द फ़ॉग

It's surprising that John Carpenter followed up Halloween with such a different tale of terror, but he did just that with 1980's The Fog. It's a urban legend-simple ghost story about a small coastal town celebrating its anniversary, forgetting that they only claimed the town because they murdered a shipful of lepers. The lepers are back and they want revenge.

The Fog has an excellent ensemble cast which is one of its strong suits and also, perhaps, one of its downfalls. There's really no major main character (even Adrienne Barbeau's Stevie Wayne - a radio DJ - disappears for large chunks of the film and never interacts with most of the other characters in the film). It's almost like if Robert Altman decided to make an ensemble horror film. Even more surprising is that Jamie Lee Curtis, Carpenter's star of Halloween, is in only about 15 to 20 minutes of the film and has no real character to speak of.

Dean Cundey's cinematography stuns and Carpenter's eerie synth score spooks, but one can't help feel that something is missing. It does lack that visceral thrill that made Halloween so special. The Fog seems content to just creep its audience out and not truly scare them. It's hard to complain, though, since The Fog does creepy better than just about any other film I can think of. It won't make you come back home and turn all the lights on before bed, but it still stays with you.

A mysterious fog roles into Antonio Bay.

The Fog is a guilty pleasure film of mine as I love how well the filmmakers develop the tension and tell a story with great cinematography, sound, and use of locations.

The plot is simple and full of dark cynicism about accepted histories, but it mostly just sets up creepy and suspenseful horror moments. Some aspects feel contrived, but it does not impact the entertainment if you do not take certain details too seriously.

I like how it creates a plausible small town community tied together by the soothing voice of the radio DJ character. I think this develops a sense of quaintness and enhances the vulnerability of the characters during the horror sequences.

Dean Cundey's cinematography is one of the highlights as there are some beautifully composed shots, and virtually every one feels spooky regardless of the content. When combined with the editing and sound, it works superbly. I usually cannot take my eyes off the screen when watching the opening scenes around the Antonio Bay as they give fairly mundane imagery of people and places a sense of impending dread.

As for the effects, you can see John Carpenter made the best use of a limited budget. You have to suspend the disbelief that a smoke machine is meant to be the fog and accept that several ghostly murderous figures are obscured by darkness for a good reason.

All actors are on good form, particularly Adrienne Barbeau and Janet Leigh. Jamie Lee Curtis and Tom Atkins have a good natural chemistry and their banter feels real. Hal Holbrook puts his heart into a key role and despite the silliness of certain aspects of the plot he pulls it off well.

John Carpenter in his prime was a true master of the genre. He reinvented the serial killer film with HALLOWEEN, and proved equally adept with the monster movie in 1982's THE THING. In between, he wrote and directed this supernatural ghost story and it shows an auteur bringing his 'A' game. Unfortunately, it falls short of being a classic - both in the horror genre and in Carpenter's oeuvre. It feels underwritten. It needs more character and plot development. It has a fantastic premise, revealed through creepy, tension building first half-hour. And then. . . Well it races to a climax. As if there's no middle. Which is fine for short attention spans, but not very rewarding. I wanted more.

There are crimes of yesteryear a debt to pay, for deeds despicable, left sunken in the bay, and on this anniversary, a fog embraces from the sea, with a cargo full of vengeance to convey.

The land lubbers of Antonio Bay don't enjoy the greatest founding centenary celebration day, as curious disturbances begin to create waves, and people are swallowed up by a glowing miasma, and devils from the deep blue sea seek revenge and retribution for past crimes . With an impressive cast, this still holds water today, and while it's of its time, peel off the barnacles and jump right in to enjoy one of John Carpenter's earlier imaginings.

One hundred years ago, on April 21st, the wealthy leper Blake bought the vessel Elizabeth Dane and moved with his friends from a leper colony to California to build a town for them to live with more comfort. However, while crossing a fog in Spivey Point, they were misguided by a campfire onshore, steering the course of the vessel toward the light and crashing her against the rocks. On the present days, on the celebration of the centenary of the fishing town Antonio Bay, a glowing fog appears, bringing the zombies of Blake and his crew to kill the residents. Father Robert Malone (Hal HolbrooK) finds the hidden journal of his grandfather in the wall of his church, and discloses that Antonio Bay was built with Blake's gold. Further, a group of conspirators including his grandfather lighted the fire to sink Elizabeth Dane and robber Blake's fortune and now the ghosts of Blake and his crew are seeking for revenge on the locals.

"The Fog" is a dark ghost story of this master of horror John Carpenter, who deserves an Oscar his great filmography. The cinematography and special effects are great, giving a scary atmosphere without the need of gore. It is nice to see again a gorgeous twenty-three- year- old Jamie Lee Curtis acting with her mother Janet Leigh. The screenplay builds the horror in a low pace, but increasing the tension. My vote is seven.

Title (Brazil): "A Bruma Assassina" ("The Assassin Fog")

Note: On 14 September 2020, I saw this film again.

Note: On 25 February 2025, I saw this film again.