IMDb रेटिंग
5.2/10
1.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंEric moves to his dad in Oregon after accidentally firing a rocket into his high school. He befriends Mara and a retired astronaut.Eric moves to his dad in Oregon after accidentally firing a rocket into his high school. He befriends Mara and a retired astronaut.Eric moves to his dad in Oregon after accidentally firing a rocket into his high school. He befriends Mara and a retired astronaut.
Don S. Davis
- Phil Clawson
- (as Don Davis)
William S. Taylor
- Dr. Willis
- (as William Taylor)
Terence Kelly
- Al Fletcher
- (as Terrence Kelly)
William B. Davis
- Hal Simon
- (as William Davis)
Robert Benedetti
- NASA
- (वॉइस)
- (as Bob Benedetti)
फ़ीचर्ड समीक्षाएं
The first reviewer wants every movie to be an academy award winner. This movie is way better and more meaningful. I saw it years ago and would like to find it on my rental stores shelves someday, I would rent it in an instant. Good message and great performances. Well worth the time to watch. Sometimes these little TV movies are just what you're looking for on a Friday night. Even if the ending leaves a bit of thought, sometimes this grey type of ending is what is called for. Makes you kind of think of the message you read into the movie. Not all good movies have perfect endings, perfect performances or perfect editing. If you can overlook some minor flaws you will enjoy this movie.
This feel good film with a little touch of SF is a little gem and I don't think it gets the appreciation it deserves.
You shouldn't take the film too seriously but it has its heart in the right place and that's what I think is most important.
Eric dreams of a future as an astronaut, when he is more or less forced to stay with his father for a few weeks he accidentally gets the chance to meet his idol, the famous austronaut Paul Andrews, through a new girlfriend.
That first meeting doesn't go so well but gradually a friendship develops between the two.
Ok that aspect could have been worked out a bit better but basically the story is entertaining enough.
Christian Slater, Martin Sheen, and also Sharon Stone do well in their roles.
You shouldn't take the film too seriously but it has its heart in the right place and that's what I think is most important.
Eric dreams of a future as an astronaut, when he is more or less forced to stay with his father for a few weeks he accidentally gets the chance to meet his idol, the famous austronaut Paul Andrews, through a new girlfriend.
That first meeting doesn't go so well but gradually a friendship develops between the two.
Ok that aspect could have been worked out a bit better but basically the story is entertaining enough.
Christian Slater, Martin Sheen, and also Sharon Stone do well in their roles.
My review was written in May 1989 after a Cannes Film Festival Market screening.
Martin Sheen's ever-ready support for liberal causes isn't enough to put over "Personal Choice", a sappy, heavy-handed message picture aimed at theaters but too weak to qualify as even a made-for-tv feature.
"Cocoon" author Davod Saperstein offers a lifeless tale of an astronaut (Sheen) stricken with eventually fatal radiation poisoning during his moonwalk on a mid-1970s Apollo mission.
His bitter memories and disillusionment are rekindled when a gung-ho teen (Christian Slater) who idolizes him befriends the hermit-like Sheen while visting his divorced father, who lives nearby. Script contrivance has dad (Robert Foxworth), a NASA scientist who has been laod off, cuing a late-in-film confrontation with Sheen over who really did the work, the space scientists or the flyboys.
Despite the presence of beautiful leading ladies Olivia D'Abo and Sharon Stone (as Slater's and Foxworth's girlfriends), pic is all talk and almost no physical action. Characters remain remote and Saperstein muffs an emotional climax scene by framing a sentimental photo of a character with an in-joke of a "Cocoon" paperback in the foreground.
With cryptic flashbacks of Sheen's moonwalk ladled out every so often, film finally delives it message direct to the camera long after viewers have lost interest: from out in space one can obtain the perspective to see what we're doing on Earth, and want to fix it right now.
Icing on he cake is a laughable cameo by no less than F. Murray Abraham as a wheelchair-bound scientist (injured in an incident with a nasty Japanese whaling ship!) who exhorts us to stop killing the whales. Saperstein's message is, of course, correct and timely, but delivered in a form suitable for showing only at fundraisers attended by the committed.
Sheen is relentlessly earnest and boring, while Slater still displays those annoying Jack Nicholon inflections and mannerims (apparenty internalized) that have plagued his recent roles. If Nicholson had been cast as the astronaut (a la "Terms of Endearment") Slater's idolizing might have come off.
