Somewhere in Time

Somewhere In Time is not only a fantasy story. It is romance, science fiction, and fantasy rolled into one, based on Richard Matheson's novel, Bid Time Return, (Matheson also wrote the screenplay and has a cameo appearance in the film). Shot in 1980 and released by Universal Studios, it is a wonderful and, I feel, classic film that has stood the test of time. I am often surprised at how many persons of adult age have seen it. I cannot understand why Somewhere In Time has been panned by the critics since its release. Filmed on location in Chicago and Mackinac Island, Michigan, Somewhere In Time is a little long at 104 minutes. However, the story never drags so this is not a big liability. Directed by Jean Szarc, the cast is first rate, starring Christopher Reeve, (what a standard of personal courage he has set for us in recent years!) as the playwright Richard Collier, Jane Seymour, one of the loveliest ladies to ever grace either the large or small screens, as the actress Elise McKenna, and the fine character actor Christopher Plummer as the mean-spirited W.S. Robinson, McKenna's agent. The story begins in May, 1972. Playwright Collier is visited by a very old woman at a party he is attending at Millfield College, close to the Grand Island Hotel on Mackinac Island, which will be so important to the story later. She approaches and hands him a pocket watch. Cryptically, she says, "Come back to me.' We now fast forward eight years to Chicago, 1980. The restless Collier, who has recently broken up with his lady friend, is drawn to The Grand Hotel. Collier drives up to Mackinac Island and checks into the hotel. The kind-hearted Arthur, who has lived and worked at the hotel for 70 years, asks him if "they had met before." Collier assures him they have not. Collier chances upon an old photo of the turn of the century actress Elise McKenna in the hotel museum and is mesmerized by her. Arthur tells him that she appeared in a play at the hotel in 1912. Collier's obsession quickly grows and he begins research on her life. He comes across a photo of McKenna as an old woman and remembers her as the mysterious lady he met at the party. He discovers from her housekeeper that McKenna died eight years previous, on the very night she made herself known to him, and that something happened during her hotel appearance in 1912. After that, according to the housekeeper, she was never the same. During his visit to McKenna's home, he discovers a book on time travel that Elise read "again and again." After visiting with the book's author and, finding his own name in an old Grand Hotel register from 1912, Collier makes an intense effort to slip into the past, and succeeds. Soon, he meets Elise in the hotel, (he has transported himself to the time when Elise McKenna is staying in the hotel, preparing for her performance), and the scene where he and she meet is quite moving. At this point, the story becomes even better because Reeve does not have to carry it by himself. Seymour and Plummer step in and, what had been a good picture, becomes an excellent one for the duration. Richard and Elise quickly become drawn to each other, much to Robinson's unease. Robinson, who loves her but will not admit it, has a genuine concern when the playwright Richard Collier cannot name any of his work that he is familiar with. There is an unhealthy tension between these two strong-willed men until film's end. There are many interesting segments through this portion of the story. Entering the hotel restaurant, Collier seems to walk forever. The shot of the beautiful Elise, sitting at her makeup table with hair down and thrown over one shoulder, daydreaming of Richard, is enough to take the breath out of any man, (certainly this one!). The kiss first between Richard and Elise is very gentle and tender, and another lump forms in the throat when Elise again unpins her hair as Richard closes the door to room 117. But, perhaps the best scene in the entire film is when Elise, caught up with emotion, seems to ad-lib directly to an equally emotional Richard, sitting in the audience, during the hotel performance. Now is a good time to note that Jane Seymour possesses an interesting combination of hesitation and come-hither in look and demeanor. Ms. Seymour is something you do not come across often: an extremely alluring woman but very much a lady. The wholesome Reeve played off of her extremely well. The furious Robinson loses control of himself and has Richard beaten by thugs, causing him to lose credibility with his star forever. However, fate deals a cruel hand to the star-crossed lovers as, just when they have admitted their love for one another, Richard is abruptly returned to 1980, waking up in the same bed he was originally transported from. I won't give the story's very touching finale away, I will just say that the emotionally devastated Richard spends the final few minutes of the story attempting to return to 1912 and Elise. A few final comments. For fans of romance, fantasy and science fiction, Somewhere In Time will indeed be a special treat. (That the music is hauntingly beautiful only enhances the mood). It was pleasing to see Richard Matheson, author of such hard-edged tales as The Omega Man and The Shrinking Man, (to name but two), and who is seen as an astonished viewer during Elise McKenna's Grand Hotel performance, turn out such a powerful love story. I noticed only one glaring editing mistake, and that is an excellent accomplishment for a period story of this length. Near film's end, the heartbroken Richard lies listless and semi-comatose in a Grand Hotel guest room, pining for Elise, for a full week. When Arthur, (The gentleness of the lifelong hotel servant impressed me. I wish I could meet a few Arthur types at hotels I stay in!), finds him, the fact that he has had little food or water for days and is dangerously close to death is impressed upon us. However, when we see his face, he is clean-shaven and way too bright-eyed for a man under such a self-imposed ordeal! I hope that perhaps someday Christopher Reeve's health is such that he can once again co-star with the ever beautiful Jane Seymour. Mr. Reeve's physical limitations notwithstanding, I believe they would still make a terrific screen team.

