The Return of the Living Dead

The best $10 dollars I ever spent was buying The Return of the Living Dead on DVD!

This is such a kick ass zombie movie its my favorite I enjoy this movie more than "Dawn of the Dead" the best thing about this flick is the outstanding cast I love everyone in this movie they made it all happen with Dan O'Bannon and the crew Return of the Living Dead is a classic point-blank!

Overall IMO this is the best horror/comedy movie of all time I think its tops Evil Dead everything this movie is a must see it still kicks ass after so many years.

10/10

I love this film to living death ... Every actor got the right part, and they all got the part right. High camp, higher parody, positively hilarious scenes so well set up that a mere facial gesture delivers the punchline, sometimes only a few beats of music delivers. In the midst of all this ripping off of Romero's "Night of the Living Dead", it borders on worship of its inspiration. Pathos holds hands with hilarity, genuinely creepy scenes bleed into high gear humor. I haven't found a misstep. There is a high quotient of "Oh s**t" scenes and they all work. The undraped Quigley is neither gratuitous or prurient; just imagine the movie without her character; loses much. This is a delicious, feverish living dead romp that plays out to one crackerjack musical score. Everything meshes, everything works. How do you fault a film that gets it all right? This title will survive a long long time.

ROTLD is one of the rare cases where horror meets comedy to good effect. With some classic lines like "you gotta hit the brain" and "watch your mouth kid if you like this job", this film works because it doesn't rely solely on gore or stupidity; the script is very well written.

ROTLD pays homage to George Romero's "Night of the Living Dead" but veers away from the slow lumbering zombies of the '68 classic, and instead gives us "the original" super zombies (ie before 28 days later or Dawn of the Dead remake) that are not so easily dealt with! This proves to be an interesting problem for the script to resolve which I think it does with style by the end of the movie.

The characters are a little predictable and one dimensional except for the lead pair who are introduced at the start of the movie, but that's perhaps the only flaw. What I really like about this movie is that, whilst not entirely a gorefest, it still manages to kick-ass because of the flawless plot. By this I mean that there a few scenarios where you find yourself saying "that's just dumb" or "they'd never do that" etc, which is very rare nowadays in the horror/sci-fi genre. Dramas & thrillers etc get an easy job of it because all they have to do is convince us that their reality is real-life. Horror on the other hand needs to convince that the unreality it portrays is what is real-life, and that's not always an easy task.

ROTLD is funny, sick, clever and above all entertaining if you can stomache some pretty twisted content. Personally, I love it.

This movie is like very little else out there. It's a zombie comedy that isn't a full-on splatterfest like most, doesn't offer some overly humorous social satire (there's subtle jabs at Agent Orange and Nazis), and doesn't have a high-concept premise (for a zombie movies that is). What you have is dry as hell, with punk rockers (timely for the time - Repo Man meets zombies?), Nazi morticians smoking pipes and listening to their Walkman while embalming, and Quigley nudity for its own sake, but characters are in on it and equally celebrate and scold her. It has iconic scenes and quotes though I'm sure a lot of people have no idea they're actually from this.

It just works - it's funny, weird, creepy, gory, and always entertaining. A hard mix to pull off and one that happens with success very rarely. It's always said that there's a fine line between horror and comedy - the pros can straddle it like a daring high-wire act and this is one of them. If only the ending weren't so abruptly anti- climactic and there were a few more naked zombie Quigley kill scenes it'd be a perfect cult classic.

Gotta love the very serious Suicide while naked Quigley grinds on him: "No one understands me, you know that." "You think this is a f***in' costume? This is a way of life." "Hey, what's wrong with you, man? Show some f***ing respect for the dead, will ya?" All this because he was called a "spooky motherf***er."

I saw this film when I was around 9 or 10, and I remember loving it back then. Unfortunately, time has not been kind to most of the movies I enjoyed during my youth. Imagine my surprise when I realized that not only was Return of the Living Dead every bit as much fun as when I first saw it, its actually improved!!

First off, this is NOT a serious horror film. It is meant to be viewed as a comedy. Period. Once this perspective is taken, the horror elements are subtly introduced until, towards the end, we almost begin to feel a sense of disgust with ourselves for laughing at these people. I say ALMOST because a few silly decisions here and there (it would have been nice if the movie hadn't ended with recycled footage) turn what could have been the finest, and most disturbing, horror-comedy EVER MADE into a merely excellent one.

Honestly, I challenge anyone to find a "horror-comedy" that delivers laughs, gore, some genuine scares, and combines it with what can only be called the finest acting I've ever seen in a horror-comedy (much less one from the 80's!).

James Karen, Clu Gulager, and Don Calfa absolutely STEAL this movie with their sidesplitting hysterics. Listen to the lines, note the deliveries. These guys are pros! Anyone who could THINK to call their acting "wooden" clearly knows nothing about the traps horror-comedies often fall into. Personally, I was thinking of the OD scene from Pulp Fiction the entire time. The absurdity mixed with tension was eerily similar. Tarantino (an admitted zombie-movie fan) must SURELY have seen this movie upon its initial release. Gulager in particular is just plain brilliant here, he's like a burned out shop teacher fighting zombies!!

This film is a hidden treasure in a genre all too often plagued by mediocrity.