Enigma

A good cast in a strange little Cold War thriller. Though shot entirely in France, it gives a credibly chilly impression of East Berlin. Makes you want to turn up the heating (wildly extravagant these days, of course).

The plot is convincingly cynical, and the love triangle at its heart is persuasive - largely because it sidesteps cliché, especially at the film's ending.

Brigitte Fossey and Sam Neill work well together and while Martin Sheen seems less sure, his characteristic bafflement actually suit his character quite well.

Worth watching as a period-piece. And as an exercise in stargazing (Jacobi, Frank Finlay, Warren Clarke, Michael Lonsdale).

Seemingly based on a 'true story' - Whatever that means...

The CIA discovers a Russian plot to assassinate five defectives on the Christmas Day, but they do not know who they are. The defective Alex Holbeck (Martin Sheen) is recruited in Paris by CIA and sent to East Berlin to steal the scrambler of the Enigma, the machine used by the soviet intelligence for communication. On the arrival, Holbeck discovers that the KGB and the East Germany government know that he has arrived and his contacts are arrested. Holbeck meets his former lover, the lawyer Karen Reinhardt (Brigitte Fossey), and she gives a safe house to him. The Russian agent Dimitri Vasilikov (Sam Neill) and the East German agent Kurt Limmer (Derek Jacobi) try to find Holbeck's whereabout using different methods, while Karen seduces Dimitri to get the information about the location of the soldiers that Holbeck needs. However Holbeck does not know that the CIA has the scrambler and he is only a bait to convince the Russians that they do not have it.

"Enigma" is a great thriller with a complex story during the Cold War. The screenplay is very well written and with good twists. It is strange only the cast speaking English since the characters are Germans and Russians, but the cast is good and makes worthwhile watching this spy movie. My vote is seven.

Title (Brazil): "Enigma"

This was the film that first indicated to me what a great actor Martin Sheen really is. He modestly claims that Charlie is a better actor, Charlie can't hold a candle to him.

I found it suspenseful and thoroughly enjoyed the intertwining of the love story with the main plot (and I usually HATE love stories). There's a great plot twist at the end that struck me as being fully credible, particularly in the early 80's time period, and probably now also.

The final scene had me on the edge of my seat. This film roundly illustrates that treachery is often doled out by those we trust, while declared enemies have more in common than they suspect, and finally, that human compassion can be found where we least expect it.

irenerose

I must admit, when I first began watching this film I had no clue what was going on. So the beginning was a bit confusing for me. However, that did not diminish my enjoyment of the movie. The characters reveal themselves to be more complex than they may first appear, and that is what makes this a memorable film. At first I heard this was a real "Hollywood" movie. Although it obviously lacks the stereotypical "guns and fists" element, the convincing performances of talented actors such as Martin Sheen and Sam Neill more than make up for it. I'd rather see a film with more substance than shooting any day.

Former spy Martin Sheen is now broadcasting for the Voice of America. His erstwhile boss offers him a major payday to switch some electronic gizmo that will give the CIA an ear into OGPU headquarters; all he has to do is head to Berlin, meet up with former lover Brigitte Fossey, evade every Stassi agent in the country and Russian spy Sam Neill.

It's one of those movies with an old-time serial feel: how's Sheen going to get out of this cliff-hanger? And why are people doing whatever it is they're doing? French locations in mid-winter and drab signs stand in for a depressing East Germany, and Jeannot Szwarc's explication-free direction doesn't pander to the audience, but keeps the movie interesting throughout.