IMDb रेटिंग
7.0/10
3.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA well-planned robbery goes awry with tough cop Jim Cordell in pursuit of the thieves.A well-planned robbery goes awry with tough cop Jim Cordell in pursuit of the thieves.A well-planned robbery goes awry with tough cop Jim Cordell in pursuit of the thieves.
- पुरस्कार
- कुल 1 नामांकन
Eddie Borden
- Theatrical Agent
- (बिना क्रेडिट के)
Chet Brandenburg
- Cop at Roadblock
- (बिना क्रेडिट के)
Barry Brooks
- Witmer - Armored Car Driver
- (बिना क्रेडिट के)
Morgan Brown
- Burlesque Theatre Patron
- (बिना क्रेडिट के)
Paul Bryar
- Car 6 Patrolman at Pier 5
- (बिना क्रेडिट के)
Paul E. Burns
- Mr. Kelly - Valley Auto Court Manager
- (बिना क्रेडिट के)
James Bush
- Control Tower Operator
- (बिना क्रेडिट के)
Roger Creed
- Police Radio Operator
- (बिना क्रेडिट के)
Dick Dickinson
- Newsboy
- (बिना क्रेडिट के)
Art Dupuis
- Stadium Cashier
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Great B-movie cast with many nice touches. Everybody's favorite 50's psycho William Talman heads the heist gang, looking almost suave and sleek at times. He even gets to kiss the girl, probably the only time in his career. Too bad he turned legit on the old Perry Mason show. That fine utility actor Steve Brodie has some good moments too, along with a sneering Douglas Fowley and a blue-collar Gene Evans. And, oh yes, mustn't forget the great cheap blonde of the era, Adele Jergens, all decked out in her best Victoria's Secret finery. Her strip show may be on the tame side, but we get the idea. And in dogged police pursuit, the ever-forceful Charles McGraw who could play either side of the legal fence with jut-jawed persuasion. There's a thousand slices of A-grade thick ear wrapped up in this hard-boiled assembly.
Then too, director Fleischer makes all the deft moves-- the balky car, the gruesome corpse. Maybe somebody forgot the utility bill, but there's a real change of mood half-way through, when the screen shifts from high-key daylight to low-key noir as the shadows and bodies pile up. Yeah, you've probably seen it all before, but rarely done this well and with an Oscar night of B-movie all-stars. Too bad, Stanley Kubrick didn't acknowledge this modest programmer when he lifted the caper film to artistic heights in The Killing (1956). As he learned, prop washes make a superb visual blender for loose dollar bills, along with a lasting note of dramatic irony. Acknowledged or not, this little potboiler has all the earmarks of RKO's golden age of take-no-prisoners noir.
Then too, director Fleischer makes all the deft moves-- the balky car, the gruesome corpse. Maybe somebody forgot the utility bill, but there's a real change of mood half-way through, when the screen shifts from high-key daylight to low-key noir as the shadows and bodies pile up. Yeah, you've probably seen it all before, but rarely done this well and with an Oscar night of B-movie all-stars. Too bad, Stanley Kubrick didn't acknowledge this modest programmer when he lifted the caper film to artistic heights in The Killing (1956). As he learned, prop washes make a superb visual blender for loose dollar bills, along with a lasting note of dramatic irony. Acknowledged or not, this little potboiler has all the earmarks of RKO's golden age of take-no-prisoners noir.
Armored Car Robbery (1950)
*** (out of 4)
Thief Dave Purvis (William Talman) plays the perfect heist of an armored car in L.A. but things take a disastrous turn when cops show up on the scene. A gunfight breaks out and a cop is killed, which doesn't sit well with Lt. Jim Cordell (Charles McGraw) who will stop at nothing to make sure those responsible are brought to justice. This film was released by Warner as a film-noir but I personally didn't see anything to connect this to that genre. This is, however, a fine crime picture that has two great actors delivering strong performances and in the end they're reason enough to watch the film. I think the biggest problem with the movie is that director Flesicher never builds up any atmosphere nor does he ever build up any real suspense. In many ways the film is very by-the-numbers because it seems like the director and screenwriter never tried to go out of their way to do something special but instead they just deliver the goods and make for a pleasant 67-minutes. The movie features some great locations around Wrigley Field as well as several scenes inside a burlesque show, which adds to the fun. The heist sequence was fairly well-directed and the pay-off is nice as well. The ending is going to remind people of Kubrick's THE KILLING, although it's a lot more graphic in nature here. Talman and McGraw are two veterans of this genre and both men know how to make their characters speak without saying a word. Both men have incredible faces that really tell us all we need to know and it seems as if both actors were having a lot of fun in these roles. Talman is very laid-back in his role and his character really comes across very collective and cool. McGraw, in an early Dirty Harry type role, is tough as nails and you just know he's not going to stop.
