द फ़ॉग

"The Fog" has the special place in my heart-it is one of the first horror movies I have ever seen.Everyone knows the plot,so let's concentrate on the other things.First of all the photography by Dean Cundey is absolutely brilliant(Cundey worked together with Carpenter on "Halloween" and "The Thing")."The Fog" certainly delivers some scares-the ghostly sea crew appears as shadows and aren't seen much.Jamie Lee Curtis is perfect as one of the leads and it's nice to see her famous mother,Janet Leigh in the film!All in all if you haven't seen this one check it out as soon as possible.A must-see for horror fans.9 out of 10.

It's surprising that John Carpenter followed up Halloween with such a different tale of terror, but he did just that with 1980's The Fog. It's a urban legend-simple ghost story about a small coastal town celebrating its anniversary, forgetting that they only claimed the town because they murdered a shipful of lepers. The lepers are back and they want revenge.

The Fog has an excellent ensemble cast which is one of its strong suits and also, perhaps, one of its downfalls. There's really no major main character (even Adrienne Barbeau's Stevie Wayne - a radio DJ - disappears for large chunks of the film and never interacts with most of the other characters in the film). It's almost like if Robert Altman decided to make an ensemble horror film. Even more surprising is that Jamie Lee Curtis, Carpenter's star of Halloween, is in only about 15 to 20 minutes of the film and has no real character to speak of.

Dean Cundey's cinematography stuns and Carpenter's eerie synth score spooks, but one can't help feel that something is missing. It does lack that visceral thrill that made Halloween so special. The Fog seems content to just creep its audience out and not truly scare them. It's hard to complain, though, since The Fog does creepy better than just about any other film I can think of. It won't make you come back home and turn all the lights on before bed, but it still stays with you.

The Fog is an instant horror classic from the first scene- a salty, old sailor tells a group of young children the true story of a ghostly, wrecked ship. The scene was so simple yet so thrilling that the viewer is hooked (no pun intended) for the rest of the film. The cast is great and the music sets the tone just as it did for Halloween. The best part of the film is that it made no attempt to explain everything away in a hokey horror sense (Why are the bodies returning to life?). Things happen simply because they happen. Much like Night of the Living Dead, the characters are not concerned with why they are in danger, but more concerned with getting out of danger. On a side note, John Carpenter has the best endings of any filmmaker on the market. Just as Halloween and The Thing both ended with a sense of foreboding and silent terror, The Fog ends with style and allows the viewer one final scare. A definite hit!!!

There are crimes of yesteryear a debt to pay, for deeds despicable, left sunken in the bay, and on this anniversary, a fog embraces from the sea, with a cargo full of vengeance to convey.

The land lubbers of Antonio Bay don't enjoy the greatest founding centenary celebration day, as curious disturbances begin to create waves, and people are swallowed up by a glowing miasma, and devils from the deep blue sea seek revenge and retribution for past crimes . With an impressive cast, this still holds water today, and while it's of its time, peel off the barnacles and jump right in to enjoy one of John Carpenter's earlier imaginings.

John Carpenter in his prime was a true master of the genre. He reinvented the serial killer film with HALLOWEEN, and proved equally adept with the monster movie in 1982's THE THING. In between, he wrote and directed this supernatural ghost story and it shows an auteur bringing his 'A' game. Unfortunately, it falls short of being a classic - both in the horror genre and in Carpenter's oeuvre. It feels underwritten. It needs more character and plot development. It has a fantastic premise, revealed through creepy, tension building first half-hour. And then. . . Well it races to a climax. As if there's no middle. Which is fine for short attention spans, but not very rewarding. I wanted more.