Max Headroom
- टीवी फ़िल्म
- 1985
- 57 मि
IMDb रेटिंग
7.1/10
2.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn the dystopic near future, a crusading TV reporter investigates news stories with help from a wisecracking computer version of himself.In the dystopic near future, a crusading TV reporter investigates news stories with help from a wisecracking computer version of himself.In the dystopic near future, a crusading TV reporter investigates news stories with help from a wisecracking computer version of himself.
- 1 BAFTA अवार्ड जीते गए
- कुल 3 जीत
William Morgan Sheppard
- Blank Reg
- (as Morgan Sheppard)
फ़ीचर्ड समीक्षाएं
10cadfile
I happened on the "Max Headroom: 20 minutes into the future" film on the cable channel Cinemax by accident in 1986 or so. The story, the setting, and the characters drew me in and I was blown away. It had the dreary, rainy, dark mood of "Blade Runner" and "Alien" with a touch of film noir where everyone smokes and the surrounding city is dirty and decaying. The cautionary tale of corporate control is dead on target even becoming more true than when this film came out.
There is an underground of people who don't exist - called 'Blanks' - and others who kidnap and kill people to sell their organs at the local tissue collection agencies.
Amongst this backdrop is Edison Carter - played by Matt Frewer - star reporter for Network 23. He uncovers evidence that his employer is killing viewers in an effort to generate more ad revenue. Instead of "killing the story" as happens today, the bosses decide to kill Edison. They have a problem in doing this however. Being that Edison is the star of the network, if he dies then people will know something is up. Enter teen genius Bryce Lynch - played by Paul Spurrier - who does his best thinking while taking a bath, downloads Edison's brain into a computer. He uses that to create a computer version of Edison in hopes of fooling the viewers.
All is not well when virtual Edison takes the name Max Headroom and escapes the control of Lynch and Network 23.
Helped by the lovely Theora Jones - played by Amanda Pays - and the leader of the Blanks, Blank Reg - played by William Morgan Sheppard - Max puts the screws on Network 23 and the whole corporate control culture.
Frewer is a hoot as Max. His zingers through out the movie help lighten the dark tones and Max is not just a computer clone of Edison. Max is how Edison wishes he could be.
Pays is lovely as Edison's and later Max's producer. She and Max have a good relationship.
Sheppard's Blank Reg is an aging punk rocker with a Mohawk to boot. He has it all figured out.
If you get a chance to see this movie then do it. You won't be sorry.
There is an underground of people who don't exist - called 'Blanks' - and others who kidnap and kill people to sell their organs at the local tissue collection agencies.
Amongst this backdrop is Edison Carter - played by Matt Frewer - star reporter for Network 23. He uncovers evidence that his employer is killing viewers in an effort to generate more ad revenue. Instead of "killing the story" as happens today, the bosses decide to kill Edison. They have a problem in doing this however. Being that Edison is the star of the network, if he dies then people will know something is up. Enter teen genius Bryce Lynch - played by Paul Spurrier - who does his best thinking while taking a bath, downloads Edison's brain into a computer. He uses that to create a computer version of Edison in hopes of fooling the viewers.
All is not well when virtual Edison takes the name Max Headroom and escapes the control of Lynch and Network 23.
Helped by the lovely Theora Jones - played by Amanda Pays - and the leader of the Blanks, Blank Reg - played by William Morgan Sheppard - Max puts the screws on Network 23 and the whole corporate control culture.
Frewer is a hoot as Max. His zingers through out the movie help lighten the dark tones and Max is not just a computer clone of Edison. Max is how Edison wishes he could be.
Pays is lovely as Edison's and later Max's producer. She and Max have a good relationship.
Sheppard's Blank Reg is an aging punk rocker with a Mohawk to boot. He has it all figured out.
If you get a chance to see this movie then do it. You won't be sorry.
10KB-21
Like the TV show that followed it, the "Max Headroom" movie was a great grim look into a bleak, Blade-Runner-esque future ruled by corporations who keep the proletariat down by anesthetizing them with junk food and mind-numbing television pageantry. The parallels are frightening, or haven't you seen a Jerry Springer audience lately? The UK movie is, if anything, even grittier and more creepy than the eventual US pilot and TV series. It's out of print, but well worth searching out -- a dramatic, thought-provoking example of everything that's good about science fiction.
The original version of this film, which was titled 120 minutes into the Future (I believe) was by far one of the most impressive and subversive things I have seen on TV. The premise involves the idea that Blipverts, or high-speed advertisements, are allowing the TV stations to create more ad time, but are also at risk of causing the most indolent members of society to spontaneously combust.
This is absolutely wonderful!
The whole Max Headroom angle was never really exploited until this became a (too short lived) TV series shortly after. However, this movie is nothing short of being among the most impressive and visionary movies ever made, and by far one of the most interesting (and underrated) cyberpunk tales told.
The low-budget enhances the bleakness of this dystopic future, and the utter pessimism about the future of mankind is palpable at every moment. Watching the TV zombies wander the streets in search of more TV, the dark rooms where the future of man (and media) is decided... the burnt-out buildings, the police-state siege mentality. I have rarely seen anything this ambitious attempted in the past.
