The Salamander

A Police Inspector : Franco Nero tries to find the assassination of antifascist leaders and follows clues that lead back to WWII , a partisan organization called The Salamander .You Are Cordially Invited to Rome, Milan and Venice...To Join in the Successful Investigation of a Most Bizarre Murder. With Every Clue the Conspiracy Deepens...The Danger Grows...The Suspense Mounts...

Thrilling and twisted movie about a detective attempts to uncover a strange underground movement linked to a plot to seize control of the Italian government . A disappointing and overwrought adapation based on Morris West novel depicting a neo-fascist conspiracy to carry out a coup de'etat in Italy and lead the country on the right track . So the main issue is the investigation of surprising killings , being carried out by a police colonel , as at each murder scene is left behind a drawing of a salamander and throughout the tumultuous procedure he is involved in conspiracy , persecution and also in a love story between Franco Nero and Sybil Danning . The intrigue is devilishly labyrinthine, and there are times when you no longer know who is who , or what new event to happen . It is a complex and twisted movie that complicates more and more until the surprising final outcome . Of course, we travel a lot and we wander through some gorgeous cities : Rome , Milan , Venice ...between murder and murder , while the great composer American Jerry Goldsmith struggles to put out a beautiful score that deserved a better picture. The cast is frankly impressive , starring Franco Nero giving an acceptable acting in his usual style as an Italian policeman investigates a series of murders involving people in prominent positions, Martin Balsam , Eli Wallach , extremely wasted Claudia Cardinale , Sybil Danning , Cleavon Little , Christopher Lee as an Italian Prince and Paul Smith repeating a similar role to Midnight Express . Along with brief interpretations from B-European actors ordinary in co-productions, such as : John Steiner , Renzo Palmer , Anita Strindberg , Nello Pazzafini , Attilio Dottesio , Tom Felleghy, Marino Masé , Fortunato Arena , Jacques Herlin.

The motion picture was middlingly directed by Peter Zinner in his only one , failing at the international boxoffice . He was an important editor who frequently edited Richard Brooks, Frank Pierson and Francis Ford Coppola movies. He contributed with the editing of three films that were nominated for the Best Picture Oscar: The Godfather (1972), The Godfather : Part II (1974) and The Deer Hunter (1978). All three are winners in the category. Other notorious movies he edited were the following ones : An Officer and a Gentleman , Gladiator , Saving Grace , Omega Code, The Red Tent , a Star is Born and Darling Lili.

Peter Zinner won an Oscar for editing THE DEER HUNTER (1978); for his only directorial effort, he chose this adaptation of the Morris West best-seller which was shown on local TV back in the day (actually, that is how I first heard of it). He did manage to assemble an impressive all-star cast: Franco Nero plays the hero carabiniere in a throwback to some of the political thrillers he had made in his native country – such as DAY OF THE OWL (1968), in which he co-starred with Claudia Cardinale, and CONFESSIONS OF A POLICE CAPTAIN (1971), also featuring Martin Balsam; both actors also appear here, the latter as Nero's closest collaborator who eventually falls in the line of duty. Anthony Quinn is the titular figure (a wealthy industrialist and ex-legendary WWII partisan), Sybil Danning the mistress of a dead army officer (whose apparent suicide sets events in motion) but also serving as Nero's unconvincing love interest, Eli Wallach the General leading a proposed coup d'etat, Christopher Lee as Nero's superior (actually a prince[!] who is unsurprisingly inextricably related with the Government takeover plot – interestingly, his on-screen wife was played by Lee's own real-life spouse in an infrequent appearance), Cleavon Little as a Black American ex-colleague of Nero's (whom the latter calls upon when he is in a fix) and Paul Smith (as a sadistic "surgeon"). There are, however, also a number of Euro-Cult regulars: John Steiner in the role of Wallach's aide as well as lover of his neglected wife Cardinale, Renzo Palmer, Marino Mase' – unenviably playing a corpse! – and Nello Pazzafini. While tolerable as entertainment (though there is less action than I had anticipated) and featuring a decent score by the great Ennio Morricone, the film is ultimately too superficial and uneven to make a ripple in the circles it professes to denounce; nevertheless, the clever climax is surprisingly (but effectively) handled in the style of the "Thin Man" movies! Besides, one particular scene nearly turns this into a camp classic i.e. when the hero, caught and about to be tortured by Smith, attacks the latter clad only in a harness along his waist (which gives unwarranted prominence to Nero's groin while leaving his buttocks completely exposed!) but ends up slammed against the wall hanging upside-down instead!!

A political thriller involving secret plans to re-create a fascist government in Italy. This film is chocked full of stars like Christopher Lee, Anthony Quinn, Eli Wallach and the whole parade is led by Franco Nero who does a top notch job as high ranking officer investigating the murders involved in trying to obtain these documents.

They had some cash to spend on this film as you can see how elaborately furnished the interior shots are and most everything else.

The film mostly has Nero obtaining facts from interview to interview and there is a few chase scenes but its not a tense thriller just really interesting. The actors were amazing. If you get a chance give it a watch.

it was one of favorite films of my childhood. today, it is only a promise. large, noble, interesting but prisoner of good intentions. the impressive torture scene, Franco Nero as Prince Charming, presence of Claudia Cardinale are little sparkles of a work without axis. sure, a thriller not must be a masterpiece but in this case it is a lost seed of fantastic tree. because story is fragile and almost boring. because central impression is to be at a great lunch without forks and knifes. and the script may be only improvisation . sure, it may be a cruel verdict. but after years, only gloomy memories about a nice film saves this movie.is it enough ? may be. in a little measure.

one of films of my childhood. maybe, the most fascinating, because all was new, strange, bizarre, cruel out of words and... confuse. after decades, the perspective was different. but not profound different. because , after its end, the questions are about a bizarre,silly ,full of clichés, superficial, confuse film, guided by good intentions, with an impressive cast, a not so bad story , excellent premises but who remains only one of commercial films from the many others , predictable, with few good scenes, but nothing more. and this seems be its only sin.