IMDb रेटिंग
5.2/10
2.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंTeenager Melissa moves into a small town filled with racial prejudice and bullying, and each time she meets up with one of the boys in town, they end up murdered - but who is the killer?Teenager Melissa moves into a small town filled with racial prejudice and bullying, and each time she meets up with one of the boys in town, they end up murdered - but who is the killer?Teenager Melissa moves into a small town filled with racial prejudice and bullying, and each time she meets up with one of the boys in town, they end up murdered - but who is the killer?
Michael Cutt
- Frank
- (as Michael J. Cutt)
फ़ीचर्ड समीक्षाएं
A dynamite cast gives this minor thriller some real class. The story progresses in a logical manner as sheriff Bo Hopkins tries to figure out some very perplexing stabbing murders. Don Stroud plays the town heavy and Indian hater. Several "red herrings" are floated by the audience, any one of which would have proved more logical than the "out of thin air" ending. The ad lib conclusion is ridiculous and not believable. "Code Red" has done a good job quality wise with the DVD. Having an interview with Bo Hopkins on the extra features is another plus. I just wish someone had ditched that awful, confusing, and unsatisfying ending. - MERK
This is not a popular title, but I find it an interesting thriller-mystery. I don't know the cast, but I liked them all decently. It is a murder mystery that takes place in a small town where a sheriff investigates the recent brutal knife attacks with all the possibility angle. All the victims were teenage boys, who are associated with the new girl in the town. Definitely you will begin to predict the suspect, that much the film evolves a bridge between you and the contents.
It was a great story, I was stunned for its underrated status and for going unnoticed, but then it ended very cheaply. To me the conclusion ruined the rhythm, otherwise the rest of the film was amazing and worth a watch. I hope somebody would remake it with some changes, especially in the final act and its twist. Overall surely it was a fine film, a mix of the teen theme and the cop story, obviously excluding the bad ending.
6/10
It was a great story, I was stunned for its underrated status and for going unnoticed, but then it ended very cheaply. To me the conclusion ruined the rhythm, otherwise the rest of the film was amazing and worth a watch. I hope somebody would remake it with some changes, especially in the final act and its twist. Overall surely it was a fine film, a mix of the teen theme and the cop story, obviously excluding the bad ending.
6/10
I won't post a long and detailed review of the movie, because it is a great little horror mystery film and there are several positive reviews already posted that said it better than i probably could have.
An interesting note is that this movie is actually on DVD in a couple of obscure "bargain boxsets". They are from BCI Eclipse, who release a lot of 10-Packs of old generic movies for a bargain price. The name of the boxsets are "Student Bodies" which is a 4-Pack, and also in a 10-Pack boxset called "Toga Party". The odd thing is the description on the boxes for these sets is wrong about the movie, it lists it as being some party movie...but it is not! It is indeed Sweet 16 from 1981 on DVD! The quality is pretty good for DVD too.
An interesting note is that this movie is actually on DVD in a couple of obscure "bargain boxsets". They are from BCI Eclipse, who release a lot of 10-Packs of old generic movies for a bargain price. The name of the boxsets are "Student Bodies" which is a 4-Pack, and also in a 10-Pack boxset called "Toga Party". The odd thing is the description on the boxes for these sets is wrong about the movie, it lists it as being some party movie...but it is not! It is indeed Sweet 16 from 1981 on DVD! The quality is pretty good for DVD too.
Sweet Sixteen is a 1983 American slasher film directed by Jim Sotos and starring Bo Hopkins, Susan Strasberg, Dana Kimmell, and Patrick Macnee.
Melissa Morgan is new in town and meets Hank Burke and Johnny Franklin outside of a bar. Johnny winds up murdered the same night and murder and mystery seem to follow Melissa everywhere she goes.
This is a largely obscure and forgotten 80s slasher movie. Being a big fan of slasher movies myself, especially 80s. I knew I would get something out of the film. The film however is rather slow and meandering as a whole, the lead actress is especially uninteresting and doesn't bring much to the film in terms of charm or humour. I never found myself being especially involved in the plot of the film or how it ended, I enjoyed the film for what it was and I love the 80s aesthetic in general. It's worth a watch if you're into the genre, but otherwise you can take it or leave it.
Melissa Morgan is new in town and meets Hank Burke and Johnny Franklin outside of a bar. Johnny winds up murdered the same night and murder and mystery seem to follow Melissa everywhere she goes.
This is a largely obscure and forgotten 80s slasher movie. Being a big fan of slasher movies myself, especially 80s. I knew I would get something out of the film. The film however is rather slow and meandering as a whole, the lead actress is especially uninteresting and doesn't bring much to the film in terms of charm or humour. I never found myself being especially involved in the plot of the film or how it ended, I enjoyed the film for what it was and I love the 80s aesthetic in general. It's worth a watch if you're into the genre, but otherwise you can take it or leave it.