This movie warned us about the dangers of mass media, and managed to do it in a way that was not ironic and was highly entertaining. Run out and find this movie if you can (I have seen it on tape, and Sci-Fi channel runs it occasionally). Go... NOW!
This is absolutely wonderful!
The whole Max Headroom angle was never really exploited until this became a (too short lived) TV series shortly after. However, this movie is nothing short of being among the most impressive and visionary movies ever made, and by far one of the most interesting (and underrated) cyberpunk tales told.
The low-budget enhances the bleakness of this dystopic future, and the utter pessimism about the future of mankind is palpable at every moment. Watching the TV zombies wander the streets in search of more TV, the dark rooms where the future of man (and media) is decided... the burnt-out buildings, the police-state siege mentality. I have rarely seen anything this ambitious attempted in the past.
This movie warned us about the dangers of mass media, and managed to do it in a way that was not ironic and was highly entertaining. Run out and find this movie if you can (I have seen it on tape, and Sci-Fi channel runs it occasionally). Go... NOW!
Gloomy future. Deserted streets. Media syndicates. Edison Carter is a hard-hitting reporter. One day he indirectly traces the existence of advertising, which has a dual impact on the subconscious of its consumers. On the one hand, they become addicted to watching it, on the other hand, like a drug, it is quite capable of killing some of those who happen to see it. The undesirable effect itself is not purposeful, but rather a specific by-product of a technical invention, but, as usual, ratings come first. The people standing behind the scenes are trying in vain to intimidate the reporter. Ultimately, a combination of circumstances will lead to the appearance of an alter ego - a computer version of himself with, at first glance, a strange call sign - Max Headroom. It is this digital form that will be destined to bring a little justice to the world. Where such a strange name came from can be understood in one of the scenes.
The action in this television film is presented primarily in the form of a vague, sometimes semi-documentary chronicle, with many screens, equipment, three-dimensional projections and faces in the frame. To some extent, this makes it similar to FMV quests, which became widespread with the onset of the nineties of the last century, both on the IBM PC and the 3DO console that appeared in 1993 in particular. The short running time, just under an hour, puts it on the same shelf as short films. Otherwise, it's difficult to say anything about the movie itself without obvious spoilers, so instead I'll focus on two other components.
First, in 1987-1988, an eponymous series was aired that lasted for two seasons and fourteen episodes, about an hour each. Secondly, the work, which is not particularly well known in our country, largely received cult status due to an incident on real television that occurred on November 22, 1987. An unidentified hacker managed to go on the evening live broadcast of the WGN-TV television channel, which was operating in Chicago, USA in those years. For about a minute and a half, the man hiding under the mask of Max Headroom was fooling around in a very unique way, at the same time essentially ridiculing both the TV channel itself and the media in general. The story that same evening was repeated on the consonant name WTTW. Today both the entry itself and the description in detail can be found in the same Wikipedia.
The action in this television film is presented primarily in the form of a vague, sometimes semi-documentary chronicle, with many screens, equipment, three-dimensional projections and faces in the frame. To some extent, this makes it similar to FMV quests, which became widespread with the onset of the nineties of the last century, both on the IBM PC and the 3DO console that appeared in 1993 in particular. The short running time, just under an hour, puts it on the same shelf as short films. Otherwise, it's difficult to say anything about the movie itself without obvious spoilers, so instead I'll focus on two other components.
First, in 1987-1988, an eponymous series was aired that lasted for two seasons and fourteen episodes, about an hour each. Secondly, the work, which is not particularly well known in our country, largely received cult status due to an incident on real television that occurred on November 22, 1987. An unidentified hacker managed to go on the evening live broadcast of the WGN-TV television channel, which was operating in Chicago, USA in those years. For about a minute and a half, the man hiding under the mask of Max Headroom was fooling around in a very unique way, at the same time essentially ridiculing both the TV channel itself and the media in general. The story that same evening was repeated on the consonant name WTTW. Today both the entry itself and the description in detail can be found in the same Wikipedia.
I loved this film back in the 80s, and its story of CGI characters to replace real people for TV is easily a possibility now. This is my favourite film ever, infact I only found out today that the its less than an hour long - theres so much going on Id swear it was 90 mins plus.
Anyone who is remotely into Sci Fi or computer graphics should see this, or anyone who just likes unusual films and fancies a break from the norm without being bored.
If this was a Manga cartoon instead of a British film, it would be massive!
Anyone who is remotely into Sci Fi or computer graphics should see this, or anyone who just likes unusual films and fancies a break from the norm without being bored.
If this was a Manga cartoon instead of a British film, it would be massive!
क्या आपको पता है
- ट्रिवियाAmanda Pays took a typing course to prepare for her role as Theora Jones.
- भाव
Bryce Lynch: You're looking at the future, Mr Grossman: people translated as data.
- क्रेज़ी क्रेडिटThe credits roll over a shot of the overpass that our heroes just passed under. After a few minutes the van owned by the thugs that "killed" Edison passes under it - apparently going after our heroes.
- कनेक्शनFeatured in Max Headroom: Blipverts (1987)
- साउंडट्रैकYou Think You're a Man
Written by Geoffrey Deane
Performed by Divine
टॉप पसंद
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विवरण
बॉक्स ऑफ़िस
- बजट
- £7,50,000(अनुमानित)
- चलने की अवधि57 मिनट
- ध्वनि मिश्रण
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