*** (out of 4)
Thief Dave Purvis (William Talman) plays the perfect heist of an armored car in L.A. but things take a disastrous turn when cops show up on the scene. A gunfight breaks out and a cop is killed, which doesn't sit well with Lt. Jim Cordell (Charles McGraw) who will stop at nothing to make sure those responsible are brought to justice. This film was released by Warner as a film-noir but I personally didn't see anything to connect this to that genre. This is, however, a fine crime picture that has two great actors delivering strong performances and in the end they're reason enough to watch the film. I think the biggest problem with the movie is that director Flesicher never builds up any atmosphere nor does he ever build up any real suspense. In many ways the film is very by-the-numbers because it seems like the director and screenwriter never tried to go out of their way to do something special but instead they just deliver the goods and make for a pleasant 67-minutes. The movie features some great locations around Wrigley Field as well as several scenes inside a burlesque show, which adds to the fun. The heist sequence was fairly well-directed and the pay-off is nice as well. The ending is going to remind people of Kubrick's THE KILLING, although it's a lot more graphic in nature here. Talman and McGraw are two veterans of this genre and both men know how to make their characters speak without saying a word. Both men have incredible faces that really tell us all we need to know and it seems as if both actors were having a lot of fun in these roles. Talman is very laid-back in his role and his character really comes across very collective and cool. McGraw, in an early Dirty Harry type role, is tough as nails and you just know he's not going to stop.
With its lean, pared-down running time and exclusive focus on the cops 'n' robbers storyline, ARMOURED CAR ROBBERY could be a modern movie along the likes of the BOURNE films or HEAT. It's certainly a film that's stood the test of time very well, as it's extremely fast paced and action-packed with it. There's little to dislike here.
The plot is simplicity in itself: a group of bank robbers hijack an armoured car and make way with the loot. A gang of cops are soon on their tail, and then things get rather messy. There are fatalities on both sides, a sleazy burlesque club gets drawn into the mix, and there's an inexorable slide towards the inevitable showdown at the climax.
ARMOURED CAR ROBBERY boasts a tough script, excellent acting and strong direction from the reliable Richard Fleischer (10 RILLINGTON PLACE). The best of the cast is easily William Talman as the chief robber; he has a real screen presence here and holds his own against everyone else. Charles McGraw, as the dogged detective on his trail, is very nearly as good. In any case, this is a great, forgotten little movie that's rip for rediscovery.
The plot is simplicity in itself: a group of bank robbers hijack an armoured car and make way with the loot. A gang of cops are soon on their tail, and then things get rather messy. There are fatalities on both sides, a sleazy burlesque club gets drawn into the mix, and there's an inexorable slide towards the inevitable showdown at the climax.
ARMOURED CAR ROBBERY boasts a tough script, excellent acting and strong direction from the reliable Richard Fleischer (10 RILLINGTON PLACE). The best of the cast is easily William Talman as the chief robber; he has a real screen presence here and holds his own against everyone else. Charles McGraw, as the dogged detective on his trail, is very nearly as good. In any case, this is a great, forgotten little movie that's rip for rediscovery.
Richard Fleischer's Armored Car Robbery is a lean little heist thriller, from which Stanley Kubrick apparently borrowed a thing or two six years later for The Killing. In a refreshing preview of truth in packaging, the title pretty much sums it up: it's the few-frills story of a criminal gang who knocks over a payroll truck at Los Angeles' Wrigley Field, followed by the inevitable falling out of thieves and their pursuit by John Law.
Coming together are several of the second string of noir actors. Charles McGraw stays as gruff as a minion of the law as he was as a menace to society; he takes the heist heavily because his partner was killed in the shoot-out. Leader of the gang is ruthless William Talman, who starred in almost as many noirs as Raymond Burr, for whom he was to co-star in the Perry Mason television franchise; while falling just shy of Burr's opulent evil, he could seed a few nightmares himself. And bringing up the distaff side is tough blonde Adele Jergens, here a `Burly-Q' headliner who never seems to lose her heavy white stole. She's making hay with Talman even though her older husband, on his uppers, also dies as a result of the truck robbery (when he pleads for a doctor for his gunshot wound, Talman shoots him, muttering his mantra `No loose ends').
