Sotto il vestito niente II

Sleazy talent agent Alex Conti (Giovanni Tamberi) pimps out his models for sex. At the behest of a powerful client, he arranges for unwary young beauty Sylvia O'Neal (Gioia Scola) to attend one of his shindigs, where she is held down by the other women and raped. Fleeing the party, distraught Sylvia drives off in Alex's car; her charred body is found hours later in a burnt out wreck. As the police try to discover what happened to her, someone begins to kill off those who were also present at the party, the murderer's weapon of choice being a multi-bladed prop created for a music video.

Set in the glossy world of fashion models, Dario Piana's Too Beautiful To Die is a slick and sexy giallo, full of stylish imagery, but totally vacuous, the director exploiting his female stars' gyrating hard bodies in raunchy video-shoots before bumping them off. I have no problem with the film's objectification of women who make a living from their looks, but I do object to the film's lacklustre death scenes, which are bereft of creativity and decent gore. This kind of film lives or dies on the strength of its kills, and the relatively bloodless and mundane murders in Too Beautiful To Die are instantly forgettable, making this a mediocre effort overall.

The models of an agency are invited to a party by the owner of the agency, Alex. During the party, Alex is playing games in his computer and it looks like the girls have the house to themselves, but there's another guest…. and an accident happens - a fatal accident. This will start a string of murders - all those that were at that party begin to fall one by one. The police intervene, investigations are made, but the killer is like an elusive shadow….

"Too beautiful to die" (Sotto il vestito niente 2) is a giallo that uses successfully the aesthetics of music videos - there's a tasty blend of images and music. The film is atmospheric and the murder scenes are inventive and suspenseful. It's a treat for the eyes and ears – really gorgeous girls, flamboyant colors, good 80s music.

Highly recommended!

If you like bizarre gialli try "A taste for fear" by Piccio Raffanini, a strange mixture of giallo and science fiction - psychedelic colors, murders in a not so distant future, surreal and dreamy story. Recommended for those with adventurous tastes.

'Too Beautiful to Die' is a stylish late 80's Giallo thriller with a striking yet distinct visual style and an interesting set up with some exciting suspenseful set pieces and enjoyable chase sequences. But the main problem of this flick is the sluggish first half with the director focusing more on the stylish visuals rather than telling a compelling story, but once the second half kicks in the movie becomes a lot more fun.

The plot - Fashion models are invited to a party by the owner of their agency and during the party one of the models Sylvia (Gioia Scola) is raped by a powerful businessman, with the help of the other models. Afterwards she runs away and is found dead and soon everyone involved starts getting killed one by one.

The movie is mildly entertaining but what it could have done with is a tighter pace and better execution as there's only so much having beautiful women and stylish visuals can do as everything else is severely lacking and this is definitely one of those cases of style over substance.

It's always nice to come across a worthwhile Italian Giallo that was made in the 1980's, because this wondrously unique sub genre of horror is almost automatically & irreversibly linked to the 1970's, more particularly the earlier years of that decade. During that period there were approximately a dozen of great films released each year, but this amount vastly decreased near the end of the 70's already. And throughout the entire 80's decade, only a handful of competent Gialli came out, including Dario Argento's "Tenebre" and "Opera", Lamberto Bava's "Midnight Ripper", Lucio Fulci's "The New York Ripper" and Alberto De Martino's "Formula for Murder". Dario Piana's contribution "Too Beautiful To Die" could easily join this short list, but the film is sadly obscure and almost impossible to track down. Maybe - and hopefully - this might change soon, as I just noticed that Dario Piana out of the blue directed "The Deaths of Ian Stone"; one of the movies included in the famous "8 movies to die for" horror event. Perhaps after gaining a bit of name-fame, some clever distribution company might dig up the director's earliest effort and release it on DVD. Here's to wishful thinking, because the film honestly deserves to be seen by a wider audience.

"Too Beautiful to Die", like so many other Gialli movies, takes place in a world full of gorgeous fashion models, perverted old rich bastards, extortion and of course sadistic murders. We step into the decor of a modeling agency when they're about to shoot an extended music video (I think) with the girls wearing exhilarating S&M outfits and waving around dangerously sharp daggers. The models are also involved in a network of prostitution, but when a promising young beauty refuses to have sex with an elderly client, her lifeless body is dragged out of a sunken car the next morning. The autopsy proves she was shot in the head before the car got pushed of a cliff. The shoot continues and the poor girl gets replaced, but shortly after everyone who was there that night is killed off with the macabre scenery used in the video. The plot is standard Giallo material, but there are a few pleasant and thoughtful twists and director Dario Piana upholds an adequate level of suspense and mystery until the very end. The starlets are indescribably beautiful, their revealing outfits are unimaginably sexy and there's one steaming hot (and admirably stylish) sex sequence to make it all complete. Perhaps one advantage 80's Gialli have over their 70's competitors, they are MUCH women-friendlier and respectful. The murders are obviously rather grisly, as they are committed with eerie daggers and even a replica Iron Maiden torture device, and the revelation of the killers' identity is absurd in a good old-fashioned way. "Too Beautiful to Die" actually only has one major downside, and it isn't even the film's own fault. It was an inexplicably popular trend back in the 1980's to stuff any movie, no matter what genre or subject matter, with annoying hit music and incredibly overlong footage of people dancing to it. Especially in the case of a whodunit, this completely ruins the atmosphere and brings the viewer out of his/her concentration. Also, another reason why 70's Gialli were so fantastic was because they featured their very own soundtrack (usually mastered by Ennio Morricone), whereas this gem has to settle for contemporary popular band, like Toto and Frankie Goes to Hollywood. Apart from the cheesy 80's-flavored sauce, "Too Beautiful to Die" is a delicious Italian Giallo-dish.

By the late eighties, the Giallo genre had almost completely dried up with only the great Dario Argento's releases, along with a handful of other films, being anywhere near seeing. One film that is certainly a part of the worthwhile non-Argento efforts is this one; as while it's a ling way from being perfect, what we do have here is a strong mystery storyline fused with a good atmosphere - and what more could you ask for from a Giallo? The original Italian title is a cause for confusion as it suggests the film to be a sequel to the (also rather good) 1985 Giallo Nothing Underneath; although the two films are unrelated. Too Beautiful to Die focuses on the production of a music video for a band named 'Blade'. Naturally, the director wants the video to involve blades; and several shiny blades take centre stage. The star of the show later resists the advances of a powerful man in a Jacuzzi, and she soon winds up dead. The police begin to investigate; and it's not long before more people involved with the production turn up as corpses.

Director Dario Piana creates a really good atmosphere for the film and clearly has a good understanding of what the Giallo genre is all about. There's a blue tint that features throughout and the director makes good use of the post-apocalyptic style of the music video at the centre of the film. It's also very much a product of the time it was made; the film features that 'trashy eighties' style throughout and the director is not afraid of implementing some extremely tacky eighties music as well. Of course, it's the murders that will have most viewers tuning in; and while they're not on par with the goriest of the genre, they are none too shabby either and plenty of the red stuff gets spilled in inventive ways. It has to be said that the film is a bit messy and certain moments can drag more than a little bit; but there's always a tense chase scene or gory murder just around the corner to keep things exciting. It all boils down to a well thought out and somewhat surprising ending that has the added advantage of actually making some sense! I can't say that this is an absolute must see for genre fans, but it's certainly well worth tracking down. Recommended.