The Evil Dead

Sam Raimi proved to the world that he could not only direct a movie but that he could create a product that was not only original but that could scare the hell out of you. Since the 1981 release, Bruce Campbell has found work on many film projects due to his break out performance in the Evil Dead. Raimi, has gone on to direct many films. Both have earned much of their career based on this little horror movie, that has been re-produced / recycled by thousands of "wanna-be" film makers world wide. This is not your typical "zombie" film, let alone your garden variety horror movie as well. The Evil Dead is one of those black comedies / horror movies that overwhelms the audience to either be scared out of their wits or won over by the movie's story and over the top characters. The Evil Dead is what most, if not all horror movies should be, very real and powerful.

Sam Raimi is currently getting a lot of attention and acclaim for directing the over-hyped blockbuster 'Spider-Man'. That movie has introduced him to mainstream filmgoers, no bad thing in itself, but to many of us Raimi is already a legend, because he created 'The Evil Dead', without a doubt one of the greatest horror movies of all time. Made on a shoe string budget as a labour of love, it still remains Raimi's best movie. He has subsequently worked on bigger projects with bigger names but it is arguable whether he has ever surpassed the invention, thrills, energy and sheer fun of this. And why Bruce Campbell never became a genuine movie star after his debut here, and not just a much loved cult figure, is a complete mystery to me. 'The Evil Dead' is a modern horror classic and absolutely ESSENTIAL viewing for any self-respecting movie buff! It doesn't get much better than this!

For a film that was made on a budget that would make Steven Spielberg die laughing, "Evil Dead" was one for the most interesting pieces of horror cinema I've ever seen. I watched the series backwards, so "Army of Darkness" was the film I saw first, then "Evil Dead II." While "Evil Dead II" is probably still my favorite, it was interesting to see where it all started.

The camera work is incredibly good, and the fast motion sequences showing the demon's approach was pretty well done, if not completely original. Though also interesting, and kinda funny to note is that we see the characters running away, but when the camera switches away from the demon's view, we don't see the demon, and that seems like a touch of genius...we know it's there, but we can't see it, and while it probably was a limitation of the budget, it actually proved to be a great method of suspense.

The special effects are as laughable as they were in the rest of the series, but there's something to be said for a film that takes its chances and goes to the extreme in lieu of lacking resources. People complain about this a lot, but I have to say to them "get a sense of humor." The whole point of the "Evil Dead" series was to mock horror films and show how campy they were and that they could get even worse. It's humor is in that the film tries to take itself seriously, but the lack of a big budget makes this not only impossible, but even funny in spite of the fact that it could conceivable be a serious film.

The acting is also terrible, but again in that way that it's so obviously bad that it's hard to tell were the actors just plain bad or were they doing that deliberately to serve the purpose of mocking the genre. Bruce Campbell's introduction into the world of abused heroes is interesting since his character is actually less of a chauvinist in this one than he ultimately became famous for. But it works, and the horror on his face when his friend has no reservations about chopping up his possessed girlfriend is actually believable.

Overall, this movie is a great piece of cinema. It's humorous, but serious as well, and its greatest strength is its ability to draw the line between being part of the genre and mocking it. There are plenty of moments of original horror (I don't think anybody could keep their composure during the "Tree Rape" scene, which they repeated to lesser effect in "Evil Dead II," but let's face it that movie was supposed to be a rehash and extension). Give the film a chance and don't take it too seriously. Otherwise you're missing the point.

It has many virtues for see it again. From the humor and make up, to the animation and Bruce Campbell in action, from the nice frame about the poor Sumerians to the end and, sure, the fight scenes, all is seductive, making The Evil Dead a classic. A film of detals, it defines, in fair manner, the horror of the period.

What more can be said of Raimi's legendary cult-classic that hasn't already been beaten to death like a puss-oozing zombie that crosses paths with Ash? Possibly nothing, but I'll try.

Before Spiderman and before the countless spin-offs of this movie were made or even conceived, Raimi and friends decided to make a low budget zombie flick mainly for fun, and surprisingly it has become a masterpiece of shock and horror. Possibly a perfect example of how to make an entertaining film on a shoe-string budget, The Evil Dead delivers what it promises, the ultimate in grueling horror. Even with it's mild budget and sometimes shaky acting, TED shocks and spooks the audience through chilling atmosphere and some of the most violent effects ever put on film. Those who are squeamish need not apply. As a matter of fact, just run for your girly life.

There are several reasons this film succeeds. First, Raimi's camera work is truly masterful. By using fast camera work and aggressive shots, Raimi has created an eerie world that is sometimes hard to look at but too entertaining to turn away from. His style from behind the camera is absolutely unmistakable. This is perfectly exemplified in the beginning of the film, where the camera alone creates enough atmosphere to leave you biting your nails in suspense of what's to come. You feel at any moment someone is going to get their neck chomped on by some zombie hiding just out of view. One of the most impressive openings I can think of, perfection in pacing and atmosphere. It gets even better once the action starts. Some shots hold for a seeming eternity, and part of you wishes for it to stop for it's unrestrained gore and violence...but the other part of you is getting a sick kick out of it. One of the most impressive shots is where the darkness from the trees begins to chase people, knocking any tree or obstacle down that happens to be in it's way. Truly magnificent technique, however they did it.

TED also succeeds because it's self-aware of the fact that it's a simple zombie movie and never takes itself too seriously, and doesn't expect the audience to do so either. It's meant to be campy, cheesy, revolting and chilling at the same time. There are moments in the film where it seems to be making fun of itself and the genre in general. For this fact alone, one cannot hold certain things against it such as sometimes questionable acting from the supporting cast and sometimes the downright implausibility of certain situations. If you can accept this and you're not put off by mannequin ultra-violence, then you should find yourself on the supporter's side of the fence. I think some don't like it because it can be ridiculous and cheesy in parts, although it was meant to be. Even with the fact that it's sometimes cheesy, there are some downright chilling moments in this film that most horror films nowadays cannot begin to muster. Case in point, the zombie screaming from the cellar door. The zombie growls and howls themselves are enough to send shivers up one's spine. And let's not forget the unforgettable tree love scene, ridiculous and hilarious simultaneously.

Last but certainly not least: Bruce Campbell as Ash, the badass of all zombie films. Campbell is Ash, period, and always will be.

In my opinion, this is by far the best of the trilogy, and although there could have been more of the chainsaw, this is the definitive zombie film and probably always will be. I feel it succeeds over it's sequels due to it's increased violence and lack of humor in comparison. It's blood, gore, camera work, and shock factor are still formidable even today and are what make this such a cult classic. If you've ever liked any horror film, this is an absolute must-see.

Love or hate it, there it is.