Morning Glory

Having read the Spencer novel, I was very disappointed in the film. The main characters are excellent. Christopher Reeve, Deborah Raffin, Nina Foch, Lloyd Bochner, and Helen Shaver are a pleasure to watch, even in this rather slow film.

The problem is the screenplay by Charles Jarrott and Deborah Raffin, which was unquestionably poor. Much of the character development was lost, and WWII, which figured prominently in the novel and provided context for those stupid jars of honey, was barely noted.

The book's villain was barely a footnote and the conflict was shifted in a move that did not work at all. With a runtime of 1 hour 36 minutes, they could have kept the main villain and the original ending intact without going over two hours. They rushed important elements and left others out, making the movie weaker for their efforts.

The LaVyrle Spencer novel from which the movie was made, however, was excellent.

After reading the book, I loved the story. Watching the movie I was disappointed that so many changes were made. It is understandable that books and movies differ but it was two different stories, only the names and some of the book's story remained. Read the book and you'll have a better understanding of the movie. The book gives you a better development of the characters. These characters are extremely interesting and make you care about them. The locations were indeed in line with the book's descriptions. Some characters not included. Television has microwaved so many great books and stories, this is a perfect example of that. Input from the author doesn't always insure a good movie but it can help sometimes.

This is a very sweet little movie, and a good adaptation of the book. (Not a GREAT adaptation, but a good one.) Christopher Reeve's portrayal of this character was excellent.

The movie could have been improved with a few flashbacks, to give the characters a bit more back story. Both the widow and the ex-convict were people who had been damaged by the cruelty of others. Both of them wanted something better for the children in their lives. Both of them wanted to believe in dignity, kindness, and respect--and therefore gave those gifts, hoping to get the same things in return.

I would recommend this movie to anyone who wants to think positively about hope and healing.

Will Parker is new in the small town of Whitney. He spent five years in prison In Huntsville for killing someone in La Grange, Texas--though he says he didn't do it. The first place he goes is to the diner where Lula works as a waitress. There, he asks for a paper so he can look for a job. It seems Emily Dinsmore is advertising for a husband.

Will goes to Emily's farm and introduces himself. Emily has two boys and is pregnant by her recently deceased husband. Will finally agrees to live in the barn and help out, but neither he nor Emily feels quite comfortable with getting married.

Will works hard to improve Emily's situation, and even goes to the library to learn more about bees, which the farm has (apparently Emily's husband didn't know how to stay safe around them). The boys also seem to like him as a substitute father.

Miss Beasly, the librarian, is very nice and eventually offers Will a job taking care of the library.

Lula has a reputation, and she wants Will, along with nearly every other man in town.

Most people in town don't want to give Will a chance to go straight. Emily is a recluse, regarded as crazy, as a result of abuse she suffered as a child, in the house with the morning glories.

At first, this just seemed like a chick flick. Later, the film got more interesting with a major development that could have changed everything.

Christopher Reeve's character was very polite and dignified though shy, rarely losing his temper, and very justified when he did. His demeanor would have been very difficult to maintain considering where he spent the previous several years. Deborah Raffin also did a capable job as Emily. To me, the standout actors in this movie were Nina Fochs as Miss Beasly and Lloyd Bochner as a lawyer who helps Will and Emily.

There were occasional funny moments. Violence was minimal, though the sexual talk (mainly later) made this less than appropriate for kids.

It was pretty good, though nothing outstanding.

I found this movie to be charming. I thought the characters were developed since as I watched, I found myself caring about these people. This is a period piece that I believe took place during the depression. A single mother, who is known as the town recluse (she has reason to be), puts an ad in the paper for "a Husband". Christopher Reeve plays a ex-con who happens into town looking for work. He sees the ad and he goes out to see her. She hires him. I really had some chuckles as their relationship progresses because I found it easy to put myself in their shoes. Everything went on so matter of fact. He needs the work so he doesn't want to upset her. And she needing his help, but doesn't want him to get the upper hand. They dance around the fact that they begin to really need each other. Things start warming up until ......the big blowup. I won't spoil it by telling you what happens. But the point of resolution is perfectly wonderful. I found the story to be very believable for the time it's taking place. I think this is one of the better "relationship" stories out there. Maybe the younger generation won't "get it" but if you are over 40 I think you'll like it. And if you liked Christopher Reeve in "Somewhere in Time" you'll like him in this one also.