Vec vidjeno
- 1987
- 1 घं 42 मि
IMDb रेटिंग
7.7/10
1.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंPiano teacher is deeply traumatised by the events of his childhood, as well as by political oppression in his youth. Decades later, all those traumas lead to carnage.Piano teacher is deeply traumatised by the events of his childhood, as well as by political oppression in his youth. Decades later, all those traumas lead to carnage.Piano teacher is deeply traumatised by the events of his childhood, as well as by political oppression in his youth. Decades later, all those traumas lead to carnage.
- पुरस्कार
- 5 जीत और कुल 1 नामांकन
Milorad Mandic-Manda
- Zoran
- (as Milorad Mandic)
Mihajlo 'Bata' Paskaljevic
- Olgicin otac
- (as Mihailo Paskaljevic)
Srdjan 'Zika' Todorovic
- Mladi Mihailo
- (as Srdjan Todorovic)
Dragan Petrovic-Pele
- Bobika
- (as Dragan Petrovic)
फ़ीचर्ड समीक्षाएं
Once a promising concert pianist, slaphead Mihailo (Mustafa Nadarevic) teaches music at a university, where he falls for pretty fashion expert Olgica (Anica Dobra), who uses men as her playthings. Starting a sexual relationship with Mihailo, Olgica tries to convince him to perform in a televised stage show that she is producing, which she hopes will make her famous and enable her to move out of the small apartment that she shares with her alcoholic father and younger brother. However, Mihailo begins to lose his marbles when events start to mirror his troubled childhood, and after Olgica ditches him for a karate instructor, the pianist is pushed over the edge and becomes homicidal.
There's not really much in the way of horror in Reflections, the majority of the film focussing on Mihail's deteriorating mental state, flashbacks to his formative years, and Olgica's ruthless manipulation of men, but it still held my attention thanks to decent performances and an intriguing storyline. The film eventually delivers some suspense and nasty violence in the final act, when Mihailo has his murderous meltdown, the insane ivory tickler pinning Olgica's father to a door with a knife, stalking her brother, and slicing the karate dude with a sabre (the man's almost severed hand flapping around, hanging by a strip of flesh). Olgica pays for her scheming ways when Mihailo throttles her as she is showering (even in communist Yugoslavia, they understand the importance of a gratuitous shower scene!).
5.5/10, rounded up to 6 for IMDb.
There's not really much in the way of horror in Reflections, the majority of the film focussing on Mihail's deteriorating mental state, flashbacks to his formative years, and Olgica's ruthless manipulation of men, but it still held my attention thanks to decent performances and an intriguing storyline. The film eventually delivers some suspense and nasty violence in the final act, when Mihailo has his murderous meltdown, the insane ivory tickler pinning Olgica's father to a door with a knife, stalking her brother, and slicing the karate dude with a sabre (the man's almost severed hand flapping around, hanging by a strip of flesh). Olgica pays for her scheming ways when Mihailo throttles her as she is showering (even in communist Yugoslavia, they understand the importance of a gratuitous shower scene!).
5.5/10, rounded up to 6 for IMDb.
This movie is a Yugoslav hidden gem. In my opinion, definitely in top 3 Yugoslav movies. The acting of Mustafa Nadarevic is superior, but other actors did a great job as well.
This movie reminded me of Hitchcock's movies, except that this movie is even better. I would like to add that the director Goran Markovic not only directed this movie but also wrote the story, so I have a huge respect and admiration for this man.
It covers interesting topics such as trauma from the events that happened in protagonist's youth- from communists bumping into his family's apartment, taking it over and dividing it in half to trauma from his parent's fighting and divorce, etc. When a new woman arrives to his workplace and he becomes intimate with her, the protagonist starts experiencing deja vu's often and over time loses his sanity which is going to lead to fatal consequences.
This movie reminded me of Hitchcock's movies, except that this movie is even better. I would like to add that the director Goran Markovic not only directed this movie but also wrote the story, so I have a huge respect and admiration for this man.
It covers interesting topics such as trauma from the events that happened in protagonist's youth- from communists bumping into his family's apartment, taking it over and dividing it in half to trauma from his parent's fighting and divorce, etc. When a new woman arrives to his workplace and he becomes intimate with her, the protagonist starts experiencing deja vu's often and over time loses his sanity which is going to lead to fatal consequences.
Now I'm not saying this is a masterpiece, but it is nonetheless a very interesting movie. It is definitely worth seeing, if you get a chance.
The storyline follows the life of a child whose posh family disintegrated following the arrival of communists in Belgrade, Serbia.
The loss of his family, societal status and dignity and the perceived lack of morals in the communist society drives him further and further away from the mainstream and into loneliness, depression and murderous obsession.
The movie maybe tries a little too hard to represent the post-war communist society as a parade of ignorant, unsophisticated and violent peasants, freshly arrived from the mountains and villages but already ruling every aspect of the new society.
The film is really about violence, and about painful changes in society that war and violent revolutions bring.
The storyline follows the life of a child whose posh family disintegrated following the arrival of communists in Belgrade, Serbia.
The loss of his family, societal status and dignity and the perceived lack of morals in the communist society drives him further and further away from the mainstream and into loneliness, depression and murderous obsession.
The movie maybe tries a little too hard to represent the post-war communist society as a parade of ignorant, unsophisticated and violent peasants, freshly arrived from the mountains and villages but already ruling every aspect of the new society.
The film is really about violence, and about painful changes in society that war and violent revolutions bring.
10nixona
In my opinion, "Vec vidjeno" is the best movie of Goran Markovic (and all of them are great), one of the best Serbian directors.
It's done in cognizable Markovic's way. The story is great (it is by Markovic, also), acting of Mustafa Nadarevic is superb, Zoran Smijanovic's music is excellent as everything else in this movie.
It is a horror movie, which is not a typical Yugoslav genre, [besides "Davitelj protiv davitelja" (which is more like comedy) and "Leptirica" I can't think of another], but it is done in a way that Hitchcock would envy.
If any film deserves the Oscar then this is the one!
It's done in cognizable Markovic's way. The story is great (it is by Markovic, also), acting of Mustafa Nadarevic is superb, Zoran Smijanovic's music is excellent as everything else in this movie.
It is a horror movie, which is not a typical Yugoslav genre, [besides "Davitelj protiv davitelja" (which is more like comedy) and "Leptirica" I can't think of another], but it is done in a way that Hitchcock would envy.
If any film deserves the Oscar then this is the one!
considering rest of markovic's work, this movie takes low position on list of his movies, for someone else it may be average, but not for goran markovic. as we are used to negative associations for yugoslav communist authority in markovic's movies, same thing is presented in 'vec vidjeno'. movie is about the man who is piano teacher who wasted his exceptional talent, primarily because of his childhood traumas which effected the rest of his life to the point of absolute mental decay. he associates nowadays reality with scenes from his childhood (explanes movie title)and general atmosphere is very melancholic and heavy, but not strong or effective enough and that's the key problem
क्या आपको पता है
- ट्रिवियाThis is the only Serbian horror film to be included in the second edition of Phil Hardy's Overlook Film Encyclopedia: Horror (1994). It is also the only Serbian horror film included among 100 EUROPEAN HORROR FILMS in the eponymous book published by BFI and edited by Steven Jay Schneider.
- कनेक्शनFeatured in Serbie, année zéro (2001)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Reflections?Alexa द्वारा संचालित
विवरण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें