, (ive seen worse). So if you can find a copy catch it if you can!

My review was written in May 1989 after a Cannes Film Festival Market screening.

Horror movie cliches get a ho-hum airing in "Phantom of the Mall", a sleep-inducing effort which generates camp humor only in its ridiculous final reel, probably too late for most fans.

Mayor of Midwood, California, Morgan Fairchild, inaugurates a new shopping mall, but a masked figure stalking the airshafts starts killing people. His main target is pretty young waitress Kari Whitman, who in her nightmares is convinced the killer is her dead boyfriend Eric.

Rather strained script contrives an additional killer plus a couple of nefarious villains. Visual references to the "Phantom of the Opera" don't come off, and the phantom's makeup job is poor and unscary.

Final reel features some effective stuntwork and breathless pacing, with the deaths and twists sadly coming so fast that it's funny. If only helmer Richard Friedman had turned up the throttle earlier. (Producer Tom Fries is credited with directing additional footage.)

Kari Whitman makes an empathetic heroine, but her flashback sex scenes are poorly shot and use of a nude body double is obvious. Fairchild has little to do until the slambang finale, while rest of the cast is adequate.

Though I suppose it would be well possible to make a better movie about a shopping mall version of the Phantom of the opera, to the best of my knowledge no one ever has. Unless you count "Gremlins 2: The New Batch", on account of the fact that it featured a Phantom themed Gremlin. I don't count this though, so let's move on. Not only is "P.O.M" (as I shall now call it) the best movie ever to place the Phantom in a mall, but it is also the greatest (IE: only tolerable) Polly Shore movie ever made. This movie being made in 1988 before Polly Shore was famous enough to be allowed to act like Polly Shore in a film. Another nice touch is the fact that the front doors of the Mall are labelled "Mall Entrance." Really I though they were the entrance to something other than the building they're attached to like the magical world Narnia or something. Anyway the real draw of this film is it awesome musical theme. It's reminiscent of a better day when almost all movies had a rock'n song about their plot at the end, under Hollywood's "well it worked for Ghostbusters" policy. The song boldly dares to use such controversial terms as "Boobs" and "Retard". Point being if your not doing something productive to uplift the human spirt (which if you're reading my review on "The Phantom of the Mall" you and I both know you aren't) rent and watch this hidden jewel of cinema and make Mr. Polly "The Free World's Punching Bag" Shore a couple pennies richer. Go ahead, I dare ya!

"Phantom of the Mall" follows a young teenage girl whose boyfriend died in a house fire. A year later, property developers erect a shopping mall on the land. Soon after, a series of murders begin, as a shadowy figure seems to stalk the mall-goers, hiding in its labyrinthine air ducts.

While this late-'80s quasi-slasher is a low-stakes viewing experience, that doesn't mean it isn't a lot of fun. For many, there will be a big nostalgia factor due to the period fashions, and the overall atmosphere of the shopping mall at its cultural peak.

The story here is (needless to say) adapted from "The Phantom of the Opera," and the screenplay is riddled with silly dialogue and a pace that is often rambling. However, if you can abandon all pretenses, "Phantom of the Mall" is a lot of fun, full of great gags, a handful of bonkers (and reasonably gory) slashings, and a dramatic mall-tastic finale. The performances here are not great, but they are functional given the material, and there are a number of familiar faces, including Morgan Fairchild as the town mayor, and Pauly Shore as an eccentric frozen yogurt shop clerk.

Overall, this is a fun, frivolous late-'80s slasher flick that is perhaps more amusing as a time capsule than as a horror movie; however, even despite its clunkier elements, it remains an amusing and over-the-top rehash of a classic story. 6/10.