Pixote: A Lei do Mais Fraco

This is a difficult movie to watch, and would have been even more difficult had I known then that the actor playing the protagonist was in fact killed in his home by police at age 19. Pixote (PeeWee) is a street kid in Sao Paulo who is caught in a roundup triggered by a murder in which he had no involvement. He is committed to a juvenile prison where he witnesses brutality and exploitation that ordinary citizens try very hard to believe doesn't exist. When finally he escapes, he and three comrades survive by the only means they know, which is crime. What makes the film so heart-rending is that both Pixote and the actor portraying him clearly do not wish to be the characters life circumstances have made them. Pixote tries to trust and to love and to bond, but there simply is no room in his world for the gentle side of human nature. One is left at the end wanting desperately to do something for the Pixotes of the world, but what? Building more children's's prisons with higher walls surely is not the answer...

The violent death of Fernando Ramos Da Silva only eight years after the completion of this film, only adds to the poignancy of dierector BAbenco's powerful message. The film is split into two halves - the first in a reformatory where a group of youngsters are abused and violated by the violent law enforcers and guardians. The second backdrop is the city where they are confined instead by their own actions and morality, which includes mugging, pimping and killing different characters who enter their lives.

The differing gender and sexual roles in the film allow for constant changes in the characters as they interact with other people. Particularly interesting is teh character of Lalica, a transvestite who is mother and lover to some of the children. Her reaction to the arrival of Sueli, a prostitute is both poignant and tragic.

There is no happy ending to this story and i reccomend to watch it with caution as there are some very uncomfortable scenes to watch especially in teh opening twenty minutes. But whilst watching it, it is important to remember that this is not just a fictional tale. The actors are not trained professionals but instead boys selected from the streetsof Sao Paulo. They actually lived this life that is portrayed so vividly on screen and in da Silva's case, died at the hands of the police who are depicted so brutally. A documentary? A piece of fiction. It borders on both but it certainly makes for heart wrenching material and is a film that actually leaves you breathless and thinking long after having watched it.

10/10

Following the robbery homicide of a Brazilian judge by a street gang, the authorities make a sweep of the local street kids in the area and intern them in a young offender's institution. The film is in part a social issue film where the way the children are treated by the system is condemned and in part a story about a young lad who grows old far too soon. The social issue, although maybe broadly relevant, is hardly au courant some three decades after the film was made, however I didn't feel like this detracted much from the film due to the excellent characterisations and strong story line. It's also not limited by the generics of the prison movie as a lot of the action takes place outside the prison walls.

The main character, an extremely small boy, Pixote (pronounced Pichote), is especially winsome and actually played by a real life delinquent who was subsequently shot by police in a shoot-out. He has developed a firmness of independent judgement and level of character that you generally only find in people well into adulthood, something that he's had to do to survive. It's painfully clear at some points though that he is just a skinny little boy that needs his mother.

There is charisma to spare in the acting performances, including a youngster who does an extremely catchy homage to Roberto Carlos (the great Brazilian singer as opposed to football player) for the prison gig, and appears destined for stardom if he can stay alive.

The kids are in peril because the police are beating them to death in order to find out who killed the judge, whilst the incompetent prison authorities turn a blind eye and fall into a state of apathy concerning the well-being of their wards (see no evil, hear no evil, speak no evil).

Babenco appears fascinated by prison culture and in both this film and his return to the genre with Carandiru (2003) he uses nakedness to remind us of the fundamental vulnerability of the human captives in his film. In the poster for Carandiru you can see the survivors of a prison riot lying naked in a yard, stripped of their clothes (in which they could conceal weapons), in Pixote a "hole" packed with naked children. Beaten, unclothed and helpless it's quite easy to connect with the camouflage of swagger and defiance that they need to survive is taken away. Fundamentally a human is a fragile creature that hurts and most of their persona is just a coping strategy.

There's a dream-like feel to a lot of the film, which is often brazenly erotic (the transvestite Lilica dancing in front of a crowd whilst having her under carriage rubbed by an onlooker's raised foot), and anarchical. It's not easy to label the film as nightmarish because some of the experiences, even when negative, are extremely rich, and the friendships heartfelt.

A classic faux pas of many non-Anglo movies is that whenever whites appear, they are cardboard cutouts, but here the old American john is as well-realised and succinctly characterised as he could be.

Favourite scenes of mine include the post-glue-sniffing fascination of Pixote, and the half-lit dormitory riot which is truly mad.

"Pixote" is the one of most powerful, shocking, and moving motion picture to come from Brazil. It's about the lives of street kids on the streets of Sao Paulo and Rio De Janeiro, and it centers around a ten-year-old boy. The camera follows them around in an almost documentary style;from the juvenile detention center (where most of the staff is as corrupt as the police) and back to the streets, and it never turns away from the horrors of the city. Prostitution, drug use/dealing, corruption, and murder are all witnessed by these youths; yet it's something they're painfully used to. Director Hector Babenco used real street kids as the actors, adding to the films brutal reality. Although not for everyone, a film I highly recommend. An emotionally devastating movie.

"Pixote: A Lei do Mais Fraco" deals with what is perhaps the greatest of all Brazilian themes: poverty. And along with poverty the other unnatural feelings and actions it brings; prostitution, violence, crime, rape and murder.

Brazil is the country of paradoxes, and its social problems are present everywhere. The difference between the rich and the poor; the beautiful and the ugly; happiness and the most profound human decay.

"Pixote" is one of the films that dare to touch and open these so painful wounds, and does it without the slightest glimmer of hope, in an honest portrayal of a country that, like Pixote himself, is already lost.