Greetings And Salutations, and welcome to my review of Sweet Sixteen; here's the breakdown of my ratings:
Story: 1.00 Direction: 1.00 Pace: 0.50 Acting: 1.25 Enjoyment: 1.00
TOTAL: 4.75 out of 10.00
Sweet Sixteen is one of those films that tries to be different. Sadly, in doing so, its effort is obvious and adds to the list of handicaps within the movie.
The story is your standard mysterious killer on the loose whodunnit. Regrettably, the writers fail to make the murders, the victims, or their stimuli piquant enough. I never cared about who was getting offed or who was committing the murders or their motives for the bloodshed. And induced disinterest is a terrible thing for a whodunnit. One reason for the indifference was the characters. You have your typical cowboys hating on the Native Americans - The customary rebellious Native American and his classic Grandfather figure, who is nonchalant with the whole situation. Another handicap in the story was its structuring. You can guess which person is questioned first by the Sherriff for the killings. Even though the Sherriff is proud to be part Native American, he still pursues Longshadow. In truth, the writers lean heavily towards him being the perpetrator. They could have easily chosen to make a stand about the racial unfairness of the area. They do hint at it a couple of times but never get their gnashers into the meat of the matter. It's a shame as it would have made a good hook and added some much-needed thought-provoking. Then there are the characters who are only around to drive the narrative in the writer's preferred direction - Like Dr John Morgan and, to a certain degree, even the Sheriff. There appears to be a lack of a leading character in this tale.
The direction is your routine affair. Most scenes are point-and-shoot with very little in the way of embellishments. And the tempo is your commonplace saunter. As with most films of this style, a varied pace and imaginative lighting and camerawork would have gone a long way to making the picture more intriguing. I found my attention drifting several times.
However, the most heat in this lukewarm picture is the cast. We have some serious talent in the roll-call. It's a shame the writers couldn't provide a better script and that the director couldn't guide them correctly. They all give their best with their bestowments. And, in some little way, it lifts the movie a tad.
Sweet Sixteen is not a great movie and nor is it ghastly. As such, I'd recommend it for one watch, though only if there's nothing more pressing for you to do, like learning to dance an Irish Jig.
Please feel free to visit my Killer Thriller Chillers lists to see where I ranked Sweet Sixteen.
Take Care & Stay Well.
Story: 1.00 Direction: 1.00 Pace: 0.50 Acting: 1.25 Enjoyment: 1.00
TOTAL: 4.75 out of 10.00
Sweet Sixteen is one of those films that tries to be different. Sadly, in doing so, its effort is obvious and adds to the list of handicaps within the movie.
The story is your standard mysterious killer on the loose whodunnit. Regrettably, the writers fail to make the murders, the victims, or their stimuli piquant enough. I never cared about who was getting offed or who was committing the murders or their motives for the bloodshed. And induced disinterest is a terrible thing for a whodunnit. One reason for the indifference was the characters. You have your typical cowboys hating on the Native Americans - The customary rebellious Native American and his classic Grandfather figure, who is nonchalant with the whole situation. Another handicap in the story was its structuring. You can guess which person is questioned first by the Sherriff for the killings. Even though the Sherriff is proud to be part Native American, he still pursues Longshadow. In truth, the writers lean heavily towards him being the perpetrator. They could have easily chosen to make a stand about the racial unfairness of the area. They do hint at it a couple of times but never get their gnashers into the meat of the matter. It's a shame as it would have made a good hook and added some much-needed thought-provoking. Then there are the characters who are only around to drive the narrative in the writer's preferred direction - Like Dr John Morgan and, to a certain degree, even the Sheriff. There appears to be a lack of a leading character in this tale.
The direction is your routine affair. Most scenes are point-and-shoot with very little in the way of embellishments. And the tempo is your commonplace saunter. As with most films of this style, a varied pace and imaginative lighting and camerawork would have gone a long way to making the picture more intriguing. I found my attention drifting several times.
However, the most heat in this lukewarm picture is the cast. We have some serious talent in the roll-call. It's a shame the writers couldn't provide a better script and that the director couldn't guide them correctly. They all give their best with their bestowments. And, in some little way, it lifts the movie a tad.
Sweet Sixteen is not a great movie and nor is it ghastly. As such, I'd recommend it for one watch, though only if there's nothing more pressing for you to do, like learning to dance an Irish Jig.
Please feel free to visit my Killer Thriller Chillers lists to see where I ranked Sweet Sixteen.
Take Care & Stay Well.
क्या आपको पता है
- ट्रिवियाPatrick Macnee replaced Leslie Nielsen, who was forced to withdraw from the film because of a scheduling problem.
- गूफ़Johnny's truck is not parked in the same spot when they find it day after.
- भाव
Melissa Morgan: [to Johnny and Hank] You guys ever play with girls or just yourselves?
- कनेक्शनFeatured in Sweet 16: Interview with Bo Hopkins, Aleisa Shirley and Jim Sotos (2008)
- साउंडट्रैकMelissa's Theme
Music and Lyrics by Joel Wertman & Mark Wertman
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Sweet 16
- फ़िल्माने की जगहें
- Piru Elementary School 3811 Center St. Piru, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Sun Valley High School)
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