Southern Comfort

An unit of National Guardsmen commanded by officer(Peter Coyote) and various soldiers(Boothe, Carradine,Fred Ward,TK Carter,Carlos Brown among others)find on weekend exercises in the swamps of Louisiana. But the maneuvers go wrong but they are marked for death when steal canoes to the local Cajuns and run afoul from the hillbillies, though one of them is trapped(Brion James). Without ammunition and in a strange and moody landscape they're surrounded by numerous dangers and risks.

This is an exciting movie containing warlike action, spectacular shootouts, disturbing thriller, and lots of violence and blood. It's an entertaining movie for action lovers and the events are happening are a parable about the Vietnam experience. Magnificent duo protagonist: Powers Boothe and Keith Carradine and enjoyable secondary casting. Excellent musical score by Ry Cooder, Hill's usual(Long riders,Crossroads,Johnny Handsome)with folk melodies. Atmospheric, appropriate cinematography by the great cameraman Andrew Laszlo(Warriors,Steets of fire). The film is well directed by Walter Hill(Hard Times,Will Bill). Hill's skillful direction is assured and firm and occasionally quite inspired . This movie was followed, by his biggest hit to date, ¨ 48 hours¨ and with a sequel¨ Another 48 hours¨ . Since then, his movies have not made huge amounts at the box-office, though the best of them ¨ Streets of fire,Extreme prejudice,Geronimo¨ retain a certain primitive drive strangely to be found elsewhere . Rating : Good and well worth watching.

Now this is a atmospheric survival action film and Walter Hill at his peak. Love it! It's so simple (although streaming through it is a biting allegory about the Vietnam War), but nonetheless exhilarating, tense and raw film-making. Sure the acting and dialogues aren't master-class, but however they're commendably pulled off. In which case Powers Boothe (whose booming voice takes charge) and Keith Carradine (excellently pitched as the guy of reasoning) are terrific leads, and the support Fred Ward (a memorably hot-head and tooting turn), T.K Carter, Lewis Smith, Franklyn Seales, Peter Coyote and Brion James are also quite compelling. Tough, authentic and a real sense of claustrophobic tension stems from the actor's rapport and cynical script. This blends well with the brutal bloody violence (like the barnstorming climax with the powerful freeze frame closing) and the dank, devouring swamp terrain that ultimately swallows them up. But where I think it's at its most effective is during the interludes of Ry Cooder's fascinatingly folksy music score. Each time it creeps in, it demonstrates the right illustrations to the striking visuals and harrowing moods. Cooder's handling is multi-layered and truly echoing. From a relaxing southern flavour, to a haunting stillness and a punishing sting. It's cohesively perfect in it's random shifts. Hill's bravura direction holds up tautly, as the well-used slow motion is suitably done and the highly measured suspense piercingly infused. I liked how the hunters are kept as void-like background figures, because towards the end it makes the whole paranoid feeling and unease thrillingly justified.

Civilization vs. Nature rules. Or a powerful metaphor of Vietnam War a decade earlier. Most of all a film with great tension (that includes the Ry Cooder music themes) with good characterizations (especially that of Powers Booth as the Texan guy and Keith Carradine's in his last appearance in a above average film) from an "auteur" of the American Film Industry (Walter Hill in one of his best films among with "The Warriors" and "48th Hours") about the routine exercise of National Guardsmen in a swamp and the fatal battle with the local Cajuns. Nature's revenge in a strange way as in the familiar "Deliverance". Highly recommended

A group of National Guardsmen led by Hardin(Powers Boothe)and Spencer(Keith Carradine)get on the bad side of swamp-dwelling Cajuns while conducting maneuvers in the bayou.Bloodshed ensues.Hardin and Spencer must then go on the run through the Louisiana swamps if they're to survive.This violent and exciting survival thriller owes a lot to John Boorman's fantastic "Deliverance".Walter Hill does a fine job of showing how an area as large as a bayou can be claustrophobic and the ultra-intense finale shows some top-notch editing.The acting is great and the script raises some serious questions about the behaviour of man."Southern Comfort" can also be seen as an allegorical treatment of the Vietnam conflict.8 out of 10.A must-see!

Thank the heavens for John Boorman! If it hadn't been for his classic "Deliverance", we never would have had the stream of gritty and relentless "Backwoods" action & horror movies. Most of them are just a cheap excuse to make fun of stereotypical rednecks and depict gratuitous violence, but some are truly great films that come damn near to the quality level of "Deliverance" itself, like Walter Hill's "Southern Comfort". This exhilarating backwoods survival chiller uses some of the best exterior filming locations ever, the suspense and atmosphere of madness gradually builds itself up, the (almost) all-star cast is terrific and the violence is extremely rough at times. A nine-headed squadron of the Louisiana National Guard enrolls into a training practice in the Cajun Swamps and soon get lost. They borrow three canoes of the local population without asking and when one of the soldiers playfully (but stupidly) fires off blanks in their direction, the unseen Cajuns hillbilly-poachers respond with real bullets. This inflicts a disturbing cat and mouse game between the soldiers (with minimal ammunition and no knowledge of the area) and the seemingly invisible Cajuns (with their primitive hunting instincts and inventive booby traps). Usually in this type of flicks, it's obvious to choose which side you're on, but in "Southern Comfort" you have to think at least twice. The soldiers aren't exactly warm and friendly men, neither, and you're more than often tempted to think they're somewhat responsible for the mess they're in. After all, they did steal the canoes, they did set fire to one of the Cajun's homes and they did yell obscure things at them! The finale, set in an actual Cajun community, is truly nail-biting, absorbing and strangely educational, what with all the portrayal of typical rituals like dance parties and barbecuing! Another masterful period accomplishment from Walter Hill, who also made the brilliant cult classic "The Warriors" and the family-western "The Long Riders".