Runaway

A robotics division of the police force was created to deal with "runaways." Those would be robots that have gone haywire and need to be fixed or shutdown. Why that would fall under the police's jurisdiction is beyond me. I would think that the Geek Squad would be more suited for that job.

At any rate, when a mysterious computer chip is found in a runaway and a man is killed by a bullet that acted more like a guided missile, Jack Ramsay (Tom Selleck) uncovers a sinister plot.

This movie is not too far from reality. I don't ever see the police force getting a robotics division but check out what was in the movie that is now normal: floater cameras (known as drones today), robots doing all kinds of jobs, smart devices, and chipped bullets (OK, that's not normal but I could see that happening).

Like so many movies about technology and computers, this was about such things getting into the wrong hands.

A lot of critics complain about this movie but it was very well made for it's time. Not only does the movie show robots going out of control but it also shows a society of complete distrust and characters that are very cold. Gene Simmons from Kiss is perfect in the role with his looks and his voice as a sadistic villain that keeps managing to circumvent authorities. Chris Mulkey a bit actor is also good as an idiot that gets involved with Simmons. The script and soundtrack are excellent. Tom selleck also goes well as a frustrated cop who is fiercely determined to stop the bad guy and is humorously sarcastic to the people he deals with.

Set in undetermined future society where robotics are a major part of everyday life, from performing household chores to construction and more, Runaway follows Officer Jack Ramsay (Tom Selleck), head of the so-called 'Runaway Squad'. His hi-tech unit deals with out of control robots, intervening where humans may be endangered by the machines' malfunctions. When Ramsay discovers a plot by criminal genius Luther (Gene Simmons) to sell advanced microchips and cutting edge weaponry to the highest bidder, he finds himself taking on not only Luther, but also the dangerous killer's deadly robotic creations.

Written and directed by the late Michael Crichton, Runaway continues the theme of the dangers of technology affecting the lives of humans that had been previously visited in his previous works Westworld and Looker. Reviewing Runaway now, thirty years after it's original release, is a real eye opener to Crichton's foresight. Although the appearance of the technology in the movie is dated, being all microchips, clunky robots, switches and video tapes, there are things that have equivalents today. These include flying drones ('floaters'), tablet-like devices, the ease of gaining information through computer profiles of individuals, nannying by technology and the rapacious pervasiveness of the media. These features are integrated subtly and skilfully into the fabric of the film, helping Runaway maintain a surprising degree of relevance so far down the line. The movie is also notable for it's 'bullet-eye view' scenes, which were ground breaking in it's day and much imitated thereafter.

There's plenty to enjoy here as proceedings are quick and unfussy, the plot is purposeful and the action comes thick and fast, with Crichton really building up the tension and thrills during several standout scenes. Although some of the effects are a trifle creaky looking nowadays, the robotics are imaginative and well constructed. The performances are as equally enjoyable, with Selleck and Cynthia Rhodes (as Jack's partner) working well together. The underrated G.W. Bailey (of Police Academy infamy) also does a great turn as Jack's Chief and even a sizzling Kirstie Alley makes an appearance. The only letdown is from KISS legend Simmons, as although can he certainly deliver menacing looks and thousand yard stares, his overall acting ability is somewhat lacking. A much better rock star than actor, that's for sure.

While the movie is dated in parts, it's fast pace and inventiveness, along with Crichton's skillful direction helps Runaway stand up very well when viewed in the modern day. Whether revisiting or seeing it for the first time, Runaway is an oft-overlooked pulp thriller that's well worth catching.

The beauty of "Runaway" - . . . well, there are a few, actually. It's a good marriage of cop movie and plausible science fiction, a nasty villain (Gene Simmons with that creepy stare) and it works pretty much as well now as it did 30 years ago - which is something when we're talking a movie that's as unabashedly '80s as this. Selleck and Rhodes (hello!) have a good rapport, and the car "chase" scene on the freeway was pretty well don. On second thought, this probably shouldn't be as watchable as it is, but then again, Crichton actually manages to wring some nice suspense out of tiny robots.

7/10

Okay this movie is far from perfect. However, on a rainy day, or lazy weekend afternoon the movie is highly enjoyable.

Like a lot of movies it starts out great but gets a little silly towards the end.

What makes this movie is Tom Selleck. He is a very under-appreciated actor, who always seems to breathe life into the dullest of movies. Here he takes what could of been a much sillier movie and brings a lot of believability to his role and to the story. Even if it is about robots going nuts.

Michael Crichton directed this one, strange that he didn't write it as a book first, cause it is a great story. A little ahead of it's time which might explain it's poor performance with the critics and at the box office.

Definitely worth checking out. Great Jerry Goldsmith score.