Fleischer, son of legendary animator Max, was not one of the poets of the noir cycle but a wrap-it-up director with a racing pulse; The Narrow Margin (also starring McGraw) remains his best-known film. In later years he directed a number of big action pictures, few of any real distinction. His metier was probably these brief, shoestring programmers, because bigger budgets and longer running times slowed him up and made him ponderous (viz. Tora! Tora! Tora!). Armored Car Robbery endures as a testament to how good he was with the swift and blunt approach.
Coming together are several of the second string of noir actors. Charles McGraw stays as gruff as a minion of the law as he was as a menace to society; he takes the heist heavily because his partner was killed in the shoot-out. Leader of the gang is ruthless William Talman, who starred in almost as many noirs as Raymond Burr, for whom he was to co-star in the Perry Mason television franchise; while falling just shy of Burr's opulent evil, he could seed a few nightmares himself. And bringing up the distaff side is tough blonde Adele Jergens, here a `Burly-Q' headliner who never seems to lose her heavy white stole. She's making hay with Talman even though her older husband, on his uppers, also dies as a result of the truck robbery (when he pleads for a doctor for his gunshot wound, Talman shoots him, muttering his mantra `No loose ends').
Fleischer, son of legendary animator Max, was not one of the poets of the noir cycle but a wrap-it-up director with a racing pulse; The Narrow Margin (also starring McGraw) remains his best-known film. In later years he directed a number of big action pictures, few of any real distinction. His metier was probably these brief, shoestring programmers, because bigger budgets and longer running times slowed him up and made him ponderous (viz. Tora! Tora! Tora!). Armored Car Robbery endures as a testament to how good he was with the swift and blunt approach.
Robert Fleischer's film Armored Car Robbery is, in many aspects, a straightforward heist movie. It features all of the usual suspects, including a bunch of ragtag tough guys, a heartless dame who only cares about the promise of lots of 'lettuce', and a lantern jawed, square shouldered cop who deep down really cares about his partner. These caricatures are expected and well played; what was a surprise was how well William Talman filled a role a less skilled performer might have slept through. Talman, who played the leader of the gang, infused his character with a flinty, almost sociopathic nature that plays as believable and chilling. Additionally, the movie had great momentum, one that moved a somewhat predicable plot forward at a gripping and exciting pace.
All of the actors gave good to excellent performances, though Charles McGraw's character was a smidge too one dimensional at times, as he spoke his clipped sentences through gritted teeth and wore the heroic big suit like a comic book lieutenant. Still, an enjoyable heist film that won't disappoint fans of the crime or noir genres. Some lovely visuals as well!
All of the actors gave good to excellent performances, though Charles McGraw's character was a smidge too one dimensional at times, as he spoke his clipped sentences through gritted teeth and wore the heroic big suit like a comic book lieutenant. Still, an enjoyable heist film that won't disappoint fans of the crime or noir genres. Some lovely visuals as well!
क्या आपको पता है
- ट्रिवियाThere was a Wrigley Field in Los Angeles. It opened 1925 and mostly used by the Pacific Coast Minor league team the Los Angeles Angels. In 1961 the Los Angeles Angels played their first major league season there. It was demolished in 1969.
- गूफ़When Mrs. McBride goes to visit Purvis at the motel, she throws her coat on the sofa and lands stretched over it. On the following cut, as she sits down with Purvis, the coat is now on the other end of the sofa and folded up.
- भाव
Ryan: [On the phone] We hit pay dirt. The gal in question is Yvonne LeDoux, a bur-le-q queen workin' out of the Bijou Theater, but that's not all. She's also the widow of the late Benny McBride.
Lt. Jim Cordell: Benny's wife, huh?
Ryan: You should see her workin' clothes. Imagine a dish like this married to a mug like Benny McBride... the naked and the dead.
Lt. Jim Cordell: Very funny.
- क्रेज़ी क्रेडिटIn the film's opening credits, the title is surrounded by quotation marks.
- कनेक्शनFeatured in Palookaville (1995)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Armored Car Robbery?Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 1 घं 7 मि(67 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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