पालतू सेमेटरी

Supernatural terror for a curse caused by a cemetery against a happy family. The Creed family formed by the father , a successful doctor named Louis Creed (Dale Midkiff) , mother (Denise Crosby) and two sons has moved to a little community, at Maine place , but shortly after they move , their son is murdered by a great truck that thunder pass near his newly purchased rural home . The father learns by a neighbor (Fred Gwynne) that there is a graveyard where you can bury your loved ones , and then he plans come back to life his kid ; as he attempts to revive his three-years-old little boy with the magical resurrecting qualities of an Indian burial ground . He takes his son to this location, and he is brought back to life . It seems all is well again, until the son kills a person. Now, he has to find out a manner to stop his child before he murders other people . Louis is shocked to discover that danger and horror lurks .

The big success at box-office ¨Pet Sematary¨ was written by Stephen King , who sometimes writes under pseudonym Richard Bachman and based on horror master bestselling novel of the same title . The Paramount Pictures took the production with interesting script by Stephen King. Casting is frankly decent, Dale Midkiff as grief-stricken daddy , Denise Crosby as affecting mummy , but the honor acting goes to Fred Gwynne as untrusted neighbor . And of course , brief performance of Stephen King , an usual cameo , as church minister . The film displays adequate musical score fitting to terror and suspense by Elliot Goldenthal . The motion picture is professionally directed by Mary Lambert though seem doesn't improve in the transition from page to screen and fails the visualising of complex narrative plot by means of confuse flashbacks . She also realized the following (1992) , much worse than original, with Edward Furlong , Anthony Edwards and Clancy Brown , causing similar terror and same kind of gore as the previous movie . The result is better than previous Stephen King adaptation, the mediocre, Running man . King movies rendition are converting as prolific as his novels, from ¨Creepshow¨ along with ¨Cats's eye¨, ¨Silver bullet¨,¨Maximum overdrive¨ unique directed by King and various TV take on as ¨Rose red, The storm of the century,The stand,Golden years and Langoliers¨ have been numerous his adaptations. Rating : Passable and acceptable ,well worth watching for Stephen King fonds.

I love this movie, It brings me the creeps. This movie just gave me a lesson "Just Accept the Death of Your Loved Ones or Bad Things will happen" This is one of Stephen King's Good Movies. He truly is the Master of Horror Movies. The Make-Ups of this Movie is Great and Realistic. Honestly, This movie was sadder than scary imo. I would recommend this movie to anyone.

This Movie is about how Parents would feel after the Death of a Child and that's what makes this movie relatable. It is quite Hurtful and Unacceptable to lose a Baby, Babies are too young to die. So this movie showed us that Keep your Eyes on your Loved Ones around threats.

The acting is terrible in this movie. The dad and little girl are just painful to watch because they are so wooden. The story is great and has some great scares. The sets are wonderful. Maine is really exhibited well as a setting.

The beginning is really cheesy but gets better as the movie goes on. The little boy as a villain is ridiculous. I liked when Denise Crosby becomes a zombie. She is fairly effective.

I recommend this one.

Dale Midkiff and Denise Crosby move to Maine with their two small children and cat in a big house on a highway with lots of truck traffic. Close at hand...is a pet cemetery where all the dogs and cats killed on the road are buried. Neighbor Fred Gwynne shows another cemetery with incredible powers just beyond...the power to reanimate the dead. Trouble is the dead are nothing like they once were. Although I have not read the book by Stephen King, he did write the screenplay and must have remained relatively faithful to his own work. The film has many flaws but is also worthwhile. Coincidence and some muddled flashbacks from the past help make the script somewhat erratic and implausible. The acting in the leads is OK, but in the second half really deteriorates. Fred Gwynne is literally and figuratively a cut above the rest. He gives a heartfelt performance as a man run down with time and over-burdened with knowledge he should or would not have. Brad Greenquist is also good in his role as a ghost. His character also causes some believability factors. Director Mary Lambert does do some things rather nicely. There are some well-shot scenes of the cemeteries. The peril of the trucks is made very real, and she also relies heavily on human emotion that is universal. At its heart, Pet Semetary is about loss, coping with loss, and grief, and what are some of the effects of not coping with those things well. The film has many suspenseful moments, and although the ending became a bit tiresome - still manages to keeps its mood and message throughout. Author Stephen King has an interesting cameo as a preacher!

In the trivia section for Pet Sematary, it mentions that George Romero (director of two Stephen King stories, Creepshow and The Dark Half) was set to direct and then pulled out. One wonders what he would've brought to the film, as the director Mary Lambert, while not really a bad director, doesn't really bring that much imagination to this adaptation of King's novel, of which he wrote the screenplay. There are of course some very effective, grotesquely surreal scenes (mainly involving the sister Zelda, likely more of a creep-out for kids if they see the film), and the casting in some of the roles is dead-perfect. But something feels missing at times, some sort of style that could correspond with the unmistakably King-like atmosphere, which is in this case about as morbid as you're going to get without incestuous cannibals rising from the graves being thrown in (who knows if he'll save that for his final novel...)

As mentioned though, some of the casting is terrific, notably Miko Hughes as Gage Creed, the little boy who goes from being one of the cutest little kids this side of an 80's horror movie, to being a little monster (I say that as a compliment, of course, especially in scenes brandishing a certain scalpel). And there is also a juicy supporting role for Fred Gwynne of the Munsters, who plays this old, secretive man with the right notes of under-playing and doom in tone. And applause goes to whomever did the make-up on Andrew Hubatsek. But there are some other flaws though in the other casting; Dale Midkiff is good, not great, as the conflicted, disturbed father figure Creed, and his daughter Ellie is played by an actress that just didn't work for me at all.

In terms of setting up some chilling set-pieces, only a couple really stand-out: a certain plot-thickening moment (not to spoil, it does involve a cool Ramones song), and the first visit to the pet sematary (the bigger one), including the sort of mystical overtones King had in the Shining. For the most part it's a very polished directing job, though it could've been made even darker to correspond with the script. If thought out in logical terms (albeit in King terms) it is really one of his more effective works of the period. But it doesn't add up like it could, or should. Still, it makes for a nifty little midnight movie.