Lensed largely in Vancouve (with a touristy stopoff in Huntsville, Alabama, to visit NASA artifacts), pic is visually bland. A brief special-effects finale looks tacked-on and silly.
Martin Sheen's ever-ready support for liberal causes isn't enough to put over "Personal Choice", a sappy, heavy-handed message picture aimed at theaters but too weak to qualify as even a made-for-tv feature.
"Cocoon" author Davod Saperstein offers a lifeless tale of an astronaut (Sheen) stricken with eventually fatal radiation poisoning during his moonwalk on a mid-1970s Apollo mission.
His bitter memories and disillusionment are rekindled when a gung-ho teen (Christian Slater) who idolizes him befriends the hermit-like Sheen while visting his divorced father, who lives nearby. Script contrivance has dad (Robert Foxworth), a NASA scientist who has been laod off, cuing a late-in-film confrontation with Sheen over who really did the work, the space scientists or the flyboys.
Despite the presence of beautiful leading ladies Olivia D'Abo and Sharon Stone (as Slater's and Foxworth's girlfriends), pic is all talk and almost no physical action. Characters remain remote and Saperstein muffs an emotional climax scene by framing a sentimental photo of a character with an in-joke of a "Cocoon" paperback in the foreground.
With cryptic flashbacks of Sheen's moonwalk ladled out every so often, film finally delives it message direct to the camera long after viewers have lost interest: from out in space one can obtain the perspective to see what we're doing on Earth, and want to fix it right now.
Icing on he cake is a laughable cameo by no less than F. Murray Abraham as a wheelchair-bound scientist (injured in an incident with a nasty Japanese whaling ship!) who exhorts us to stop killing the whales. Saperstein's message is, of course, correct and timely, but delivered in a form suitable for showing only at fundraisers attended by the committed.
Sheen is relentlessly earnest and boring, while Slater still displays those annoying Jack Nicholon inflections and mannerims (apparenty internalized) that have plagued his recent roles. If Nicholson had been cast as the astronaut (a la "Terms of Endearment") Slater's idolizing might have come off.
Lensed largely in Vancouve (with a touristy stopoff in Huntsville, Alabama, to visit NASA artifacts), pic is visually bland. A brief special-effects finale looks tacked-on and silly.
Beyond the Stars is one of those surprising movies. It has a great cast that give very good performances despite the low-budget feel of the film. While the underlying subjects of the movie may not apeal to many people, the time-honored coming of age story that involves all of the main characters should be appreciated by the most basic of movie viewers.
The surprising "twist," which is not much of a twist at all, is a nice addition for those that are the "dreamers" for whom the film was obviously written.
Beyond the Stars is a much under-appreciated film that deserves a look. I'm sure you'll be surprised as well.
The surprising "twist," which is not much of a twist at all, is a nice addition for those that are the "dreamers" for whom the film was obviously written.
Beyond the Stars is a much under-appreciated film that deserves a look. I'm sure you'll be surprised as well.
Multiple types of movie overlapping, and it's very hard to like this movie. But there are moments where Martin Sheen and Christian Slater and Robert foxworth and Sharon Stone are radiant and I feel like I'm back in the 1980s again.
When you pull a 1989 film out of its context, it looks pretty weird. My advice would be if it's not working for you, switch it off. These 1980s films have a rhythm and a logic that doesn't work anymore, is my take.
When you pull a 1989 film out of its context, it looks pretty weird. My advice would be if it's not working for you, switch it off. These 1980s films have a rhythm and a logic that doesn't work anymore, is my take.
क्या आपको पता है
- ट्रिवियाMartin Sheen and Christian Slater, co-stars of this film, both went on to appear in The West Wing. Sheen played President Josiah Bartlett for all 7 seasons. Slater appeared in 3 episodes in Season 4 as Lt. Cmdr Jack Reese. They did not share any screentime.
- गूफ़An early scene shows Laurie driving Eric from Portland, Oregon, to Cedar Bay, Oregon. They cross a major waterway on a 3-lane suspension bridge. The only waterway that big near Portland is the Columbia River; if you cross it you are in Washington, and the only bridges are Interstate highway bridges with more than 3 lanes. (It's actually the Lions Gate Bridge in Vancouver.)
- क्रेज़ी क्रेडिट(Closing quote) "In honor of their heroic deeds and the sacrifices they made so that all of humanity might someday walk among the stars."
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Beyond the Stars?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Más alla de las estrellas
- फ़िल्माने की जगहें
- हंट्सविले, अलबामा, यूएसए(US Space & Rocket Center)
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 28 मि(88 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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