I am a young man who grew up loving horror, action, and kung-fu movies. I hated the Victorian books we were forced to read in school. However, the one exception to the rule has been this movie. I LOVED this movie. The story line was solid. The direction was superb. And the acting was so good, that I have always wondered why Reeves & Seymour's career didn't catapult after this film. I have watched it many times since it came out, and ever time I am captivated. If you can't relate to this movie, I think you must have a heart of cold stone. This gets a strong KBONE rating of 10 on a scale of 1 to 10. Pay special attention to Seymour's soliloquy during the play and Reeve's facial expressions during that time as well Reeve during the last 10 minutes of the movie. I really can't say enough about this masterpiece.

For us hopeless romantics, this kind of love story gives us the feeling that our own soulmate might have lived in another time instead of our own. It is a pleasant little fantasy to get lost in for a couple of hours anyway. For someone who analyzes the small details in movies like myself, the story has many hidden twists and turns to figure out. For example, when you consider that Elise Mckenna was 85 years old when she died in 1972, why was Richard Collier a young man in college? Was he the reincarnation of the Richard she had loved 60 years earlier in 1912? Did Richard's time-traveling professor have some connection to Elise? Why did Elise's manager warn Elise of Richard's coming? If you get too concerned with these details then you miss the overall message of the film...true love never dies and true love is worth dying for.

It's a pleasant love story with Christopher Reeve and Jane Seymour; it is recommended.

I don't understand why the critics received it so badly.

It doesn't deserve a 29 rating on Metacritic.

Christopher Reeve takes on the role of (Richard Collier) a successful Chicago playwright who is approached (in May 1972) by a very old woman (Susan French) who will alter the course of his life eternally...

The thoughtful old lady presses a classic pocket watch, from a past existence, into his right hand and intensely whispers four haunting words 'Come back to me,' which will affect him forever...

Eight years have passed and Richard is seeing his work incredibly sterile, gently afflicted with a case of lesser inspiration... So he packs his luggage and heads out to an island of enchanting beauty, to the Grand Hotel on the Straits of Mackinac waterfront...

While waiting for the huge dining hall to open, he tours the grand old building's museum, and sees a portrait of a lovely woman... He becomes obsessed about finding the truth behind the old photograph and begins questioning the people that knew her past... What emerges is a wonderful woman who is the first American stage actress in 1912 to create a mystique in the public's eye... She is the same lady who visited him that night at the premier of one of his plays...

Richard finds himself intrigued... There is so much to hear... People who knew Elise McKenna when she was young said that she was quick and bright and full of fun... Strong, willful, not at all the way she was later...

Seeking help from an old philosophy teacher who had written a book about 'Travels through time,' Richard attempts to disassociate himself entirely from the present, move everything out of sight that could possibly remind him of it, hypnotize his mind, and transport himself backward into the past, into June 27, 1912, into the life of the stunningly beautiful and talented Elise McKenna (Jane Seymour).

Nominated for Best Costume Design, the motion picture is a romantic fantasy that avoids any use of machinery in action... The time travel theory is completely non-scientific... The film captures the idea of a fine young man moving back among other time periods, and affirms that love is an undeniable force which goes beyond us, a force with no limit to the spiritual power, with no end to the potential of spiritual expansion...