The Murder of Mary Phagan

This program boasts a great cast, but more importantly it is a textbook case of how a television drama should be mounted. An intriguing but basic courtroom drama that takes on greater significance as the plot develops. Fine characterizations abound in this production. It doesn't get much better than this.

george stevens ,jr. always does quality things as was this. william hale,ii was super leading the plot to climax of theme and drew out best in characters. since the initial showing i have heard many others express their opinion that this was a super presentation. congrats george and billy hale and the fine extras cast of richmond,va. area.

This was a spectacular movie. I don't know where to start. I saw this on TV back in 1988 and taped it and watched it over and over. It is a facinating true story about a Brooklyn born jewish man Leo Frank, who is accused of raping and murdering a young southern girl working in the pencil factory he manages in Atlanta.

The true case takes on epic proportions as a firery battle ensuses as political power, prejudice and fallout from the civil war, seek to destroy a man who is almost certainly innocent - and destroy anyone who tries to help him.

Even more intersting than the trial is the second half of the story. The Governor (Jack Lemon) tries to give Leo Frank a fair chance at justice and is forced to fight his lifelong friends who have political ambitions of their own - and may destroy his entire life in the attempt.

It's an excellent movie to show to children to teach them about character and doing what is right in the face of impossible odds - to show to history class and just for anyone who has any interst in history or drama!

Murder of Mary Phagen, The (1988)

**** (out of 4)

Extremely powerful drama about the murder of 13-year-old Mary Phagen in the factory she worked out in Atlanta, 1913. A determined prosecutor (Richard Jordan) pins the crime on a Jewish manager (Peter Gallagher) who claims his innocence. He's eventually found guilty due in large part to the testimony of a black janitor (Charles S. Dutton) who would normally seem like an unlikely person to get to testify. All of this eventually ends up in the lap of Gov. John Slaton (Jack Lemmon) who will be leaving office soon but must decide whether or not to overturn the conviction, which looks to have been made because the man was Jewish. This story was altered and told in 1937 masterful THEY WON'T FORGET with Claude Rains but this version here is just as good and just as powerful. The movie clocks in at four hours if you include the commercial breaks so it's a long movie but it never felt that way as I was so caught up with what was going on that the movie seemed to run just a few short minutes. The masterful performances make this a must see but so does the story, which is as powerful as an courtroom drama that I've seen. I wasn't overly familiar with the case so I was really hanging on the edge of my seat all through the original case, the Governors investigation as well as the aftermath that followed. I was really shocked to see what type of racism was being used and how much of the bitterness of Atlanta went back to the Civil War days. From what I've read, this film was pretty faithful to the actual events, which makes one scratch their head and question everything that was done. I won't ruin the ending but how everything plays out is just incredibly sad and pathetic.

This made-for-TV drama certainly has the drama down as the thing will leave you in suspense from the opening moments to the very final scenes. The performances are great from the veterans but we also get some fresh faces who would become quite famous over time. Kevin Spacey plays an alcoholic reporter who brings the case the media attention. William H. Mac has a small bit as a relative to the dead girl. Gallagher is extremely laid back in his role and delivers a marvelous performance as you can't help but feel sorry for him. The actor certainly digs deep and manages to bring out a lot of emotions without screaming or going over the top. Jordan is equally as great as the seedy prosecutor who might be hiding a few secrets of his own and Dutton nearly steals the film as the man with too many questions of his own to be a so-called witness. Robert Prosky and Kathryn Walker also turn in fine work. Then there's the legend Lemmon who turns in one of the best and most powerful performances of his career. I know that's saying a lot considering how many great roles he has had but he really delivers some strong emotion here and his final speech is extremely touching even if he doesn't say too much. The pain and anger in Lemmon's eyes is all we have to see to know what he feels. The way Lemmon invests himself into the role and the character's motives for trying to bring justice to this case was very believable and heartfelt.

This mini-series captures Jack Lemmon in a strong role as a real historical figure. Governor Slaton of Georgia risked (and ultimately lost) a promising political career in his search for the truth as to what really happened to Mary Phagan. Lemmon is heroic in an understated way----very different than many of the manic-like comedy performances that conspicuously dotted his long career.

The story was filmed before in 1937 by Warner Brothers with Mervyn LeRoy directing as "They Won't Forget." This is the film that launched the career of Lana Turner as a major sex symbol. She played the very small Mary Phagan-like role when just a young teenager---and who could forget her famous stroll through town as she strutted her sexy stuff just before her murder? In "They Won't Forget," the story was changed significantly to eliminate any reference to the Leo Frank-like character as a Jew. Instead, he was depicted as a teacher (not a pencil factory manager) with apparently a Christian background.

"They Won't Forget" was a typical Warner Brothers social drama of the 1930s. It fudged on the facts but was quite gripping and engrossing. Claude Rains may have been somewhat over-the-top as the prosecuting attorney---but he commanded your attention.

On the other hand, "The Murder of Mary Phagan" stays much closer to the true story. It's interesting to compare the two films to see just how much easier it was in 1988 to tell the whole narrative of the Leo Frank case than it was in 1937.

For another source of information on this remarkable historical event, seek out Harry Golden's fine book of many years ago---"A Little Girl is Dead."